Bøger af Charles Villiers Stanford

This beautiful ballad tells the story of Phaudrig Crohoore, an Irish outlaw and folk hero. Charles Villiers Stanford's haunting music and Joseph Sheridan Le Fanu's moving lyrics combine to create a powerful tribute to the Irish spirit. This work is a masterpiece of Irish culture, and a must-have for any lover of Irish music and literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Phaudrig Crohoore; An Irish Ballad For Chorus And Orchestra Charles Villiers Stanford, Joseph Sheridan Le Fanu Boosey, 1896 Music; Genres & Styles; Classical; Choruses, Secular (Mixed voices) with orchestra; Music / Genres & Styles / Classical; Music / Songbooks

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

""Mass In G Major For Soli, Chorus, Orchestra, And Organ (1893)"" is a musical composition by Charles Villiers Stanford. It is a sacred choral work that is intended for performance during religious services, particularly Catholic Mass. The piece is scored for soloists, choir, orchestra, and organ, and features four movements: Kyrie, Gloria, Credo, and Sanctus/Benedictus. The Mass is written in the key of G major and is known for its grand and majestic sound. The piece opens with a solemn Kyrie that features a call-and-response between the choir and soloists. The Gloria is a joyful and celebratory movement that features a lively orchestral accompaniment. The Credo is a powerful and dramatic movement that highlights the choir's ability to sing in unison. Finally, the Sanctus/Benedictus is a peaceful and contemplative movement that features a soaring soprano solo. Overall, ""Mass In G Major For Soli, Chorus, Orchestra, And Organ (1893)"" is a beautiful and timeless work of sacred music that showcases Stanford's mastery of choral composition. It is a popular piece that is still performed in churches and concert halls around the world today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Voyage Of Maeldune; Ballad By Alfred, Lord Tennyson. Set To Music For Soli, Chorus And Orchestra. Op. 34 Charles Villiers Stanford, Baron Alfred Tennyson Tennyson Novello, Ewer, 1889 Music; Genres & Styles; Classical; Choruses, Secular (Mixed voices) with orchestra; Music / Genres & Styles / Classical; Music / Songbooks

First published in 1911, "Musical Composition - A Short Treatise for Students" is fantasist guide to music teaching for teachers written by master composer and instructor Charles Villiers Stanford. It constitutes a general rather than comprehensive guide, touching upon many subjects and offering priceless advice to those occupied in the teaching of music. Contents include: "Introductory", "Technique", "Rhythm", "Melodies and Their Simple Treatment", "The Complex Treatment of Melodies. Variation", "Form", "Colour", "The Treatment of Voices", "Extraneous Influences in Instrumental Music", "Danger Signals", etc. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.

Pages From An Unwritten Diary is a book written by Charles Villiers Stanford and published in 1914. The book is a collection of essays and musings on various topics, ranging from music and literature to politics and society. The essays are written in a diary-like style, with each entry providing a snapshot of the author's thoughts and observations on the world around him. Stanford was a prominent composer and musician of his time, and his insights into the creative process and the role of music in society are particularly noteworthy. The book provides a fascinating glimpse into the mind of a highly creative and intelligent individual, and is a must-read for anyone interested in the arts or the intellectual history of the early 20th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Musical Composition: A Short Treatise For Students is a book written by Charles Villiers Stanford and first published in 1911. The book is a guide for students of music who are interested in learning about the process of musical composition. The author, Stanford, was a renowned composer and music professor at the Royal College of Music in London.The book is divided into several chapters that cover various aspects of musical composition, including harmony, counterpoint, melody, form, and orchestration. Each chapter provides clear and concise explanations of the concepts and techniques involved in each area of composition, with examples drawn from classical music.Stanford's approach to teaching musical composition is both practical and theoretical. He emphasizes the importance of understanding the rules and conventions of composition, while also encouraging students to experiment and develop their own unique styles.The book is written in a clear and accessible style, making it suitable for both beginners and more advanced students of music. It is also a valuable resource for composers and music teachers who are looking for guidance on how to teach the art of composition.Overall, Musical Composition: A Short Treatise For Students is a classic text that has stood the test of time and remains a valuable resource for anyone interested in the art of musical composition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.