Bøger af Elfriede Jelinek

Ny Jord – Tidsskrift for naturkritik er et multidisciplinært tidsskrift, der orienterer sig på tværs af århundreder og landegrænser og bringer videnskab, litteratur og kunst side om side i ønsket om at bidrage til en kvalificeret samtale om naturen i en tid, hvor vores forestillinger og idéer om den ændres markant.

Elfriede Jelinek (f. 1946), østrigsk forfatter og dramatiker. Hun modtog Nobelprisen i 2004.Skygger (Eurydike siger) er en dramatisk monolog skrevet til Operahuset i Essen og opført første gang i 2014. Det er en genskrivelse af Orfeusmyten fra Eurydikes perspektiv og i et jelineksk syrebad. I myten om sangerguden Orfeus bliver hans elskede Eurydike bidt af en slange og dør, og Orfeus drager til dødsriget for at hente hende tilbage. At Eurydike gerne vil genforenes med sin elskede Orfeus, har siden oldtiden været en uudtalt præmis. Men med Jelineks Eurydike forholder det sig anderledes. Hun føler sig friere som skygge i dødsriget end som levende kvinde. Bogen er oversat af Jørgen Herman Monrad og Judyta Preis, som også har skrevet efterordet.

Erika Kohut teaches piano at the Vienna Conservatory by day. But by night she trawls the porn shows of Vienna while her mother, whom she loves and hates in equal measure, waits up for her. Into this emotional pressure-cooker bounds music student and ladies' man, Walter Klemmer. With Walter as her student, Erika spirals out of control.

Kurt Janisch is an ambitious, but frustrated country policeman. Things are not going right in his life. But a country policeman gets talking to a lot of people in the line of duty - particularly lonely, middle-aged women. Matters go from bad to worse. Someone sees too much, knows too much. Soon there's a body in a lake and a murderer to be caught.

In a quaint Austrian ski resort, things are not quite what they seem. Hermann, the manager of a paper mill, has decided that sexual gratification begins at home. Which means Gerti - his wife and property. Gerti is not asked how she feels about the use Hermann puts her to. She is a receptacle into which Hermann pours his juices brutally.

Originally written as a libretto for the Berlin State Opera, Elfriede Jelinek's REIN GOLD reconstructs the events of Wagner's epic Ring cycle and extends them into the present day.

Carefully perched somewhere between tragedy and grotesque, high-pitched and squeamish, Jelinek's play, On the Royal Road, brings into focus the phenomenon of right-wing populism, which spreads like a virus and has a lasting effect on global politics. Nobel Prize winner Elfriede Jelinek is known as a writer who works in response to contemporary crises and cultural phenomena. Perhaps none of her works display that quality as clearly as On the Royal Road. Three weeks after Donald Trump's election, Jelinek mailed her German editor the first draft of this play, which turns out to be a stunningly prescient response to Trump and what he represents. In this drama, we discover that a "king," blinded by himself, who has made a fortune with real estate, golf courses, and casinos, suddenly rules the United States, and the rest of the people of the world rub their eyes in disbelief until no one sees anything anymore. As topical as the evening news, yet with insight built on a lifetime of closely observing politics and culture, On the Royal Road brings into focus the phenomenon of right-wing populism, which spreads like a virus and has a lasting effect on global politics. Carefully perched somewhere between tragedy and grotesque, high-pitched and squeamish, Jelinek in this work questions her own position and forms of resistance.

A new play from Nobel Prize winner Elfriede Jelinek that deals with the 2015 terror attack on the satirical French magazine Charlie Hebdo's offices in Paris. In Greek mythology, it is Hera who blinds the hero Heracles, so that, in a fit of fury, he kills his own family. In the twenty-first century, the gods have another name. So did the three young men who stormed a magazine's editorial office and a Jewish supermarket in Paris in January 2015 and murdered twelve people. The blind fury, however, remained and more virulent than ever, not least because the weapons were so much more effective. In this raging text, arguably one of her darkest, Nobel Prize winner Elfriede Jelinek investigates topical political events in the context of enduring history and myths. Fury expresses itself not only multi-voiced and from the changing perspective of Islamist terrorists (and their special hatred of Jews), in the shape of furious German citizens, individual narcissistic humiliation, or brutal distribution battles around the globe. Rather, fury also appears as the motor that has driven people with a devastating force for centuries. With her characteristic linguistic power, Jelinek articulates her own disconcertedness in the face of these crimes. In passing, she returns repeatedly to the contradiction between religious laws against representation and the deluge of images online, where movies of assassination, severed heads, and other atrocities are exhibited for millions to see. Fury is a compact grand epic that starts in primal times and attempts to describe the indescribable, relating the inexplicable in our times.

Elfriede Jelineks Roman über Lust, patriarchalische Machtverhältnisse und Sexualität, der viel Aufsehen erregte: Als selbst die Angst vor Aids auch das hinterste Alpental erreicht hat, muss der Fabrikdirektor gezwungenermaßen seine außerehelichen Eskapaden einstellen und sich wieder seiner Frau Gerti zuwenden. Doch Gerti versucht den sexuellen Angriffen ihres Mannes zu entfliehen und landet schließlich in den Armen des Studenten Michael, aber auch dieses erotische Abenteuer endet für Gerti in Demütigung.Elfriede Jelinek, geboren 1946, ist eine österreichische Schriftstellerin, die 2004 den Literaturnobelpreis verliehen bekam und außerdem Preisträgerin des Georg-Büchner-Preises und des Franz-Kafka-Literaturpreises ist. Sie beleuchtet in ihren Werken die Missstände in der österreichischen Gesellschaft und hat damit bereits einige Skandale hervorgerufen. „Lust" gehört zu ihren meistverkauften Büchern.

For much of her career, Elfriede Jelinek has been maligned in the press for both her unrelenting critique of Austrian complicity in the Holocaust and her provocative deconstructions of pornography. Despite this, her central role in shaping contemporary literature was finally recognized in 2004 with the award of the Nobel Prize in Literature. Although she is an internationally recognized playwright, Jelinek's plays are difficult to find in English, which makes this new volume, which includes "Rechnitz: The Exterminating Angel," "The Merchant's Contracts" and "Charges (The Supplicants)" all the more valuable. In "Rechnitz," a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. In "The Merchant's Contracts," Jelinek brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated and bearing the brunt of the economic crisis. In "Charges (The Supplicants)," Jelinek offers a powerful analysis of the plight of refugees, from ancient times to the present. She responds to the immeasurable suffering among those fleeing death, destruction, and political suppression in their home countries and, drawing on sources as widely separated in time and intent as up-to-the-minute blog postings and Aeschylus's "The Supplicants," Jelinek asks what refugees want, how we as a society view them, and what political, moral, and personal obligations they impose on us.

One of a series of drama texts published to coincide with theatrical premieres of new plays and translations.

In Rechnitz, a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. The author brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated.

Shows how actions of the present are determined by thoughts of the past.

English translation of Nobel laureate Elfriede Jelinek's Sports Play, a provocative postdramatic theatrical exploration of sport as a form of war. First produced in Vienna in 1998, this English version was produced in the UK to coincide with the London 2012 Olympics, and has subsequently toured internationally.

Elfriede Jelinek''s wide-ranging literary production has brought her to the forefront of the Austrian literary scene. The fifteen essays collected here demonstrate the significance of this major literary voice, addressing Jelinek as a master of modernist prose, of post-modern critique of literary genres, and of stage and screen. Hers is a strong voice against domestic violence, pornography, oppression of women, and the continuance of the fascist legacy in the everyday world of contemporary Austria and Germany. Jelinek is represented in this volume with an essay on translation and is further introduced by an interview. The remaining fifteen contributions by eminent scholars from both Europe and the United States illuminate Jelinek''s writings through discussions of her major works. These critical analyses of her prose and drama and their attendant bibliographies make Jelinek''s fascinating and highly relevant literary world available to English-speaking readers for the first time.