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  • - America's First Great Woman Cartoonist
    af Eddie Campbell
    250,95 kr.

    Kate Carew was America's first great woman cartoonist, drawing for newspapers in the first two decades of the 20th century. She drew Sunday color comics alongside George Herriman, but it was in the idiom of freestanding caricature that she made her mark. She interviewed and sketched many of the famous celebrities of her time including the Wright brothers, who built and flew the world's first successful airplane; Marconi, who invented wireless radio; Picasso, the most famous painter of the 20th century; the world champion African American heavyweight boxer Jack Johnson; and the leading figures of the suffragette movement in the years before women won the right to vote in the UK (1918) and the US (1920). Her most endearing achievement was her cartoon alter ego "Aunt Kate," whom she sketched into the proceedings, turning graphic reportage into her personal adventure from San Francisco and New York to London and Paris. Written and designed by award-winning artist Eddie Campbell along with Carew's granddaughter, Christine Chambers, this book is an insightful, well researched biography as well as an astonishing archive of Carew's cartoons and illustrations.

  • af Eddie Campbell
    308,95 kr.

    Eddie Campbell is not himself. But these days, who is? It’s meta-fictional mystery and mischief as the award-winning artist of From Hell sets out to find his own imposter. Plus, on the flipside: a deluxe new presentation of The Fate of the Artist, Eddie Campbell’s classic work of graphic meta-memoir!SIDE A: The Second Fake Death of Eddie Campbell, by Eddie Campbell, is a spiritual sequel to his acclaimed graphic novel The Fate of the Artist, in which the author was missing from his own autobiography. Many years later, during an endless Covid lockdown in which everybody wears a mask and needs a haircut, Eddie’s wife is certain that he has been supplanted by an imposter. She hires a detective, the square-jawed Royler Boom, to solve the mystery. What follows — interspersed with Campbell’s trademark wry anecdotes, dreams, parodic pastiches, and pandemic peccadilloes — is a thrilling investigation that builds to a car chase and a violent conclusion. The author cunningly passes this off as another piece of autobiography.SIDE B: The Fate of the Artist: In an autobiography, the author and the subject are the same person… but now they’ve both gone missing. The Fate of the Artist is a complex weaving of different strains of invention including a mock prose detective story, an imaginary Sunday comic strip, a mock fumetti-style interview with the author's daughter, intertwined with Campbell's beloved brand of autobiographical comic storytelling. In this deluxe reissue of a groundbreaking book, the award-winning cartoonist of From Hell and Alec presents a complex, caustic, and fiendishly clever meditation on the lonely life of the artist and the busy life that swirls around him.

  • af Eddie Campbell
    483,95 kr.

    A rip-roaring and exhaustively researched new take on the origin of the comic strip by one of the leading cartoon storytellers of our time.With more than 500 period cartoons, The Goat Getters illustrates how comics were developed by such luminaries as Rube Goldberg, Tad Dorgan, and George Herriman in the sports and lurid crime pages of the daily newspaper. This wild bunch of West Coast-based cartoonists established the dynamic anatomy and bold, tough style that continue to influence comics today, as well as their own goofy slang that enriched the popular lexicon.The Goat Getters also captures early twentieth century-history through the lens of the newspaper comics: the landmark 1910 boxing match in Reno, Nevada between Jim Jeffries, the "Great White Hope," and Jack Johnson, the first African-American heavyweight champion; the nationwide race riots that followed; the San Francisco graft trials that culminated in the shooting of the Federal Prosecutor; and the trial of Harry Thaw for the murder of architect Stanford White, a crime of passion that centered on Thaw's wife, show-girl Evelyn Nesbitt Thaw--all were venerated or vilified by Nell Brinkley, Jimmy Swinnerton, and their fellow directors of the ink and newsprint stage.