Bøger af Elizabeth Cleghorn Gaskell

Now Miss Matty Jenkyns was chary of candles. We had many devices to use as few as possible. In the winter afternoons she would sit knitting for two or three hours-she could do this in the dark, or by firelight-and when I asked if I might not ring for candles to finish stitching my wristbands, she told me to "keep blind man's holiday." They were usually brought in with tea; but we only burnt one at a time. As we lived in constant preparation for a friend who might in any evening (but who never did), it required some contrivance to keep our two candles of the same length, ready to be lighted, and to look as if we burnt two always. The candles took it in turns; and, whatever we might be talking about or doing, Miss Matty's eyes were habitually fixed upon the candle, ready to jump up and extinguish it and to light the other before they had become too uneven in length to be restored to equality in the course of the evening.-from Chapter V: "Old Letters"As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and progressive depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North.Cranford-Gaskell's second novel, which was originally serialized from 1851 to 1853 in the periodical Household Words, edited by Gaskell's friend Charles Dickens-was based upon Gaskell's own experiences growing up in the small Cheshire town of Knutsford. Adapted as an instantly acclaimed 2007 BBC miniseries, this is the charming tale of two elderly spinster sisters and their young charge-a thinly disguised version of Gaskell herself. It offers a lovely depiction of village life in the mid 19th century.Friend and literary companion to such figures as Charlotte Brontë-of whom Gaskell wrote an applauded 1857 biography-Gaskell is today being restored to her rightful place alongside her. This delightful replica volume is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.

Jem's heart beat violently when he saw the gay, handsome young man approaching, with a light, buoyant step. This, then, was he whom Mary loved. It was, perhaps, no wonder; for he seemed to the poor smith so elegant, so well-appointed, that he felt the superiority in externals, strangely and painfully, for an instant. Then something uprose within him, and told him that "a man's a man for a' that, for a' that, and twice as much a' that." And he no longer felt troubled by the outward appearance of his rival.-from Chapter XVAs interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North.Mary Barton-Gaskell's first novel, originally published anonymously in 1848-established her reputation as a champion of the working class. Set in Manchester, where the author herself settled as the wife of a progressive preacher, it concerns the trials and tribulations of two poor families, the Bartons and the Wilsons, and a tragedy that cements their joint fate and highlights the class divide in highly stratified Victorian society.Friend and literary companion to the likes of Charles Dickens and Charlotte Brontë-the latter of whom Gaskell wrote an acclaimed 1857 biography-Gaskell is today being restored to her rightful place alongside them. This charming replica volume is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.

But, for all her screen, she felt a pair of eyes were fixed upon her with a glow of admiration deepening their honest brightness. Somehow, look in what direction she would, she caught the glance of those eyes before she could see anything else. So she played with her apron-strings, and tried not to feel so self-conscious. There were another pair of eyes,-not such beautiful, sparkling eyes,-deep-set, earnest, sad, nay even gloomy, watching her every movement; but of this she was not aware. Philip had not recovered from the rebuff she had given him by refusing his offered hand, and was standing still, in angry silence, when Mrs. Corney thrust a young woman just arrived upon his attention.-from Chapter XII: "New Year's Fête"As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North.Sylvia's Lovers-Gaskell's fifth novel, first published in 1863-is the melodramatic tale of a star-crossed romantic triangle between farmgirl Sylvia Robson and the two men who love her: her cousin Philip and sailor Charlie Kinread. Though today considered one of Gaskell's minor works, the author herself called Sylvia's Lovers "the saddest story I ever wrote."Friend and literary companion to such figures as Charles Dickens and Charlotte Brontë-the latter of whom Gaskell wrote an applauded 1857 biography-Gaskell is today being restored to her rightful place alongside her. This delightful replica volume is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.

"My dear! why don't you ask him to dinner here? A little quiet dinner, you know. Cook is quite up to it; and we would all of us wear blacks and lilacs; he couldn't consider that as gaiety."Mr. Gibson took no more notice of these suggestions than by shaking his head. He had grown accustomed to his wife by this time, and regarded silence on his own part as a great preservative against long inconsequential arguments. But every time that Mrs. Gibson was struck by Cynthia's beauty, she thought it more and more advisable that Mr. Osbourne Hamley should be cheered up by a quiet little dinner-party. As yet no one but the ladies of Hollingford and Mr. Ashton, the vicar-that hopeless and impracticable old bachelor-had seen Cynthia; and what was the good of having a lovely daughter, if there were none but old women to admire her?-from Chapter XIX: "Cynthia's Arrival"As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North.Wives and Daughters, Gaskell's sixth and final novel, was originally serialized in Cornhill Magazine between 1864 and 1866, and was not quite finished at the time of the author's death. The story, of shy Molly Gibson and her far more spirited stepsister, Cynthia, and the men who vie for their hands, remains incomplete, but this edition features notes from the Cornhill editor regarding Gaskell's plans for the tale's ending.Friend and literary companion to such figures as Charles Dickens and Charlotte Brontë-the latter of whom Gaskell wrote an applauded 1857 biography-Gaskell is today being restored to her rightful place alongside her. This delightful replica volume is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.

It was curious how the presence of Mr. Thornton had power over Mr. Hale to make him unlock the secret thoughts which he kept shut up even from Margaret. Whether it was that her sympathy would be so keen, and show itself in so lively a manner, that he was afraid of the reaction upon himself, or whether it was that to his speculative mind all kinds of doubts presented themselves at such a time, pleading and crying aloud to be resolved into certainties, and that he knew she would have shrunk from the expression of any such doubts-nay, from him himself as capable of conceiving them-whatever was the reason, he could unburden himself better to Mr. Thornton than to her of all the thoughts and fancies and fears that had been frost-bound in his brain till now.-from Chapter XXXV: "Expiation"As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North.North and South-Gaskell's fourth novel, which was originally serialized in 1854 and 1855 in the periodical Household Words, edited by Gaskell's friend Charles Dickens-draws on Gaskell's own life as the wife of a progressive preacher in Manchester for its tale of the tumultuous romance between a minister's daughter and a wealthy mill owner. The plight of the poor as well as the class divisions of the era come to the fore here, and helped establish the author's reputation as a champion of the working class. Adapted as an acclaimed 2004 BBC miniseries, this is perhaps Gaskell's most beloved work.Friend and literary companion to such figures as Charlotte Brontë-of whom Gaskell wrote an applauded 1857 biography-Gaskell is today being restored to her rightful place alongside her. This delightful new edition is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.