Bøger af Charles Dudley Warner

1897. Illustrated. American editor and author, Warner writes in the Preface that the first two chapters of these studies of the people for whom Shakespeare wrote were printed in the Atlantic Monthly and the last two are from a manuscript written subsequently to illustrate the relation of English life in the times of Elizabeth to its literature. See other titles by this author available from Kessinger Publishing.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Complete Writings, Volume 15; Complete Writings; Charles Dudley Warner Charles Dudley Warner The American Pub. Co., 1904

MY DEAR MR. FIELDS, -I did promise to write an Introduction to these charming papers but an Introduction, -what is it?-a sort of pilaster, put upon the face of a building for looks' sake, and usually flat, -very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon his or her head or shoulders a structure which they did not build, and which could stand just as well without as with them. But an Introduction is more apt to be a pillar, such as one may see in Baalbec, standing up in the air all alone, with nothing on it, and with nothing for it to do. But an Introductory Letter is different. There is in that no formality, no assumption of function, no awkward propriety or dignity to be sustained. A letter at the opening of a book may be only a footpath, leading the curious to a favorable point of observation, and then leaving them to wander as they will. Sluggards have been sent to the ant for wisdom; but writers might better be sent to the spider, not because he works all night, and watches all day, but because he works unconsciously. He dare not even bring his work before his own eyes, but keeps it behind him, as if too much knowledge of what one is doing would spoil the delicacy and modesty of one's work

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Complete Writings, Volume 2; Complete Writings; Charles Dudley Warner Charles Dudley Warner The American Pub. Co., 1904

(September 12, 1829 - October 20, 1900) was an American essayist, novelist, and friend of Mark Twain, with whom he co-authored the novel The Gilded Age: A Tale of Today.Warner was born of Puritan descent in Plainfield, Massachusetts. From the ages of six to fourteen he lived in Charlemont, Massachusetts, the scene of the experiences pictured in his study of childhood, Being a Boy (1877). He then moved to Cazenovia, New York, and in 1851 graduated from Hamilton College, Clinton, NY. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago (1856-1860); was assistant editor (1860) and editor (1861-1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editor's Drawer until 1892, when he took charge of The Editor's Study. He died in Hartford on October 20, 1900, and was interred at Cedar Hill Cemetery, with Mark Twain as a pall bearer and Joseph Twichell officiating. Warner traveled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters, and, at the time of his death, was president of the American Social Science Association. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870; first published in The Hartford Courant), popular for their abounding and refined humour and mellow personal charm, their wholesome love of outdoor things, their suggestive comment on life and affairs, and their delicately finished style, qualities that suggest the work of Washington Irving.

Saunterings is a collection of essays written by Charles Dudley Warner, an American essayist and novelist who was best known for his co-authorship of The Gilded Age with Mark Twain. The book was first published in 1872 and contains a series of personal reflections and observations on various topics, including travel, nature, literature, and society.The essays in Saunterings are written in a conversational and humorous tone, and Warner's wit and intelligence shine through in his writing. He shares his experiences and insights on a range of subjects, from his travels in Europe to his musings on the role of art in society. Warner also includes several essays on his home state of Connecticut, highlighting its natural beauty and rich history.Throughout the book, Warner's love of nature is evident, and he often reflects on the beauty and majesty of the natural world. He also explores the relationship between humanity and the environment, discussing topics such as deforestation and the impact of industrialization on the landscape.Overall, Saunterings is a charming and insightful collection of essays that provides a window into the mind of one of America's most celebrated writers. With its mix of humor, intelligence, and wisdom, it remains a beloved classic of American literature.I wonder if it is the Channel? Almost everything is laid to the Channel: it has no friends. The sailors call it the nastiest bit of water in the world. All travelers anathematize it. I have now crossed it three times in different places, by long routes and short ones, and have always found it as comfortable as any sailing anywhere, sailing being one of the most tedious and disagreeable inventions of a fallen race.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Charles Dudley Warner (September 12, 1829 - October 20, 1900) was an American essayist, novelist, and friend of Mark Twain, with whom he co-authored the novel The Gilded Age: A Tale of Today.Warner was born of Puritan descent in Plainfield, Massachusetts. From the ages of six to fourteen he lived in Charlemont, Massachusetts, the scene of the experiences pictured in his study of childhood, Being a Boy (1877). He then moved to Cazenovia, New York, and in 1851 graduated from Hamilton College, Clinton, NY. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago (1856-1860); was assistant editor (1860) and editor (1861-1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editor's Drawer until 1892, when he took charge of The Editor's Study. He died in Hartford on October 20, 1900, and was interred at Cedar Hill Cemetery, with Mark Twain as a pall bearer and Joseph Twichell officiating. Warner traveled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters, and, at the time of his death, was president of the American Social Science Association. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870; first published in The Hartford Courant), popular for their abounding and refined humour and mellow personal charm, their wholesome love of outdoor things, their suggestive comment on life and affairs, and their delicately finished style, qualities that suggest the work of Washington Irving.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Library of the World's Best Literature, Ancient and Modern - Vol. XXVII by Charles Dudley Warner. This book is a reproduction of the original book published in 1896 and may have some imperfections such as marks or hand-written notes.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Saunterings, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Modern Fiction, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

The Novel and the Common School, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.

A Little Journey in the World, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.