Bøger af Curtis White

Acclaimed social critic Curtis White describes an all-encompassing and little-noticed force taking over our culture and our lives that he calls the Middle Mind: the current failure of the American imagination in the media, politics, education, art, technology, and religion. Irreverent, provocative, and far-reaching, White presents a clear vision of this dangerous mindset that threatens America's intellectual and cultural freedoms, concluding with an imperative to reawaken and unleash the once powerful American imagination.The Middle Mind is pragmatic, plainspoken, populist, contemptuous of the Right's narrowness, and incredulous before the Left's convolutions. It wants to protect the Arctic National Wildlife Refuge, and has bought an SUV with the intent of visiting it. It even understands in some indistinct way how that very SUV spells the Arctic's doom.

“This is a book about counterculture, and that’s a problem . . . “   So begins Curtis White’s thrilling call for the revitalization of counterculture today. The problem, White argues, is twofold: first, most of us think of counterculture as a phenomenon stuck in the 1960s, and, second, what passes as counterculture today . . . simply isn’t. Nevertheless, a reimagined counterculture is our best hope to save the planet, bypass social antagonisms, and create the world we actually want to live in. Now. White—“the most inspiringly wicked social critic of the moment" (Will Blythe, Elle)—shows how the products of our so-called resistance, from Ken Burns to Black Panther, rarely offer a meaningful challenge to power, and how our loyalty to the “American Lifestyle” is self-defeating and keeps us from making any real social change. The result is an inspiring case for practicing civil disobedience as a way of life, and a clear vision for a better world—full of play, caring, and human connection.

Memories of My Father Watching TV has as its protagonists television shows, around which the personalities of family members are shaped. The shows have a life of their own and become the arena of shared experience. And in Curtis White's hands, they become a son's projections of what he wants for himself and his father through characters in "Combat", "Highway Patrol", "Bonanza", and other television shows (and one movie) from the 1950s and '60s. Comic in many ways, Memories is finally a sad lament of a father-son relationship that is painful and tortured, displayed against a background of what they most shared, the watching of television, the universal American experience.

In Curtis White's first novel, The Idea Of Home, he attempts to imagine "a place in which humans can live." This utopia is definitely not San Lorenzo - a post-war, prefabricated suburb in California - where White grew up and which is the basis for this novel. From the vantage point of anoff-kilter adulthood, White spins recent American history together with personal observations and investigations into the dark heart of American suburbia. Shocking, yet very funny and always learned, The Idea Of Home is a mix of the personal and the philosophical in an energetic collage that would resemble the biographies of Nietzsche and Mark Twain if they had grown up in the San Francisco Bay Area in the 1950s and '60s.

Requiem is a darkly comic novel about what it means to be human in a culture obsessed with sex and death. With a structure loosely based on the Mass for the Dead, this ambitious novel includes letters-to-the-editor, an e-mail correspondence with a porn queen, scenes from the lives of classical musicians, and retellings of biblical stories. In the process, White charts the rise and fall of the Human from the Bible (pre-human), to the Enlightenment (the invention of the human), to the digital age (post-human). In an America where everyone keeps a secret website, and where a modern Prophet can only weep at the stories he hears, Requiem reveals our past, present and future with wit, sadness, and complete honesty.

A contemporary version of Thomas Mann's "The Magic Mountain, Curtis White's new novel begins with Mann's "unassuming young man," Hans Castorp, visiting his cousin at a health retreat. In this book though, the retreat is a spa for recovering alcoholics, totally unlike all other rehab centers. Rather than encouraging their patients to free themselves of their addiction, the directors of The Elixir believe that sobriety isn't for everyone, that you must let alcohol work its way on you. Filled with many compelling, outrageous, and comic voices, White's novel is disturbing, charming, and biting. It is about a weird and unlikely world that, nevertheless, is quite recognizable as our own.