Bøger af Elisabeth Sanxay Holding

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Thing Beyond Reason, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature

Rosaleen among the artists, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature

The house was very quiet to-night. There was nothing to disturb Miss Alexandra Moran but the placid ticking of the clock and the faint stir of the curtains at the open window. For that matter, a considerable amount of noise would not have troubled her just then. As she sat at the library table, the light of the shaded lamp shone upon her bright, ruffled head bent over her work in fiercest concentration. She was chewing the end of a badly damaged lead pencil, and she was scowling.She laid down the pencil and sat back in the chair, with her arms folded. Though her present difficulty concerned nothing more serious than a crossword puzzle, an observer might have learned a good deal of Miss Moran's character from her manner of dealing with it. The puzzle itself, with its neat, clear little letters printed in the squares, would have been a revelation that whatever she undertook she did carefully and intelligently, and obstinately.

NOBODY WILL LISTEN: THE COLLECTED MYSTERY STORIES OF ELISABETH SANXAY HOLDINGThe Blue Envelope: George Nevill, the deputy commissioner of San Fernago, is presented with an interesting case when Miss Sylvester accuses Dulac, Mrs. Jones' chauffeur, of being a German spy. As far as Nevill knows, Dulac is the loyal Frenchman he seems, but Miss Sylvester knows better and is willing to go to any lengths to prove it. Friday, the Nineteenth: Boyce is sick of his wife and his boring life. He and his neighbor Molly have been flirting for a while, but the time has come for them to do something about it. They agree to meet the next day at a downtown hotel. But when he awakes the following morning Boyce discovers that it's still Friday. Every morning is Friday! Can he and Molly ever escape this endless day and find Saturday together?The Chain of Death: Gilbert Emery has been shot during an apparent robbery, but his daughter Lois thinks there is more to it. She convinces her uncle, Barty Clement, to come back to the house with her to investigate. Clement is a reluctant sleuth, but even he can see that something is amiss here-everyone hates Emery, and no one is telling a straight story to him or the police. Three clever mystery stories plus 16 more, some set in the Caribbean, many set during the second World War, all infused with Holding's psychological twists and turns and her cool depiction of the contrariness of human nature.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE UNFINISHED CRIME Andrew Branscombe has been courting Hilda Patrell in his old-fashioned, priggish way.  He doesn’t realize that, though separated from her husband, she is still married.  So when Charles Patrell returns and begins to interfere with his plans, Andrew accidentally kills him in a fit of rage and fear.  At first panicked, his terror turns to exhilaration as he realizes that he can get away with the deed.  All he has to do is keep everyone from the truth. First there is his sister Eva, who is trusting enough to believe everything he tells her.  And there is Hilda and her thirteen-year-old daughter, Coralie, Charles’s daughter.  And Charles’s old friend, Vincent Colton, who shows up looking him.  And Charles’s young live-in girlfriend, Blanche, who must be dealt with.  And of course there’s Jerry, who unfortunately appears at exactly the wrong moment, but ends up helping him get rid of the body—and now won’t go away.  Fortunately for Andrew he is up to the task—daring and clever fellow that he is—because a lesser man would surely be caught.        THE GIRL WHO HAD TO DIE “I’m going to be murdered,” she said in her muffled, sad little voice.  Jocelyn is only nineteen but is convinced that she is going to die.  She meets John Killian on a cruise ship heading back to New York.  And when later than night she falls over the rail and into the ocean, it looks like her prediction had come true.  Imagine Killian’s surprise when the rescued Jocelyn insists that he was the one who had pushed her. She’s poison, he thought. She can’t help that, anymore than a rattlesnake can help it.  But you have to get away from her.  When they dock, Jocelyn convinces Killian to accompany her to the Bells for a visit.  She’s claims that she is in love with Killian, and will keep his secret.  And then one of the passengers, Elly L’O, and the ship’s purser, Chauverney, also show up at the Bells, followed by Angelo, who had been their ship’s waiter.  Each one seems to have a connection to Jocelyn—even Mr. and Mrs. Bell--and it soon becomes clear to Killian that they are bonds of hate.  But Jocelyn claims innocence.  Is he being groomed to be her next victim—or her murderer?

SPEAK OF THE DEVIL When Karen Peterson first meets Mr. Fernandez on the cruise ship, he is so charming.  Still, when he offers her a job as hostess at his new island hotel, she accepts with a great deal of reluctance.  After all, charm can hide a multitude of flaws.  And when she meets her predecessor, the very young and headstrong Cecily, Miss Peterson is sure that she seems more than a mere employee.  Even the guests have their secrets—Mrs. Fish tells her that she is looking for her husband’s murderer at the hotel. But that first night Cecily surprises them all by announcing that she has just killed a man who had attacked her in Mr. Fernandez’s room.  Later, one of the clerks tells Miss Peterson that he had seen the devil that night, stalking the hotel halls.  Then Mrs. Fish shows Karen a photo of her dead husband—who looks like the devil himself!  But nothing prepares Miss Peterson for murder, and that, of course, is just what comes next. THE OBSTINATE MURDERER Emilia Swan calls Van Cleef at his club and begs him to come to her aid.  Someone is blackmailing her.  Though he’d rather have another drink, he agrees to visit her.  But before he can leave he runs into the son of an old friend.  Russell Blackman, a supercilious young man with a gifted intellect, has the unfortunate habit of alienating everyone around him.  But he has always idolized Van Cleef, and agrees to drive him to Emilia’s country home if he can tag along. When they arrive, they walk into a house filled with tension.  Since the death of her husband—some say suicide—Emilia has let out rooms in her house.  Staying with her are Major Bramwell, an irascible old gent who demands that they leave immediately; Annie and Harry Downes, neither of whom seem to like their hostess one bit; and Lizzy Carroll, a pale, sharp-featured girl who drives the Major to distraction with her loud music.  That night Harry is stricken with a serious stomach illness.  Russell thinks he’s been poisoned, but no one takes him seriously.  The next night, Van Cleef himself is nearly poisoned.  There is certainly more going on than mere blackmail, but will Van Cleef live long enough to figure out what it is?