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  • af Curtis Armstrong
    423,95 kr.

    "In the twenty-first century, precious little has been written about America's first professional author, Washington Irving, who was one of the most well-known and highly esteemed writers of the nineteenth century. Rip Van Winkle's Republic marks a rediscovery and reassessment of this marvelous author of social satire and fabled tales of the past. It evaluates Irving's mind, his unique take on the human condition, and the new understandings of early US culture afforded by renewed study of his large body of work, with special attention to his international bestseller The Sketch Book (1819-1820), the collection of tales that included the immortal "Legend of Sleepy Hollow" and "Rip Van Winkle." Edited by two eminent historians of early America, Andrew Burstein and Nancy Isenberg, Rip Van Winkle's Republic approaches the author and his times from a variety of angles. The book is, first of all, interdisciplinary in character, its contributors a mix of professional historians and literary scholars. The foreword, introduction, and ten original essays interweave critical thoughts on the growth of an independent American idiom along with the growth of American literature in a transatlantic market; the place of the American Revolution and treatment of indigenous Americans and African Americans in nineteenth-century literature; and the fragility of memory and construction of historical memory more broadly. As a bibliophile and, definitively, an antiquarian, or lover of the archive, Irving belongs in discussions of book culture. This volume also emphasizes Irving as a prominent figure in an age of literary celebrity. More than one of the contributors examine his place in the history of American theater and in film and television adaptations of his work. Finally, given his iconic status throughout America's first 100 years as a nation, Rip Van Winkle's Republic queries his curious disappearance from the literary canon over the past half-century"--

  • af Curtis Armstrong
    178,95 kr.

    In Mulliner Nights, P. G. Wodehouse tells us that "there is no surer foundation for a beautiful friendship than a mutual taste in literature." Curtis Armstrong and Elliott Milstein might add that no mutual taste in literature is a surer foundation for friendship than a mutual love of the works of P. G. Wodehouse, and their four decades of friendship, sparked by The Master when they were barely out of short pants and spots, proves it. Across those decades, the authors expressed their love of Wodehouse through deep dives into his oeuvre in papers, presentations, and toasts delivered at Wodehouse conventions and published in Wodehouse journals.A Plum Assignment collects these pieces together for the first time, exploring everything from the heights of Bertie Wooster's consanguinity to the depths of S. F. Ukridge's penny-ante stratagems, from the satiric depredations of Mulliner's Hollywood to precisely how Plum penned the sunshine into Blandings.Pour yourself a cheerful whisky and s. and join two great pals for a journey through the world of P. G. Wodehouse!