Bøger af David Beach

Page to Stage Theatre had an idea: commission a handful of their favorite playwrights to create an evening of theater that would evoke those great sci-fi television shows of the 1960s. Audiences attending the premiere weekend had no idea the theater was located in the Twilight Gallery.

Probing analyses, from the renowned music theorist, of Schubert's great, yet still little-studied piano-solo, chamber, and symphonic masterpieces.In his instrumental works, Franz Schubert, like Beethoven, expanded on the classical traditions, especially in the areas of form and harmony. Yet many of these works have only recently begun to be appreciated for their true worthby performers, listeners, and scholars. Schubert's Mature Instrumental Music, by renowned music theorist David Beach, is an analytical study of selected symphonic, chamber, and solo-piano works written during the last ten years of the composer's short life, beginning with the Trout Quintet (D. 667) and ending with the String Quintet (D. 956). Each of the chapters in part 1 focuses on a crucial topic: harmony, phrase rhythm, motive,and sonata form. These chapters will be accessible to all musicians and other readers who have some basic training in harmony and form. Part 2 presents detailed analyses of nine fascinating representative movements. Beach's insights will enrich the listener's experience of what are now recognized as some of the great masterpieces of the early nineteenth century. David Beach is Professor Emeritus and former Dean of the Faculty of Music atthe University of Toronto. He is the author of Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study, and coeditor of Bach to Brahms: Essays on Musical Design and Structure and Explorations inSchenkerian Analysis, all published by the University of Rochester Press.

Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.Explorations in Schenkerian Analysis is a collection of fifteen essays dedicated to the memory of Edward Laufer, an influential advocate of Schenker's method. The chapters are presented in chronological order by composer, opening with Charles Burkhart's contribution, which is presented as a letter to Edward Laufer (written before his death), and ending with excerpts from Stephen Slottow's 2003 interview with Laufer (in an appendix). Whilethe unifying focus is Schenkerian analysis, there is considerable variety in the approaches taken by the contributors. There is also variety in the composers represented, ranging from Bach to Debussy and Strauss. The volume thusdisplays the scope and diversity of Schenkerian studies today. CONTRIBUTORS: Mark Anson-Cartwright, David Beach, Matthew Brown, Charles Burkhart, L. Poundie Burstein, Timothy L. Jackson, Roger Kamien, Leslie Kinton, SuYin Mak, Ryan McClelland, Don McLean, Boyd Pomeroy, William Rothstein, Frank Samarotto, Stephen Slottow, Lauri Suurpaa David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. SuYin Mak is associate professor of music at the Chinese University of Hong Kong.

Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms.