Bøger af Duncan Tonatiuh

Explore a world of shapes in this vibrant, bilingual picture book from award-winning author-illustrator Duncan TonatiuhFrom award-winning and beloved author-illustrator Duncan Tonatiuh comes ¡Felicidades!, a celebratory bilingual concept picture book of shapes featuring a birthday party. ¡Felicidades! includes a double gatefold finale reveal, and a brief author’s note in English and Spanish that lends additional context.cuadrado–una mesa/square–a tablecirculo–un pastel/circle–a cake triangulo–gorritos/triangle–party hatsovalo–globos/oval–balloons rectángulo–regalos/rectangle–giftsdiamante–un papalote/diamond–a kitemedio circulo–rebanadas de fruta/half-circle–fruit slices pentágonos y hexágonos–un balón de fútbol/pentagons and hexagons–a soccer ball estrella–una piñata/star–a piñatacorazón–una paleta/heart–a lollipop¡Feliz cumpleaños!/Happy birthday!

Explore a world of colors in this vibrant, bilingual picture book from award-winning author-illustrator Duncan Tonatiuh

"Una meia lua silbâo a travâes del aire. El golpe fue evadido y le siguiâo un aâu. Dos jâovenes estaban jugando a la capoeira en medio de la roda. Bimba tambiâen querâia jugar. Aunque se debate cuâando y dâonde se originâo exactamente la capoeira, una forma de arte que combina las artes marciales, la danza, las acrobacias, la mâusica y la espiritualidad, una cosa es segura: a principios del siglo xx Brasil era el âunico paâis en el mundo en el que se jugaba a la capoeira, y era practicada principalmente por personas de ascendencia africana. En 1890, dos aänos despuâes de que Brasil aboliera oficialmente la esclavitud, el juego fue prohibido. La sociedad rica y de piel mâas clara temâia y menospreciaba la capoeira, viâendola como un juego de "malandros", como llamaban las personas en el poder a las comunidades negras y pobres a las que despreciaban. Pero, a principios de la dâecada de 1920 en la ciudad de Salvador, un hombre llamado Bimba abogarâia por que la capoeira, y quienes la practicaban, fueran tratados con la dignidad y el respeto que se merecâian. La prosa lâirica y el adorado estilo de ilustraciâon de Duncan Tonatiuh, inspirado en los câodices precolombinos, cuentan la historia de quien se podrâia decir fue el mejor capoeirista de todos los tiempos, quien luchâo para convertir una actividad afrobrasileäna perseguida e incomprendida en un arte câelebre y practicado por millones de personas en todo el mundo. En 2014, la Organizaciâon de las Naciones Unidas para la Educaciâon, la Ciencia y la Cultura (UNESCO) designâo a la capoeira como un Patrimonio Cultural Inmaterial de la Humanidad, una distinciâon otorgada por su promociâon de la integraciâon social y la memoria que guarda de la lucha contra la opresiâon histâorica. En Juego de libertad, el galardonado Tonatiuh nos brinda una conmovedora celebraciâon de la solidaridad y la resistencia a travâes del arte"--

"A meia lua whooshed in the air. The strike was evaded and followed with an aâu. Two young men were playing capoeira in the middle of the roda. Bimba wanted to play, too. Although it is debated when and where capoeira-an art form that blends martial arts, dance, acrobatics, music, and spirituality-originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for "malandros"-what people in power called the poor Black communities who they disdained. But in the early 1920's in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Duncan Tonatiuh's lyrical prose and beloved illustration style, inspired by pre-Columbian codices, tell the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world. In 2014, the United Nations Educational Scientific and Cultural Organization (UNESCO) named capoeira an Intangible Cultural Heritage of Humanity, a distinction awarded because of the game's promotion of social integration and memory it holds of the struggle against historical oppression. From an award-winning author-illustrator, Game of Freedom is a stirring celebration of solidarity and resistance through art"--

Long ago, the gods of Mesoamerica set out to create humans. They tried many times during each sun, or age. When all their attempts failed and the gods grew tired, only one did not give up: Quetzalcóatl--the Feathered Serpent--who embarked on the dangerous quest to create humankind. Award-winning author and illustrator Duncan Tonatiuh brings to life this retelling of the myth of Feathered Serpent, one of the most important deities in ancient Mesoamerica.

"From...author-illustrator Duncan Tonatiuh comes this celebratory bilingual picture book centering on a Día de Muertos ofrenda (Day of the Dead altar), constructed annually to honor the memory and welcome the spirit of a loved one. The book uses a counting structure, from one to ten, to focus on family members and their offerings, with a double-gatefold finale that opens to reveal the family gathered around the fully decorated ofrenda with all of their offerings. Included at the back of the book is a brief author's note that lends additional context on the holiday"--

A 2015 Pura Belpre Illustrator Honor Book and a 2015 Robert F. Sibert Honor Book Almost 10 years before Brown vs. Board of Education, Sylvia Mendez and her parents helped end school segregation in California. An American citizen of Mexican and Puerto Rican heritage who spoke and wrote perfect English, Mendez was denied enrollment to a ';Whites only' school. Her parents took action by organizing the Hispanic community and filing a lawsuit in federal district court. Their success eventually brought an end to the era of segregated education in California.Praise for Separate is Never EqualSTARRED REVIEWSTonatiuh masterfully combines text and folk-inspired art to add an important piece to the mosaic of U.S. civil rights history. --Kirkus Reviews, starred review ';Younger children will be outraged by the injustice of the Mendez family story but pleased by its successful resolution. Older children will understand the importance of the 1947 ruling that desegregated California schools, paving the way for Brown v. Board of Education seven years later.' --School Library Journal, starred review Tonatiuh (Pancho Rabbit and the Coyote) offers an illuminating account of a family's hard-fought legal battle to desegregate California schools in the years before Brown v. Board of Education. --Publishers Weekly Pura Belpre Awardwinning Tonatiuh makes excellent use of picture-book storytelling to bring attention to the 1947 California ruling against public-school segregation. --Booklist The straightforward narrative is well matched with the illustrations in Tonatiuh's signature style, their two-dimensional perspective reminiscent of the Mixtec codex but collaged with paper, wood, cloth, brick, and (Photoshopped) hair to provide textural variation. This story deserves to be more widely known, and now, thanks to this book, it will be. --The Horn Book Magazine

Award-winning author Duncan Tonatiuh brings to life the story of a Mexican-American war heroJos. de la Luz S.enz (1888-1953)—or Luz—believed in fighting for what was right. Although he was born in the United States, he and his family experienced prejudice because of their Mexican heritage. When World War I broke out, Luz volunteered to join the fight. Because of his ability to quickly learn languages, he became part of the Intelligence Office in Europe. However, despite his hard work and intellect, Luz often didn't receive credit for his contributions. Upon his return to the US, he joined other Mexican-Americans whom he had met in the army to fight for equality. His contribution, along with others, ultimately led to the creation of the League of United Latin American Citizens (LULAC), which is the oldest Latino civil rights organization. Soldier for Equality is based in part on Luz's diary during the war. It includes a biography of Luz's later years, an author's note, a timeline, a bibliography, and an index.

This is the story of Mexican workers who have come to the United States illegally. These men and women every day join the work force and contribute positively to society. The story is told via the ancient Mixtec codice--accordion fold--format. Juan crosses over into the United States and becomes an undocumented worker. Though he is able to get a job as a busboy at a restaurant, he is severely undercompensated--he receives less than half of the minimum wage! Juan risks everything and stands up for himself and the rest of the community.

From award-winning author Duncan Tonatiuh comes the inspirational story of dancer Amalia Hernandez, founder of Mexico's Folkloric Ballet

Award-winning author Duncan Tonatiuh reimagines one of Mexico's cherished legends. Princess Izta had many wealthy suitors but dismissed them all. When a mere warrior, Popoca, promised to be true to her and stay always by her side, Izta fell in love. The emperor promised Popoca if he could defeat their enemy Jaguar Claw, then Popoca and Izta could wed. When Popoca was near to defeating Jaguar Claw, his opponent sent a messenger to Izta saying Popoca was dead. Izta fell into a deep sleep and, upon his return, even Popoca could not wake her. As promised Popoca stayed by her side. So two volcanoes were formed: Iztacchuatl, who continues to sleep, and Popocatepetl, who spews ash and smoke, trying to wake his love.

Funny Bones tells the story of how the amusing calaverasskeletons performing various everyday or festive activitiescame to be. They are the creation of Mexican artist Jose Guadalupe (Lupe) Posada (18521913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico's Da de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe's, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author's note, bibliography, glossary, and index.

In this allegorical picture book, a young rabbit named Pancho eagerly awaits his papa's return. Papa Rabbit traveled north two years ago to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return, Pancho sets out to find him. He packs Papa's favorite meal-mole, rice and beans, a heap of warm tortillas, and a jug of aguamiel-and heads north. He meets a coyote, who offers to help Pancho in exchange for some of Papa's food. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho!Duncan Tonatiuh brings to light the hardship and struggles faced by thousands of families who seek to make better lives for themselves and their children by illegally crossing the border.Praise for Pancho Rabbit and the CoyoteSTARRED REVIEWS"e;Tonatiuh's great strength is in the text. No word is wasted, as each emotion is clearly and poignantly expressed. The rabbits' future is unknown, but their love and faith in each other sustains them through it all. Accessible for young readers, who may be drawn to it as they would a classic fable; perfect for mature readers and the classroom, where its layers of truth and meaning can be peeled back to be examined and discussed. An incandescent, humane and terribly necessary addition to the immigrant-story shelf."e;-Kirkus Reviews, starred review"e;In both prose and art, Tonatiuh expertly balances folkloric elements with stark, modern realities; Pancho Rabbit's trip has the feel of a classic fable or fairy tale, with the untrustworthy coyote demanding more and more of him."e;-Publishers Weekly, starred review"e;The book shows the fragility of making a living, the desperation that many migrants experience, and the deep family ties that bind the characters. Classrooms studying the migrant experience will find plenty to discuss here."e;-School Library Journal"e;This will spark strong responses and needed discussion."e;-Booklist"e;Tonatiuh is so careful in weaving his allegory that his empathetic contemporary tale feels like age-old folklore, with simple but compelling text and a step-by-step escalation of the story through gripping, kid-understandable challenges."e;-The Bulletin of the Center for Children's Books AwardsPura Belpre Author and Illustrator Honor book 2014New York Public Library's annual Children's Books list: 100 Titles for Reading and Sharing 2013Kirkus Best Books of 2013Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature)Notable Children's Books from ALSC 2014Notable Books for a Global Society Book Award 2014

From first-time Mexican author and illustrator Duncan Tonatiuh comes the story of two cousins, one in America and one in Mexico, and how their daily lives are different yet similar. Charlie takes the subway to school; Carlitos rides his bike. Charlie plays in fallen leaves; Carlitos plays among the local cacti. Dear Primo covers the sights, sounds, smells, and tastes of two very different childhoods, while also emphasizing how alike Charlie and Carlitos are at heart. Spanish words are scattered among the English text, providing a wonderful way to introduce the language and culture of Mexico to young children.Inspired by the ancient art of the Mixtecs and other cultures of Mexico, Tonatiuh incorporates their stylized forms into his own artwork.

A contemporary look at Diego Rivera from a talented, emerging artist and author.