Bøger af David Bentley Hart

The introductory history to the Christian faith.

From one of the most-read religious and philosophical scholars in the United States comes a collection of creative, thought-provoking fables.Alongside David Bentley Hart's widely read work in philosophy, theology, and religious studies there has always been the other side of his writing--the fiction, poetry, and literary essays--which has often enjoyed a separate, if equally appreciative, readership. In this his most recent book, these two worlds draw near to one another in a new way.In Prisms, Veils: A Book of Fables, Hart explores the elusive nature of dreams and the enduring power of mythologies. Moving over themes ranging from the beauty of the natural world to the very nature of consciousness itself, each narrative is threaded through with Hart's deep religious, cultural, and historical knowledge, drawing readers into an expertly woven tapestry of diverse allusions and deep meaning.Prisms, Veils will appeal to fans of Hart's work, philosophers, theologians, and general readers of fiction. The collection affords a unique opportunity to engage with the creative side of Hart, its pages sparkling with bright gems of short fiction that are enchanting, thought-provoking, and imbued with spiritual truth.

Not much time has passed since the thrilling adventure of Castle MacGorilla, but Teddy, Porculina, and Gorilla are once again called upon to solve a baffling mystery.

In times that feel apocalyptic, where do we place our hope?It's an apocalyptic moment. The grim effects of climate change have left many people in despair. Young people often cite climate fears as a reason they are not having children. Then there’s the threat of nuclear war, again in the cards, which could make climate worries a moot point. The paradoxical answer ancient Judaism gave to such despair was a promise: the promise of doomsday, the “Day of the Lord” when God will visit his people and establish lasting justice and peace. Judgment, according to the Hebrew prophets, will be followed by renewal – for the faithful, and perhaps even for the entire cosmos. Over the centuries since, this hopeful vision of apocalypse has carried many others through moments of crisis and catastrophe. Might it do the same for us?On this theme: creation is transformed and made new.That’s what the “end of the age” meant to Jesus and his early - Peter J. Leithart says when old worlds die, we need something sturdier than the myth of progress. - Brandon McGinley says you can’t protect your kids from tragedy. - Cardinal Peter Turkson points to the spiritual roots of the climate crisis. - David Bentley Hart says disruption, not dogma, is Christianity’s grounds for hope. - Hanna-Barbara Gerl-Falkovitz reminds us that the Book of Revelation ends well. - Lyman Stone argues that those who claim that having children threatens the environment are wrong. - Eleanor Parker recounts how, amid Viking terror, one Anglo-Saxon bishop held a kingdom together. - Shira Telushkin describes how artist Wassily Kandinsky forged a path from the material to the spiritual. - Anika T. Prather learned to let her children grieve during the pandemic.Also in the issue: - Ukrainian pastor Ivan Rusyn describes ministering in wartime Bucha and Kyiv. - Mindy Belz reports on farmers who held out in Syria despite ISIS. - New poems by winners of the 2022 Rhina Espaillat Poetry Award - A profile of newly sainted Charles de Foucauld - Reviews of Elena Ferrante’s In the Margins, Abigail Favale’s The Genesis of Gender, and Emily St. John Mandel’s Sea of Tranquility - Readers’ forum, comics, and morePlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

In the two thousand years that have elapsed since the time of Christ, Christians have been as much divided by their faith as united, as much at odds as in communion. And the contents of Christian confession have developed with astonishing energy. How can believers claim a faith that has been passed down through the ages while recognizing the real historical contingencies that have shaped both their doctrines and their divisions?In this carefully argued essay, David Bentley Hart critiques the concept of "tradition" that has become dominant in Christian thought as fundamentally incoherent. He puts forth a convincing new explanation of Christian tradition, one that is obedient to the nature of Christianity not only as a "revealed" creed embodied in historical events but as the "apocalyptic" revelation of a history that is largely identical with the eternal truth it supposedly discloses. Hart shows that Christian tradition is sustained not simply by its preservation of the past, but more essentially by its anticipation of the future. He offers a compelling portrayal of a living tradition held together by apocalyptic expectation--the promised transformation of all things in God.

A stunning reexamination of one of the essential tenets of Christian belief from one of the most provocative and admired writers on religion today

Is there a better way than capitalism?A much-cited recent poll found that more young Americans have a positive view of socialism than of capitalism. There's a sense of newly opened possibilities: Might this be the moment for a mass movement of solidarity to overthrow the tyranny of concentrated power and wealth? But what exactly is this cause? Socialism's champions know how to take effective whacks at capitalism, but diagnosis is not yet the cure.This issue of Plough springs from a conviction that there is a better answer beyond capitalism and socialism, a freely chosen life of sharing and caring that overcomes economic exploitation, a way of life that is both thoroughly practical and independent of the state. This vision is much older than Adam Smith and Karl Marx; it lies at the heart of Jesus' Sermon on the Mount and throughout the New Testament, as well as in the writings of the Old Testament prophets. It is exemplified by the communal life of the first church in Jerusalem, in which "all who believed were together and had all things in common; they would sell their possessions and goods and distribute the proceeds to all, as any had need" (Acts 2:44-45).Also in this issue: poetry by Jane Tyson Clement; reviews of books by Jennifer Berry Hawes, Robert Macfarlane, Emily Bazelon, and John Connell; and art and photography by Wassily Kandinsky, N. C. Wyeth, Deborah Batt, Kari Nielsen, Chris Arnade, William Morris, Hilzías Salazar, Amedeo Modigliani, Benjamin Meader, Bianca Berends, Elise Palmigiani, and Danny Burrows.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.

One of America's most eminent contemporary writers on religion reflects on the state of theology "at the borders" of other fields of discourse. The book advances many of David Bentley Hart's larger theological projects, developing and deepening numerous dimensions of his previous work.

As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God's power or God's nonexistence, asking over and over, How could a good and loving God -- if such exists -- allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.

From the prolific, profound pen of David Bentley Hart comes this collection of essays, reviews, and columns published in popular journals and newspapers over the past few years, comprising observations on culture, religion, and society at large. In the Aftermath fully displays the virtuosic prose that readers have come to expect from Hart. "Here I want -- at least in part -- to entertain. This is not to say that the pieces gathered here are not serious in their arguments; quite the contrary. . . . I mean only that, in these articles, I have given my natural inclinations towards satire and towards wantonly profligate turns of phrase far freer rein than academic writing permits. . . . I have, at any rate, attempted to include only pieces that strike me as having some intrinsic interest, both in form and in content." -- from the introduction

"The Beauty of the Infinite" is a splendid extended essay in btheological aesthetics.b David Bentley Hart here meditates on the power of a Christian understanding of beauty and sublimity to rise above the violence -- both philosophical and literal -- characteristic of the postmodern world.The book begins by tracing the shifting use and nature of metaphysics in the thought of Kant, Hegel, Nietzsche, Heidegger, Lyotard, Derrida, Deleuze, Nancy, Levinas, and others. Hart pays special attention to Nietzschebs famous narrative of the bwill to powerb -- a narrative largely adopted by the world today -- and he offers an engaging revision (though not rejection) of the genealogy of nihilism, thereby highlighting the significant binterruptionb that Christian thought introduced into the history of metaphysics.This discussion sets the stage for a retrieval of the classic Christian account of beauty and sublimity, and of the relation of both to the question of being. Written in the form of a "dogmatica minora," this main section of the book offers a pointed reading of the Christian story in four moments, or parts: Trinity, creation, salvation, and eschaton. Through a combination of narrative and argument throughout, Hart ends up demonstrating the power of Christian metaphysics not only to withstand the critiques of modern and postmodern thought but also to move well beyond them.Strikingly original and deeply rewarding, "The Beauty of the Infinite" is both a constructively critical account of the history of metaphysics and a compelling contribution to it.