Bøger af Fannie Hurst

"Gaslight Sonatas" by using Fannie Hurst is a compelling collection of brief tales that delves into the intricacies of human relationships towards the backdrop of the gaslit streets of early twentieth-century urban America. Fannie Hurst, recognised for her keen perception into human nature, crafts poignant and emotionally resonant testimonies that discover the lives of everyday people going through splendid demanding situations. The memories within "Gaslight Sonatas" are likely to be characterised with the aid of vivid characters, each navigating the complexities of love, loss, and self-discovery. Hurst's narrative fashion is probably to be rich in element, taking pictures the nuances of the evolving social landscape and the non-public struggles of her characters. The gaslight generation serves as a metaphorical and atmospheric putting, contributing to the mood and ambiance of the testimonies. Themes of resilience, societal expectancies, and the pursuit of private achievement can be woven at some point of the collection, creating a tapestry of human studies. Fannie Hurst's storytelling prowess, coupled along with her potential to evoke an experience of time and area, makes "Gaslight Sonatas" a poignant exploration of the human condition throughout a transformative length in American history.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is a new release of the original 1928 edition.

Additional Authors Include Heywood Broun, Winifred James And Robert Littell.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

IN the Knockerbeck Hotel there are various parlors; Pompeian rooms lined in marble and pillared in chaste fluted columns; Louis Quinze corners, gold-leafed and pink-brocaded, principally furnished with a spindly-legged Vernis-Martin cabinet and a large French clock in the form of a celestial sphere surmounted by a gold cupid. There are high-ceilinged rendezvous rooms, with six arm and two straight chairs chased after the manner of Gouthière, and a series of small inlaid writing-desks, generously equipped for an avidious public to whom the crest-embossed stationery of a four-dollar-a-day-up hotel suggests long-forgotten friends back home.

On either side of the Bowery, which cuts through like a drain to catch its sewage, Every Man's Land, a reeking march of humanity and humidity, steams with the excrement of seventeen languages, flung in patois from tenement windows, fire escapes, curbs, stoops, and cellars whose walls are terrible and spongy with fungi.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In this age of prose, when men's hearts turn point-blank from blank verse to the business of chaining two worlds by cable and of daring to fly with birds; when scholars, ever busy with the dead, are suffering crick in the neck from looking backward to the good old days when Romance wore a tin helmet on his head or lace in his sleeves-in such an age Simon Binswanger first beheld the high-flung torch of Goddess Liberty from the fore of the steerage deck of a wooden ship, his small body huddled in the sag of calico skirt between his mother's knees, and the sky-line and clothes-lines of the lower East Side dawning upon his uncomprehending eyes.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gaslight Sonatas is a novel written by Fannie Hurst. The story is set in the early 20th century in New York City and revolves around the life of a young woman named Lora Deane. Lora is a talented pianist who dreams of becoming a successful musician, but her ambitions are hindered by the societal norms of the time that dictate that women should focus on marriage and motherhood.Despite the challenges she faces, Lora perseveres and eventually finds success as a performer in the city's bustling nightlife scene. Along the way, she encounters a cast of colorful characters, including a wealthy businessman who becomes her patron, a struggling artist who becomes her lover, and a group of bohemian musicians who become her friends.The novel explores themes of gender roles, class, and the pursuit of artistic fulfillment in a rapidly changing society. It is a vivid portrait of New York City in the early 20th century and a compelling story of one woman's journey to find her place in the world.At West Street, where Broadway intersects, the red sun at its far end settled redly and cleanly to sink like a huge coin into the horizon. The Popular Store emptied itself into this hot pink glow, scurried for the open street-car and, oftener than not, the overstuffed rear platform, nose to nose, breath to breath.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

By that same architectural gesture of grief which caused Jehan at Agra to erect the Taj Mahal in memory of a dead wife and a cold hearthstone, so the Bon Ton hotel, even to the pillars with red-freckled monoliths and peacock-backed lobby chairs, making the analogy rather absurdly complete, reared its fourteen stories of "elegantly furnished suites, all the comforts and none of the discomforts of home."

When Lilly Becker eked out with one hand that most indomitable of pianoforte selections, Rubinstein's "Melody in F," her young mind had a habit of transcending itself into some such illusory realm as this: Springtime seen lacily through a phantasmagoria of song. A very floral sward. Fountains that tossed up coloratura bubbles of sheerest aria and a sort of Greek frieze of youth attitudinized toward herself. This frieze was almost invariably composed of Estelle Foote, a successful rival in a class candidacy for the sponge-and-basin monitorship; Sydney Prothero, infallible of spitball aim; Miss Lare with her spectacles very low on her nose and a powdering of chalk dust down her black alpaca; Flora Kemble with infinitely fewer friendship bangles on her silver link bracelet; Roy Kemble, kissing her yellow, rather than yanking her brown, braids. And then suddenly, apropos of nothing except the sweet ache of Lilly's little soul, the second movement would freeze itself into a proscenium arch of music, herself, like a stalagmite, its slim center. At this point, "Melody in F" veils itself in a mist of arpeggios, and Mrs. Becker, who invariably, during the after-school practice hour, sat upstairs with Mrs. Kemble in her sunny second-story back, would call down through the purposely opened floor register. "Lilly, not so fast on that part."

The bestselling story behind Ross Hunter's classic melodrama starring Susan Hayward and John Gavin. When "fly girl" and gorgeous socialite Ray Schmidt first meets Walter Saxel in Cincinnati, their attraction is instant and everlasting. As their bond deepens, Ray finds herself envisioning a future with Walter, until one fateful day when the settling of her family affairs interferes with their plans to meet, and his relationship with another woman forms. Though years pass and Ray manages to carve out a life for herself in New York City, Walter remains in her memory, and a chance run-in with him leads them both to fall into their former ways. What unfolds is the fascinating tale of what life was for selfless, devoted Ray, a prisoner to her love for the one man who would never fully love her back. Originally published in 1931, this bestselling classic novel about the heartbreak of living along the "back streets" of a man's life was adapted into film three times. With a new foreword by Cari Beauchamp.Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Fannie Hurst (1889-1968) was an American novelist. She was born in Hamilton, Ohio, the only surviving child of a well-to-do Jewish family. She spent the first twenty years of her life in St. Louis, Missouri, where she attended Washington University in St. Louis and graduated in 1909. In 1921, she was among the first to join the Lucy Stone League, an organization that fought for women to preserve their maiden names. She was active in the Urban League, and was appointed to the National Advisory Committee to the Works Progress Administration in 1940. She was also a delegate to the World Health Organization in 1952. Hurst is now best known for the screen adaptations of her works, such as the 1934 film Imitation of Life.

Fannie Hurst (1889-1968) was an American novelist. She was born in Hamilton, Ohio, the only surviving child of a well-to-do Jewish family. She spent the first twenty years of her life in St. Louis, Missouri, where she attended Washington University in St. Louis and graduated in 1909. In 1921, she was among the first to join the Lucy Stone League, an organization that fought for women to preserve their maiden names. She was active in the Urban League, and was appointed to the National Advisory Committee to the Works Progress Administration in 1940. She was also a delegate to the World Health Organization in 1952. Hurst is now best known for the screen adaptations of her works, such as the 1934 film Imitation of Life.