Bøger af Casey Riley

American Gothic, Gordon Parks' 1942 portrait of government worker Ella Watson, is among the most celebrated photographs of the twentieth century. Created as part of an extensive collaboration between the photographer and his subject, it is at once a record of one woman's position within the racial, professional and economic hierarchies that stratified the nation's capital and Parks' visual reckoning with the realities of living in racially segregated Washington, D.C. Through his work with Watson-a custodian in the government building where he worked-Parks composed an intimate portrait of Black life by focusing on everyday activities, from work routines to family meals and church services. The resulting photographs trace a remarkably intimate portrait of Watson as a multidimensional figure, cherished by her community and vitally important within the civic sphere. American Gothic. Gordon Parks and Ella Watson provides a comprehensive overview of this pivotal series of photographs, including more than 50 images, some never published before, and additional archival material.Co-published with The Gordon Parks Foundation and the Minneapolis Institute of Art

A groundbreaking exhibition catalogue of Native, First Nations, Metis, and Inuit photography from the nineteenth century to the present day

In 1865, art collector and philanthropist Isabella Stewart Gardner lost her only child to pneumonia at less than two years old. In an effort to rouse her from depression, Gardner and her husband, Jack, travelled to northern Europe and Russia. It was the first of many trips abroad that would eventually take her from the Middle East to Asia, trips that she documented in exquisitely crafted collaged travel albums. Fellow Wanderer brings together nearly thirty of Gardner's striking travelogues, spanning some thirty-nine countries and offering invaluable perspective on the global influences on this legendary collector and patron of the arts. This book features beautiful facsimiles of Gardner's travel albums, largely unpublished until now, along with essays by leading scholars who place these diaries and sketchbooks within the context of the art and culture of Europe, the Middle East, and Asia in the nineteenth century. The essays explore a host of topics, such as Gardner's engagement with world religions while abroad, how she incorporated designs and ideas from around the globe into her Boston museum, and the ways in which the imperial power structures of the era facilitated her travels. Lushly illustrated, Fellow Wanderer provides a uniquely intimate look at how Gardner's rich and diverse experiences abroad instilled her collecting and patronage with a truly global vision of art.