Bøger af Dominika Czarnecka

« Monuments in gratitude » to the Red Army in Poland are among the most numerous and well-known commemorative structures from the communist period. This does not mean, however, that the history of their construction and existence has already been extensively studied and described. In post-communist Poland, the « monument heritage » is regarded as an important part of recent history of Poland or of Central-Eastern Europe, even though the topic still gives rise to much controversy. Dominika Czarnecka's book is the first attempt at a synthetic presentation of the history of monuments to the Red Army erected outside of permanent cemeteries in post-war Poland. The work was awarded a distinction at the Wladyslaw Pobóg-Malinowski Contest for the Historical Debut of the year (2014). The Polish-language edition was also among the nominees of the Polityka News Magazine History Award (Polish History Book of the Year) in the debut category (2016).

The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as human zoos is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.