Bøger af CLAIRE BOYLE

"Just in time for the holidays, the sixty-ninth issue of our National Magazine Award-winning McSweeney's Quarterly is a gift to adventurous readers. Featuring an irresistible mix of original fiction from daring new voices and beloved favorites, this issue is certain to delight one and all. Often hilarious and always surprising, these are tales of contemporary life flipped and twisted, skewed and skewered. "--Publisher's website.

McSweeney's 65: Plundered spans the American continent, from a bone-strewn Peruvian desert to inland South Texas to the streets of Mexico City, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by Valeria Luiselli with Heather Cleary, McSweeney's 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. With contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and elsewhere, Plundered is a sweeping portrait of a hemisphere on fire. -- summary from book jacket.

Fasten your seatbelts. Sound the alarm. Hot on the heels of the best-selling McSweeney's 66 comes the latest issue of our nine-time National Magazine Award-finalist McSweeney's Quarterly. Prepare yourself for McSweeney's Issue 67. Tear open this thrilling three-volume issue to find original stories by John Brandon and Eider Rodríguez; letters from Shelly Oria and Diana Spechler; a collection of poems by bus driver Sasha Pearl, composed on her lunch breaks (and introduced by Samantha Hunt); and so much more, all inside a series of interconnected cover illustrations by French artist Yann Le Bec that culminate in a standalone illustrated booklet. Steady yourself, readers--the time has come for another unforgettable issue of McSweeney's Quarterly. A three-time winner and nine-time finalist of the National Magazine Award for fiction, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.

In this book, Claire Boyle presents an account of the death of autobiography in the post-war era of French literature. She challenges assumptions that are sometimes made about why it is that writers are reluctant to be associated with the genre of autobiography.