Bøger af Charles Wright

Award-winning French author shares the biography and spiritual journey of Cistercian abbot Dom André Louf. Based on a wide variety of interviews, printed sources, and Dom André Louf's spiritual journal, The Way of the Heart narrates Louf's spiritual journey from his childhood in Flanders through his becoming a monk in a Cistercian monastery, his ten years of retirement as a hermit in a Benedictine monastery in the south of France, and his death. During his career he struggled with conflicting vocational desires--sometimes wishing to serve as a pastor, academic, abbot, or to immerse himself in eremitic contemplation. That struggle is the leading thread through this biography, which portrays a man whose immense gifts pulled him in many directions, while always endeavoring to submit himself to God's will.

The Threshold of Science: A Variety of Simple and Amusing Experiments is a book written by Charles Wright. The book provides a comprehensive guide to conducting simple and entertaining experiments that explore various scientific concepts. The experiments are designed to be easy to understand and perform, making them accessible to both children and adults. The book covers a wide range of topics, including physics, chemistry, biology, and astronomy. Each experiment is accompanied by clear instructions, illustrations, and explanations of the underlying scientific principles. The book also includes interesting anecdotes and historical facts related to each experiment, making it an engaging and informative read. Overall, The Threshold of Science is an excellent resource for anyone interested in exploring the fascinating world of science through hands-on experimentation.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Charles Wright's first-hand account of his experiences as a corporal in the Union Army during the Civil War provides a unique perspective on the conflict. From the battles of Perryville and Stone River to the long months spent in military prison, Wright's memoir is both a harrowing and illuminating read.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

We have all experienced incidences almost daily when something happens that causes us to get stirred up or grumpy. This book is a humorous description of a number of those real everyday happenings from an Australian grunt's point of view. It is essential reading for everyone who wants to have a laugh. It should also be essential reading for governments and corporations who really want to tackle complaints as it offers solutions.

This Is A New Release Of The Original 1891 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

?Reading Wright is a steep, stinging pleasure.??Dwight Garner, New York TimesIn this incisive, satirical collection of three classic American novels by Charles Wright?hailed by the New York Times as ?malevolent, bitter, glittering??a young, black intellectual from the South struggles to make it in New York City. This special compilation includes a foreword by acclaimed poet and novelist Ishmael Reed, who calls Wright, ?Richard Pryor on paper.?As fresh and poignant as when originally published in the sixties and seventies, The Messenger, The Wig, and Absolutely Nothing to get Alarmed About form Charles Wright's remarkable New York City trilogy. By turns brutally funny and starkly real, these three autobiographical novels create a memorable portrait of a young, working-class, black intellectual?a man caught between the bohemian elite of Greenwich Village and the dregs of male prostitution and drug abuse. Wright's fiction is searingly original in bringing to life a special time, a special place, and the remarkable story of a man living in two worlds. This updated edition shines a spotlight once again on this important writer?a writer whose work is so crucial to our times.

A powerfully moving meditation on life and the beyond, from one of our finest American poetsCharles Wright's truth-the truth of nature, of man's yearning for the divine, of aging-is at the heart of the renowned poet's latest collection, Caribou. This is an elegy to transient beauty, a song for the "stepchild hour, / belonging to neither the light nor dark, / The hour of disappearing things," and an expression of Wright's restless questing for a reality beyond the one before our eyes ("We are all going into a world of dark . . . It's okay. That's where the secrets are, / The big ones, the ones too tall to tell"). Caribou's strength is in its quiet, wry profundity. "It's good to be here," Wright tells us. "It's good to be where the world's quiescent, and reminiscent." And to be here-in the pages of this stirring collection-is more than good; Caribou is another remarkable gift from the poet around whose influence "the whole world seems to orbit in a kind of meditative, slow circle" (Poetry).

A powerfully moving meditation on life and the beyond, from one of our finest American poetsCharles Wright's truth-the truth of nature, of man's yearning for the divine, of aging-is at the heart of the renowned poet's latest collection, Caribou. This is an elegy to transient beauty, a song for the "stepchild hour, / belonging to neither the light nor dark, / The hour of disappearing things," and an expression of Wright's restless questing for a reality beyond the one before our eyes ("We are all going into a world of dark . . . It's okay. That's where the secrets are, / The big ones, the ones too tall to tell"). Caribou's strength is in its quiet, wry profundity. "It's good to be here," Wright tells us. "It's good to be where the world's quiescent, and reminiscent." And to be here-in the pages of this stirring collection-is more than good; Caribou is another remarkable gift from the poet around whose influence "the whole world seems to orbit in a kind of meditative, slow circle" (Poetry).

Over the course of nineteen collections of poems, Charles Wright has built "one of the truly distinctive bodies of poetry created in the second half of the twentieth century" (David Young, Contemporary Poets). Bye-and-Bye, which brings together selections from Wright's more recent work-including the entirety of Littlefoot, Wright's moving, book-length meditation on mortality-showcases the themes and images that have defined his mature work: the true affinity between writer and subject, human and nature; the tenuous relationship between description and actuality; and the search for a truth that transcends change and death. Bye-and-Bye is a wonderful introduction to the late work of one of America's finest and best-loved poets.

Graphic art and poems that are rueful, but never grim, offer a graceful meditation on the approach of death.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Sestets is the nineteenth book from one of the country's most acclaimed poets, a masterpiece of formal rigor and a profound meditation on nature and mortality. It is yet another virtuosic showcase for Charles Wright's acclaimed descriptive powers, and also an inquiry into the nature of description itself, both seductive and dangerous: "a virtual world/ Unfit for the virtuous." Like his previous books, Sestets is seeded with the lyrics of old love songs and spirituals, and "there is always room to connect his highly polished poems to the world where most of us lead mundane lives" (Miami Herald). Soaring and earthy, lyrical and direct, Charles Wright is an American treasure, and his search for a truth that transcends change and death settles finally on the beauties of nature and language: "Time is a graceless enemy, but purls as it comes and goes."

In Scar Tissue, the Pulitzer Prize-winning poet Charles Wright not only investigates the tenuous relationship between description and actuality-"A thing is not an image"-but also reaffirms the project of attempting to describe, to capture the natural world and the beings in it, although he reminds us that landscape is not his subject matter but his technique: that language was always his subject-language and "the ghost of god." And in the dolomites, the clouds, stars, wind, and water that populate these poems, "something un-ordinary persists."Scar Tissue is a groundbreaking work from a poet who "illuminates and exalts in the entire astonishing spectrum of existence" (Booklist).

After the end of something, there comes another end,This one behind you, and far away.Only a lifetime can get you to it,and then just barely.Littlefoot, the eighteenth book from one of this country's most acclaimed poets, is an extended meditation on mortality, on the narrator's search of the skies for a road map and for last instructions on "the other side of my own death." Following the course of one year, the poet's seventieth, we witness the seasons change over his familiar postage stamps of soil, realizing that we are reflected in them, that the true affinity is between writer and subject, human and nature, one becoming the other, as the river is like our blood, "it powers on, / out of sight, out of mind." Seeded with lyrics of old love songs and spirituals, here we meet solitude, resignation, and a glad cry that while a return to the beloved earth is impossible, "all things come from splendor," and the urgent question that the poet can't help but ask: "Will you miss me when I'm gone?

Fourth edition of the highly successful Quarternote Chapbook Series by Pulitzer Prize-winning poet.

"[Wright's] penetrating and ravishingly gorgeous lyrical poems are at once classically philosophical and freshly revealing" (Booklist)Never has Charles Wright's vision been more closely aligned with the work of the ancient Chinese painters and writers who inform his poetry than in his newest collection. Wright's short lyrics, in Charles Simic's words, "achieve a level of eloquence where the reader says to himself, if this is not wisdom, I don't know what is" (The New York Review of Books). The poems in Buffalo Yoga are pristine examples of the Tennessee poet's deft, painterly touch-"crows in a caterwaul" are "scored like black notes in the bare oak"-and his oblique, expansive, and profound interrogation of mortality, as in the title sequence, where the soul is "a rhythmical knot. / That form unties. Or reties."

In the Psalms, God speaks directly to our deepest experiences: despair, abandonment, fear, anxiety, hope, love, faith, eternal life, and more. My hope is that these paraphrases of Psalms in conversational form will deepen your faith, love and service to our wonderful God of life.

Littlefoot, the eighteenth book from one of this country's most acclaimed poets, is an extended meditation on mortality, on the narrator's search of the skies for a road map and for last instructions on "the other side of my own death." Following the course of one year, the poet's seventieth, we witness the seasons change over his familiar postage stamps of soil, realizing that we are reflected in them, that the true affinity is between writer and subject, human and nature, one becoming the other, as the river is like our blood, "it powers on, / out of sight, out of mind." Seeded with lyrics of old love songs and spirituals, here we meet solitude, resignation, and a glad cry that while a return to the beloved earth is impossible, "all things come from splendor," and the urgent question that the poet can't help but ask: "Will you miss me when I'm gone?

Luminous new poems from one who "has long been a poet of gorgeous description" -William Logan, The New CriterionLandscape, as Wang Wei says, softens the sharp edges of isolation.Don't just do something, sit there.And so I have, so I have, the seasons curling around me like smoke,Gone to the end of the earth and back without a sound.-from "Body and Soul II"This is Charles Wright's first collection of verse since the gathering, in Negative Blue, of his "Appalachian Book of the Dead," a trilogy of trilogies hailed "among the great long poems of the century" (James Longenbach, Boston Review). In A Short History of the Shadow, Wright's return to the landscapes of his early work finds his art resilient in a world haunted by death and the dead.

Almost thirty years ago, Charles Wright (who teaches at the University of Virginia in Charlottesville and has won both the Pulitzer Prize and the National Book Award for Poetry) began a poetic project of astonishing scope--a series of three trilogies. The first trilogy was collected in Country Music, the second in The World of the Ten Thousand Things, and the third began with Chickamauga and continued with Black Zodiac. Appalachia is the last book in the final trilogy of this pathbreaking and majestic series.If Country Music traced "Wright's journey from the soil to the stars" and The World of the Ten Thousand Things "lovingly detailed" our world and made "a visionary map of the world beyond" (James Longenbach, The Nation), this final book in Wright's great work reveals a master's confrontation with his own mortality and his stunning ability to discover transcendence in the most beautifully ordinary of landscapes.

Winner of the Pulitzer Prize and the National Book Critics Circle AwardBlack Zodiac offers poems suffused with spiritual longing-lyrical meditations on faith, religion, heritage, and morality. The poems also explore aging and mortality with restless grace. Approaching his vast subjects by way of small moments, Wright magnifies details to reveal truths much larger than the quotidian happenings that engendered them. His is an astonishing, flexible, domestic-yet-universal verse. As the critic Helen Vendler has observed, Wright is a poet who "sounds like nobody else."

This volume, Wright's eleventh book of poetry, is a vivid, contemplative, far-reaching, yet wholly plain-spoken collection of moments appearing as lenses through which to see the world beyond our moments. Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "e;Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"e;