Bøger af D. Jasper

Beginning with the insights of the 'canonical criticism' of Brevard Childs and James Sanders, this book explores the canon of the Bible through readings in literature, art and cinema. It places the Bible within the concerns of contemporary feminist thought, postmodern anxiety and modern apocalyptic. It returns us to a sense of the centrality of the Biblical canon in the present of critical thought and popular culture, expanding the notion of 'reading' to picture and film.

This book is an interdisciplinary study of Romanticism which focuses on the reception of the Biblical canon in poetry, art and theory. The Bible is acknowledged as the heart of European culture, but as its status as the sacred text of Judaism and Christianity becomes questionable, it remains at the turning-point between sacred and secular art in the modern world. The insights of Romanticism are crucial for our understanding of postmodernism as a fundamentally religious movement which acknowledges both the death and rebirth of religious language.