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  • af Eoghan Walls
    133,95 kr.

    Fourteen-year-old Orla''s mum is dead. She lives in England with her unemployed father and baby sister Lily, but she''s planning to run away to live in Northern Ireland, where her mother is buried. Preoccupied with trouble at home and at school, she accidentally crashes her bike into a man who calls himself Jesus and says he is the Son of God. He has never seen a smartphone. He can raise animals from the dead by blowing into their mouths, including Orla''s cat Sneaky. Orla convinces Jesus to come with her to Ireland to bring her mum back to life and she teaches him how to ride a bike to get there. But Jesus has plans of his own, and after one of his revivals goes horribly wrong, Orla must decide how far she is willing to go to save her mother. A hilarious coming-of-age story, road novel, and meditation on the mysteries of faith and grief, this debut novel heralds an important new voice in world literature.

  • af Eoghan Walls
    183,95 kr.

    Most anticipated in the IRISH TIMES, TORONTO STAR, and the BOOK CULTURE newsletter • INDIE NEXT LIST PICK • LIBRARY READS SELECTION • PERFECT FOR BOOK CLUBS • DEBUT NOVEL "A consistently surprising, evocative, almost impossible to put down, and gloriously original work." —BooklistA stunning debut novel from the Northern Irish poet Eoghan Walls, The Gospel of Orla is the coming-of-age story of a young girl, Orla, and the man she meets who has an astonishing and unique ability. It is also a road novel that takes us across the north of England after the two flee Orla’s village together. Here the mysteries of faith charge full bore into the vagaries of contemporary mores. A humorous, wise, deeply human and sometimes breathtaking work of lyrical fiction. “A melancholic, funny, and magical coming-of-age story, The Gospel of Orla is glorious, wise, and totally weird. I loved it.” —Annie Hartnett, author of Unlikely Animals"Utterly convincing and fresh and original." —Colm Tóibín, author of The Magician"In his debut novel, poet Eoghan Walls imagines the intersection of the material and the mystic. . . . As the troubled teenager ricochets between circus illusion and divine touch, she and the reader are beckoned to ponder where magic ends and miracles begin." —Kia Corthron, author of Moon and the Mars