Bøger af Charlotte Perkins Gilman

The book "" The Crux; A Novel "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Do you want to read The Yellow Wallpaper? If so then keep reading...The Yellow Wallpaper by Charlotte Gilman - is a much celebrated and classic tale by one of the worlds most loved authors. This work is considered an important early work in feminist literature and one which explored issues about women's health, both physical and mental. It is an important and influential work, and a great addition to any book collection.What are you waiting for The Yellow Wallpaper is one click away, select the "Buy Now" button in the top right corner NOW!

‘The Yellow Wallpaper’, by Charlotte Perkins Gilman, is a short story first published in January 1892. The psychological thriller by the renowned US women’s rights writer and campaigner is an autobiographical-inspired novella based upon her own experience of severe postnatal depression, leading to post-natal psychosis. At the time, women with PND (known in America as postpartum depression) were seen as hysterical and were often dismissed by doctors who overlooked treatment options through lack of understanding of the condition. In Perkins’ short story, written tellingly from the first-person perspective, the nameless female protagonist is forced to sleep in an attic with yellow wallpaper and is driven mad by her enforced imprisonment following the birth of her first child. The book describes in detail how she sees imagined beings and ghostly sightings in the house. Disturbing in its nature yet utterly realistic to the heroine, the protagonist offers a diary-style narrative detailing her experience as a new mother suffering with severe mental illness:"I don’t know why I should write this.I don’t want to.I don’t feel able.And I know John would think it absurd. But I must say what I feel and think in some way—it is such a relief!But the effort is getting to be greater than the relief."Evoking gothic themes of Charlotte Bronte’s 'Jane Eyre', in both Jane Eyre’s own tortuous and notorious Red Room and Bertha Mason's confinement in her loft prison, the book was made into a film in 2011 – directed by Logan Thomas and starring Aric Cushing and Juliet Landau.Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self- declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".

This semi-autobiographical short story details how Charlotte Perkins Gilman suffered from postpartum depression and was forced to endure lonely isolation intended to cure hysteria.An unnamed woman regales her story through diary entries as she suffers through enforced isolation. Following a bout of postpartum psychosis, the woman is prescribed bed rest by her physician husband. The couple rent an old mansion in the countryside, and the woman is trapped in an upstairs room with loathsome yellow wallpaper that slowly takes over her mind. She's banned from working or writing and does so secretly while commenting on society's complex patriarchal oppression.First published in 1892, Charlotte Perkins Gilman's The Yellow Wallpaper is an early feminist short story and an important piece of American literature. This volume features an author biography as well as her essay, 'Why I Wrote the Yellow Wallpaper', not to be missed by fans of feminist writings.

The Yellow Wallpaper by Charlotte Gilman - is a much celebrated and classic tale by one of the worlds most loved authors. This work is considered an important early work in feminist literature and one which explored issues about women's health, both physical and mental. It is an important and influential work, and a great addition to any book collection. This short story is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women in that period. Gilman used her writing to explore the role of women in America at the time. She explored issues such as the lack of a life outside the home and the oppressive forces of the patriarchal society. Through her work Gilman paved the way for writers such as Alice Walker and Sylvia Plath.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book contains Charlotte Perkins Gilman's first collection of poetry, coupled with almost eighty previously uncollected pieces. A wonderful compendium that is sure to be of interest to keen lovers of poetry, 'In This Our World' is a great example of Gilman's unique style and unrelenting passion for her subject matter. A book worthy of a place atop any bookshelf, this text constitutes a veritable must-have for fans and collectors of Gilman's prolific work.

PREFACEThis story is, first, for young women to read; second, for young men to read; after that, for anybody who wants to. Anyone who doubts its facts and figures is referred to "Social Diseases and Marriage," by Dr. Prince Morrow, or to "Hygiene and Morality," by Miss Lavinia Dock, a trained nurse of long experience.Some will hold that the painful facts disclosed are unfit for young girls to know. Young girls are precisely the ones who must know them, in order that they may protect themselves and their children to come. The time to know of danger is before it is too late to avoid it.If some say "Innocence is the greatest charm of young girls," the answer is, "What good does it do them?"

Charlotte Perkins Gilman, in full Charlotte Anna Perkins Stetson Gilman, née Charlotte Anna Perkins, also called Charlotte Anna Perkins Gilman, (born July 3, 1860, Hartford, Connecticut, U.S.-died August 17, 1935, Pasadena, California), American feminist, lecturer, writer, and publisher who was a leading theorist of the women's movement in the United States.In 1898 Perkins published Women and Economics, a manifesto that attracted great attention and was translated into seven languages. In a radical call for economic independence for women, she dissected with keen intelligence much of the romanticized convention surrounding contemporary ideas of womanhood and motherhood. Her notions of redefining domestic and child-care chores as social responsibilities to be centralized in the hands of those particularly suited and trained for them reflected her earlier interest in the Nationalist clubs advocated by Edward Bellamy, and she expanded on contemporary ideas in Concerning Children (1900) and The Home (1903). In June 1900 she married a cousin, George H. Gilman, with whom she lived in New York City until 1922. Human Work (1904) continued the arguments of Women and Economics. Later books include What Diantha Did (1910), The Man-Made World (1911), in which she distinguished the characteristic virtues and vices of men and women and attributed the ills of the world to the dominance of men, The Crux (1911), Moving the Mountain (1911), His Religion and Hers (1923), and The Living of Charlotte Perkins Gilman: An Autobiography (1935).From 1909 to 1916 Gilman edited and published the monthly Forerunner, a magazine of feminist articles, views, and fiction. She also contributed to other periodicals. Gilman joined Jane Addams in founding the Woman's Peace Party in 1915, but she was little involved in other organized movements of the day. After treatments for the cancer that afflicted her proved ineffective, she took her own life. (britannica.com)

First appearing in 1892 The Yellow Wallpaper is a searing vision of a distinctively feminine form of madness and commands attention as an arresting tale of horror and a moving look into a woman¿s mind. The story uncompromisingly thrusts the reader into the mind of the narrator. She is a woman forced, ostensibly for her own good, into a ¿rest cure¿, a psychological straitjacket so constricting that she begins to unravel. Her mental dissolution is described with such fierce immediacy that The Yellow Wallpaper has been read and anthologized as a chilling horror tale. While it can easily be appreciated for its disorienting thrills, the story¿s true resonance comes from its matter-of-fact portrayal of a woman pushed to the rim of sanity by society¿s demands and her family¿s utter inability to conceive of the fact that she cannot fit within their strictures. Shot through with unforgettable images of the yellow wallpaper, its shadowy depths and what seems to lurk there, The Yellow Wallpaper builds to a climax that combines the narrative impact of an Edgar Allan Poe story with a wrenching protest of the treatment of women. Unique and genre-bending, Gilman¿s story was unrivaled in its era and its power endures undiminished today.With an eye-catching new cover, and professionally typeset manuscript, this edition of The Yellow Wallpaper is both modern and readable.

In Republic, Plato argues poets should be banned from the ideal society for their interest in illusion, in things other than the truth. In Suffrage Songs and Verses, Charlotte Perkins Gilman proves that poets are a danger to government¿not because they speak of illusions, but because they threaten the illusion by which the few hold power over the many.

Women and Economics (1898) is a sociological and economic study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women's suffrage, Gilman sought to write a work of nonfiction that explained the need to introduce women into the workforce while alleviating their responsibilities as wives and mothers. Women and Economics, arguably Gilman's most important work, employs the theories of Karl Marx, Charles Darwin, and Thorstein Veblen to not only assess the damage done to women and human society by inequality, but to propose realistic ways of eliminating gender oppression while benefitting humanity at large.Observing that women in their roles as wives and mothers tend to work harder for longer hours than men while being excluded from the work force, Gilman proposes that the progress of human society depends upon the equality of men and women in all aspects of working and domestic life. She acknowledges the importance of the suffragist movement-in which she was a leading figure-while making the case for the economic equality of men and women in addition to the democratic equality sought by their activism. Ultimately, Gilman advocates for the professionalization of domestic work, suggesting that women should be allowed to enter the workforce while hiring others to care for and educate their children as well as perform the duties necessary for the upkeep of the home. Grounding her work in the dominant sociological, biological, and economic theories of the time, Gilman provided the intellectual arguments necessary for elevating the feminist cause from a popular movement to a true political force. Women and Economics is a powerful work of sociological thought by a leading reformer and feminist of her day.With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilman's Women and Economics is a classic of American literature and nonfiction reimagined for modern readers.

When a group of New England women move to the western frontier, they encounter a new set of problems testing their love, friendship and spirits. In The Crux, Gilman highlights women's need for economic independence and sexual autonomy. The strain of New England life pushes a group of progressive women to move to Colorado. Together, they open a boarding house and create a bustling business that supports both men and women. When one of the ladies fall in love with a male resident, it dramatically changes the group's dynamic. His poor health and questionable standing make their relationship a point of contention. The author uses their scenario to examine self-determination theory, and its connection to other ideologies that may influence a woman's choice. The Crux is a powerful exploration of contemporary feminist ideals. It focuses on the many disparities between genders both personally and professionally. This is an intriguing look at the long-term effects of different social conventions.