Bøger af David W. Galenson

Some innovators are luminous shooting stars--think Pablo Picasso, Albert Einstein, Sylvia Plath, Bob Dylan, Steve Jobs--who make bold leaps early and suddenly, then lose their creativity. Others are late bloomers--Paul Cezanne, Charles Darwin, Virginia Woolf, Alfred Hitchcock, Warren Buffett--who show little early promise, but spend long periods doggedly pursing distant goals, and attain greatness in old age. By analyzing the careers of scores of great innovators, this book reveals systematic differences in the motivations and methods of these two types, and their very different patterns of creativity over the life cycle. The result is a new and deeper unified understanding of the sources of human creativity.

In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.

White servitude was one of the major institutions in the economy and society of early colonial British America. Professor Galenson's study of the system of indentured servitude analyses rigourously the composition of this labour force and provides a quantitative description of the demographic, social and economic characteristics of more than 20,000 indentured immigrants.

When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cezanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.

This book explores the operation of the Atlantic slave trade industry in the late seventeenth and early eighteenth centuries, focusing on the market behaviour of the Royal African Company - the largest English company engaged in the slave trade - and the sugar planters of the Caribbean.