Bøger af Elizabeth Grosz

Demonstrates that the sexually specific body is socially constructed: biology or nature is not opposed to or in conflict with culture. Examining the theories of Freud, Lacan, Merleau-Ponty, Foucault, Deleuze, Derrida, and more on the subject of the body, this title concludes that the body they theorize is male.

Focussing on the work of Darwin, Nietzsche and Bergson, showing its relevance to cultural and social theory, influential theorist Elizabeth Grosz investigates the social and political implications of evolutionary change. Grosz has taught at University of Sydney and Monash University and is currently at Rutgers University, USA.

Elizabeth Grosz addresses three related concepts-life, politics, and art-by exploring the implications of Charles Darwins account of the evolution of species.

Essays on the relationship between temporatlity and feminism that focus on the political and philosophical ramifications of being future oriented.

Provides a critical overview of the French philosopher's work from a feminist perspective. The text discusses previous attempts to give a feminist reading of Lacan's work and argues for women's autonomy based on an "indifference" to the Lacanian phallus.

Instead of treating art as a unique creation that requires reason and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection. She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic.By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Felix Guattari, and Jakob von Uexkull, we are able to grasp art's deep animal lineage. Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.

Prominent feminist theorist rethinks the relationship between evolution and the biological body through the study of three key figures--Darwin, Nietzsche, and Bergson.

Grosz celebrates and re-situates the body in the space between feminism and philosophy, feminism and cultural analysis and feminism and critical thought. She investigates the work of Foucault, Deleuze, Butler and Lingis.