Bøger af David Lodge

In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce.

'One of the very best English comic novelists of the post-war era' Time OutThe plot lines of The Campus Trilogy, radiating from its hub at the redbrick University of Rummidge, trace the comic adventures of academics who move outside familiar territory.

From the author of the Booker Prize finalist Small World. Adrian Ludlow, a novelist with a distinguished reputation and a book on the "A" level syllabus, is now seeking obscurity in a cottage beneath the Gatwick flight path. His university friend Sam Sharp, who has become a successful screenwriter, drops in on the way to Los Angeles, fuming over a vicious profile of himself by Fanny Tarrant, one of the new breed of Rottweiler interviews, in a Sunday newspaper. Together they decide to take revenge on the interviewer, though Adrian is risking what he values most: his privacy. David Lodge's dazzling novella examines with wit and insight the contemporary culture of celebrity and the conflict between the solitary activity of writing and the demands of the media circus. "Sharp, intelligent, surprising and fun."-The Times "Lodge is pure dazzling style, book after book, in his fusion of form and content."-The New Republic

By all appearances, Laurence Passmore is sitting pretty. True, he is almost bald and his nickname in "Tubby", but the TV sitcom he writes keeps the money coming in, he has an exclusive house in Rummridge, a state-of-the-art car, a vigorous sex life with his wife of thirty years, and a platonic mistress to talk shop with. What money can't buy, and his many therapists can't deliver, is contentment. It's not the trouble behind the scenes of his TV show that's bugging him or even the persistent pain in his knee; it's this deeper, nameless unease. Is it a spiritual crisis or just one of the midlife variety?Tubby's quest for the source of it will lead into an obsession with Kierkegaard, brushes with the police, gossip-column notoriety, and strange beds and bedrooms worldwide.

Philip Swallow, Morris Zapp, Persse McGarrigle and the lovely Angelica are the jet-propelled academics who are on the move, in the air and on the make in David Lodge's satirical Small World. It is a world of glamorous travel and high excitement, where stuffy lecture rooms are swapped for lush corners of the globe, and romance is in the air.

Euphoric State University with its whitestone, sun-drenched campus and England's damp red-brick University of Rummidge have an annual professorial exchange scheme, and as the first day of the last year of the tumultuous sixties dawns, Philip Swallow and Morris Zapp are the designated exchangees. They know they'll be swapping class rosters, but what they don't know is that in a wildly spiraling transatlantic involvement they'll soon be swapping students, colleagues, and even wives. Changing Places is a hilarious send-up of academic life, intellectual fashion, sex, and marriage by a writer Anthony Burgess has called "one of the best novelists of his generation."

David Lodge's frank and illuminating memoir about the years where he found great success as a novelist and critic. Anyone who is interested in learning about the creative process, about the dual nature of the novel as both work of art and commodity, will find Writer's Luck a candid and entertaining guide.

Helen Reed, a novelist in her early forties, still grieving for her husband who died suddenly a year before, is a visiting teacher of creative writing at a university where Ralph Messenger, a cognitive scientist with a special interest in Artificial Intelligence and an incorrigible womaniser, is director of a prestigious research institute.

The first collection of short stories from one of Britain's finest novelists and criticsA nameless man who has fallen out of love with life, refuses to get out of bed, with unexpected consequences.

Throws light on the dominant literary form of two centuries, in its twin aspects as work of art and commodity. The first part of this book traces the history of the author's novel about Henry James. The essays in the second part pursue the themes of genesis, composition and reception in the work of other novelists.

Adrian Ludlow, a novelist with a distinguished reputation and a book on the 'A' level syllabus, is now seeking obscurity in a cottage beneath the Gatwick flight path.

When Philip Swallow and Professor Morris Zapp participate in their universities' Anglo-American exchange scheme, the Fates play a hand, and each academic finds himself enmeshed in the life of his counterpart on the opposite side of the Atlantic.

Human consciousness, long the province of literature, has lately come in for a remapping--even rediscovery--by the natural sciences, driven by developments in Artificial Intelligence, neuroscience, and evolutionary biology. As the richest record we have of human consciousness, literature, David Lodge suggests, may offer a kind of understanding that is complementary, not opposed, to scientific knowledge. Writing with characteristic wit and brio, and employing the insight and acumen of a skilled novelist and critic, Lodge here explores the representation of human consciousness in fiction (mainly English and American) in light of recent investigations in the sciences. How does the novel represent consciousness? And how has this changed over time? In a series of interconnected essays, Lodge pursues these questions down various paths: How does the novel's method compare with that of other creative media such as film? How does the consciousness (and unconscious) of the creative writer do its work? And how can criticism infer the nature of this process through formal analysis? In essays on Charles Dickens, E. M. Forster, Evelyn Waugh, Kingsley and Martin Amis, Henry James, John Updike, and Philip Roth, and in reflections on his own practice as a novelist, Lodge is able to bring to light--and to engaging life--the technical, intellectual, and sometimes simply mysterious working of the creative mind.

Surrounded by quarrelling honeymooners, a freeloading anthropologist and assorted tourists in search of their own personal paradise, and with his father whisked off to hospital after an unfortunate accident, Bernard is beginning to regret ever coming to Haiwaii.

First published in 1965, it tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not least by the fact that, as Catholics in the 1960s, he and his wife must rely on 'Vatican roulette' to avoid a fourth child.