Bøger af Catharine Savage Brosman

THESE POEMS-PUFFS OF AIR, OR "AEROSOLS"-are auras, emanations of being, lingering, prolonging meaning. Following the title poem, they are arranged in sections, structured according to themes, inspirations, forms, or other markers. Among the underlying vectors are perception and imagination-how we see, feel, and picture things. The approach is, loosely, phenomenological. Hence the importance here of painting and of poetry itself. Vision as both tool and matter plays a major role. Vivid scenes, memories, daydreams, and concocted idylls arise from stores of sight, outer and inner. Such visions are essential for personal and collective health. -Catharine Savage Brosman, From Introductory Note Praise for Aerosols and Other Poems"The foliage around us shakes, not with wind, /but being." So writes Catharine Savage Brosman in her rich new book of poetry, Aerosols. Brosman is timeless in her sensibility. She conjures up the mystic ontology underlying space, time, and the memory of time. This nearly cosmic reach is intertwined with an unparalleled ability to be in the moment as an opening towards eternity, and all is conveyed with craftsmanship of the most impeccable character. As if this weren't enough, she brings back the grand tradition of including exquisite translations from other poets-José-Maria de Heredia, Verlaine, Apollinaire. She is master of literary translation, as these poems live in English as they live in French, and resonate with the themes of Brosman's original work. -Jonathan Chaves Praise for Brosman's previous poetry."Catharine Brosman has produced one of the most remarkable bodies of work in contemporary poetry."-Jesse Graves. "Her poems are illuminating." -Marc Jolley "For nearly half a century now, Catharine Savage Brosman has been one of this country's finest poets, not just because of her mastery of language and form, but also because of the courage to remain true to her traditionalist aesthetic." -Claude Wilkinson. "Catharine Savage Brosman, one of the greatest poets of our age, has recovered for contemporary poetry a concern for the essentially human and universal within a romantic poetry of reflection." -James Matthew Wilson

"CATHARINE SAVAGE BROSMAN, Emerita Professor of French of at Tulane University, has published nearly forty books of poetry, fiction, and literary scholarship. This is her twelfth book of verse. It returns freshly to her familiar te rritory of New Orleans, the Southwest, France, and the despoiling of our contemporary culture. Of contemporary American poets, only Catharine Savage Brosman possesses the wit, erudition, and technical skills to pull off this tour de force, a combination lyrical travelogue and bracing, biting account of our moral and artistic decline. Her work holds a firm place in the tradition of Swift, Pope, and Larkin. -Randall Ivey, University of South Carolina-Union, author of A New England Romance and Other Southern Stories."--

In this book of poems, Catharine Savage Brosman employs a wide array of forms and styles to address the problem of being and the complexity of relationships.

"On this familiar planet all is strange", writes Catharine Savage Brosman, and with that she takes her reader on an eye- and mind-opening journey that starts, cocktail in hand, at the Columns Hotel veranda on New Orleans' St. Charles Avenue.

Presents journeys between the world and spirit, journeys that share an axis of yearning for a realm as pure as desire. Catharine Savage Brosman refracts through metrical virtuosity, historical imagination, and a vision like cleansing light a world alive with coruscating colour and sensual textures.

The human mind shapes disparate landscapes to its own contours in this rich collection of poems by Catharine Savage Brosman. The canyon country of the Southwest, parts of Virginia, the Gulf Coast, France, and the Caribbean figure prominently in the poet's meditations on the alchemy that occurs in that groove where the mind meets the world.

Mississippi has produced outstanding writers in numbers far out of proportion to its population. Their contributions to American literature, including poetry, rank as enormous. This book showcases forty-five poets associated with the state and assesses their work with the aim of appreciating it and its place in today's culture.

Always spirited and elegant, by turns witty and meditative, Catharine Savage Brosman's Under the Pergola contemplates Louisiana, past and present, before traveling a broader path that crosses Colorado landscapes and the island of Sicily.In her eighth collection of poems, Brosman evokes the Pelican State's trees, birds, rivers, swamps, bayous, New Orleans scenes, historic houses, and colorful characters. She also recounts, in free verse, formal verse, and one prose poem, the "misdeeds of Katrina" as she and others experienced them.Other poems range widely, from reflections on writers Samuel Johnson, Paul Claudel, André Malraux, and James Dickey to quiet meditations on the American West, Odysseus, fruits and vegetables, and the recent "light years" of the poet's life -- which she characterizes as "silken... slipping smoothly off" like a gown.

Catharine Savage Brosman offers lyrical and narrative poems about the American West and Southwest, from Wyoming to New Mexico to California. She explores three different types of ranges- mountains, grazing ranges, and the scope and spectrum of light, a constant motif.

Offers a broad-ranging critical reading of belles lettres - in both French and English - connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana.

This literary history focuses on five women writers of the American Southwest - Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott - whose prose and verse appeared from around 1900 through the 1980s. Together, they present a portrait of "writing women" and their responses to the Southwest.