Bøger af Derek Jarman

*****AS HEARD ON BBC RADIO 4*****A meditative and inspiring diary of Derek Jarman''s famous garden at Dungeness.In 1986 Derek Jarman discovered he was HIV positive and decided to make a garden at his cottage on the barren coast of Dungeness. Facing an uncertain future, he nevertheless found solace in nature, growing all manner of plants. While some perished beneath wind and sea-spray others flourished, creating brilliant, unexpected beauty in the wilderness. Modern Nature is both a diary of the garden and a meditation by Jarman on his own life: his childhood, his time as a young gay man in the 1960s, his renowned career as an artist, writer and film-maker. It is at once a lament for a lost generation, an unabashed celebration of gay sexuality, and a devotion to all that is living.''An essential – urgent – book for the 21st Century'' Hans Ulrich ObristThis new edition features an introduction from Olivia Laing, the author of Crudo

Moderne natur er den britiske kunstner, filmskaber og forfatter Derek Jarmans dagbøger fra 1989-90. Jarman fik konstateret hiv i 1986 og flyttede kort efter til Dungeness i Sydengland, hvor han slog sig ned i et lille træhus ved kysten, Prospect Cottage. Her på stenstranden – med udsigt til Den Engelske Kanal og et atomkraftværk som nabo – anlagde han en vild have, som han dyrkede og passede frem til sin død i 1994. Dagbøgerne veksler mellem landskabet, haven og planterne på Dungeness, queerliv i London fra 60'erne og op gennem 80'erne, Jarmans arbejdsliv og film- og kunstproduktion, hans venner, elskere og partneren HB. Og under det hele: aids-krisen og livet med en terminal sygdom. Moderne natur er et kunstner- og naturportræt. Det er en bog om at skabe, om at skabe plads, om strandkål og stenbræk, om ensomhed, omsorg, kærlighed og liv. Oversat af K Vang.

Conceived of as a 'pharmacopoeia' - an ever-evolving circle of stones, plants and flotsam sculptures all built and grown in spite of the bracing winds and arid shingle - it remains today a site of fascination and wonder. Pharmacopoeia brings together the best of Derek Jarman's writing on nature, gardening and Prospect Cottage.

This autobiography, taken from his diaries of 1991-94, interweaves Jarman's harrowing account of physical decline and failing eyesight with wonderfully poetic and detailed descriptions of the changing seasons of Dungeness, his meetings with Tennant, Freud and others, his thoughts on his sex life and his love for his boyfriend.

Derek Jarman's garden is in the flat expanse of shingle that faces the nuclear power station in Dungeness, Kent. He mixed the flint, shells and driftwood of Dungeness with indigenous and introduced plants. This book is his own record of how this garden evolved, from its beginnings in 1985.

A facsimile edition of Derek Jarman's sole, early, extremely rare poetry book A Finger in the Fishes Mouth, originally published in 1972. Heavily illustrated from Jarman's collection of postcards, the book combines text and visual imagery in a way which foreshadows his subsequent style as an artist and filmmaker. With the majority of the first edition having been destroyed by Jarman, this makes available a missing, significant piece of his oeuvre.

Derek Jarman's Blue weaves a sensory tapestry that serves as both a political call to action and a meditation on illness, dying, and love. "For Blue there are no boundaries or solutions." -Derek Jarman Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman's death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film - and this highly-anticipated book's text - serve as iconoclastic responses to the lack of political engagement with the AIDS crisis. Written poetically and surrealistically, Jarman's text moves through myriad scenes, some banal, others fantastical. Stories of quotidian life--getting coffee, reading the newspaper, and walking down the sidewalk--escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue - a color, a feeling, a funk. Michael Charlesworth's compelling introduction brings Blue into conversation with Jarman's visual paintings as never before.

Written in 1971 and published here for the first time, Through the Billboard Promised Land Without Ever Stopping is Derek Jarman's only piece of narrative fiction; a surreal, fable-like, lyrical tale which echoes throughout his later work.

Originally published: Woodstock, N.Y.: Overlook Press, 1994.

In non-linear snippets and including photographs of Jarman's artwork, he describes his sexual awakening in post-war England, his early struggles to create and find recognition for his art, and vivid accounts of his friends, lovers, and inspirations.

Derek Jarman's iconic film captured punk at its giddy height: a riot of music, DIY fashion, and every kind of sex - with a little pyromania thrown in. Now, forty years on, this new stage adaptation of Jubilee remixes it for the social and political turmoil of 2017.

Impassioned, witty and polemical, At Your Own Risk is Derek Jarman's defiant celebration of gay sexuality. In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK.