Bøger af David Lodge

Philip Swallow, Morris Zapp, Persse McGarrigle and the lovely Angelica are the jet-propelled academics who are on the move, in the air and on the make in David Lodge's satirical Small World.

The restrictions of a wartime childhood in in London and subsequent post-war shortages have done little to enrich Timothy's early youth. But everything changes when his glamorous older sister, Kath, invites him to spend the summer at Heidelberg.

When Philip Swallow and Professor Morris Zapp participate in their universities' Anglo-American exchange scheme, the Fates play a hand, and each academic finds himself enmeshed in the life of his counterpart on the opposite side of the Atlantic.

Human consciousness, long the province of literature, has lately come in for a remapping--even rediscovery--by the natural sciences, driven by developments in Artificial Intelligence, neuroscience, and evolutionary biology. As the richest record we have of human consciousness, literature, David Lodge suggests, may offer a kind of understanding that is complementary, not opposed, to scientific knowledge. Writing with characteristic wit and brio, and employing the insight and acumen of a skilled novelist and critic, Lodge here explores the representation of human consciousness in fiction (mainly English and American) in light of recent investigations in the sciences. How does the novel represent consciousness? And how has this changed over time? In a series of interconnected essays, Lodge pursues these questions down various paths: How does the novel's method compare with that of other creative media such as film? How does the consciousness (and unconscious) of the creative writer do its work? And how can criticism infer the nature of this process through formal analysis? In essays on Charles Dickens, E. M. Forster, Evelyn Waugh, Kingsley and Martin Amis, Henry James, John Updike, and Philip Roth, and in reflections on his own practice as a novelist, Lodge is able to bring to light--and to engaging life--the technical, intellectual, and sometimes simply mysterious working of the creative mind.

First published in 1965, it tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not least by the fact that, as Catholics in the 1960s, he and his wife must rely on 'Vatican roulette' to avoid a fourth child.

Polly, Dennis, Angela, Adrian and the rest are bound to lose their spiritual innocence as well as their virginities on the journey between university in the 1950s and the marriages, families, careers and deaths that follow.

When it isn't prison, it's hell. Or at least that's the heartfelt belief of conscripts Jonathan Browne and Mike 'Ginger' Brady. The reckless, impulsive Mike and the more pragmatic Jonathan adopt radically different attitudes to survive this two-year confiscation of their freedom, with dramatic consequences

Traces the conception, writing and publication of the author's book. This work offers psychological and literary insights which suggests nothing less than a short story by the Great Master, Henry James, himself.

Three new essays have been added in this new edition, reflecting new critical approaches such as feminism and deconstruction. The new material complements the classic studies by critics such as Arnold Kettle and Lionel Trilling.