Bøger af Carlo Goldoni

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Goldoni's eighteenth-century masterpiece is an enduring story of love, passion, and mistaken identity. Young Venetian Clarice can't marry her lover, Silvio. She had been betrothed to Rasponi, who appears to have returned from the dead to claim her. But the Rasponi who appears is actually Beatrice, Rasponi's sister who is in disguise as her brother and has come to Venice to find her suitor, Florinda. Complications arise when a servant greedily seeks employment with both the disguised Beatrice and Florinda and spends the rest of the play trying to serve two masters while keeping the two unaware of the other's presence. The play is based on the Italian Renaissance theater style, Commedia dell arte, and reinvigorated the genre, which is so heavily based on carnival, while bringing to it an element of realism, mishaps, mix-ups, confusions, disguises and mistaken identity that come with the style. "Director Christopher Bayes' and star Steven Epp's adaptation on Carlo Goldoni's 18th-century Commedia dell'arte piece ... is pure comedy gold." --Broadway World Seattle"Sublimely directed by Christopher Bayes -- provides an equivalent bowlful of joy ... deliriously happy-making version of Carlo Goldoni's THE SERVANT OF TWO MASTERS. Bayes and company, egged on by adapter Constance Congdon's buoyant script ... consistently locate Goldoni's sweet spot." --The Washington Post"... revels in the transformative power of theater. The laughter would be quite enough to propel THE SERVANT OF TWO MASTERS onto a theater lover's must-see list. But then there's the magic. Now that's theater!" --The New York Times"... an uproarious, unapologetically lowbrow, compulsively enjoyable excursion into the outer realms of farce." --The Boston Globe"It begins in elegance. Two Italian workmen stumble upon the remnants of an abandoned theater; when they open a trunk, fireflies flutter out and turn into the stars above a Venice of yore. But from then on we're mostly in the broadly colorful land of commedia dell'arte: a world of crafty servants and passionate lovers and notably bad communication ... stock characters, one-liners, slapstick, masks, songs and snatches of anachronistic improvisation." --Time Out New York "Think the Three Stooges meets Family Guy meets a bawdy clown troupe, with a few musical numbers tossed in for good measure and a tendency to beat a dead horse of a joke until it miraculously stands back on its feet and becomes funny again ... The gonzo glee of the performances holds it all together ... while the whole thing doesn't add up to more than goofy fun, sometimes that is just what you need." --Brooklyn Paper "Laughter is the best medicine sometimes. This is one of those times." --Lore Croghan, Brooklyn Daily Eagle"[A] raucously entertaining farce ... boy, do we laugh. Every formula for comedy is either turned on its head or played to its full predictive hilarity. And when the unpredictable moments happen -- this archetype of commedia dell'arte requires a fair amount of improvisation and ad-libbing -- the risk of going off-script is richly rewarded ... For the jaded theatergoer, [THE SERVANT OF TWO MASTERS] provides all the things the wearied mind desires: longing, love, song, dance and the simple beauty of laughter." --OffOffOnline

Goldoni's eighteenth-century masterpiece is an enduring story of love, passion, and mistaken identity. Young Venetian Clarice can't marry her lover, Silvio. She had been betrothed to Rasponi, who appears to have returned from the dead to claim her. But the Rasponi who appears is actually Beatrice, Rasponi's sister who is in disguise as her brother and has come to Venice to find her suitor, Florinda. Complications arise when a servant greedily seeks employment with both the disguised Beatrice and Florinda and spends the rest of the play trying to serve two masters while keeping the two unaware of the other's presence. The play is based on the Italian Renaissance theater style, Commedia dell arte, and reinvigorated the genre, which is so heavily based on carnival, while bringing to it an element of realism, mishaps, mix-ups, confusions, disguises and mistaken identity that come with the style. "... madcap farce, heroic romance, operetta and dramatic dueling with a feminist slash. Goldoni's simple but convoluted story turns on two sets of lovers, two impossible fathers and manipulative servants ... As adapted by Constance Congdon, this SERVANT jumps from formal language and fractured Latin gags to familiar phrases ('sweet bird of youth' and 'a palpable hit') to American slang ... a silly, stylish tour of comedy's infinite variety." -Malcolm Johnson, The Hartford Courant "... freshly funny ... wickedly goofy, sometimes bawdy delight." -Hartford Advocate

This Goldoni comedy recounts the matrimonial scheming, gossip, and games enlivening the daily activity of a bustling but poor Venetian piazza where gaming, dancing and pandemonium reign. The haughty Gasparina catches the attention and interest of an attractive visiting Count. Zaretta and Gnese are two years too young to marry as their mothers desperately desire. Lucietta is not trusted by her jealous and handsome fiancé, Anzoletto, and the toothless mothers of all are busily plotting for husbands of their own. Squabbles run throughout this madcap story of the square, are silenced by a wedding feast, and erupt again as the festivities draw to a close. "The coarse Latin flavor of [the characters'] scraps is nicely captured by Richard Nelson's new adaptation, in suitably vulgar modern English." James Lardner, Washington Post

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Chefs-d'oeuvre Du Th�atre Italien ...: Goldoni, Volume 3; Chefs-d'oeuvre Du Th�atre Italien; Carlo Goldoni Carlo Goldoni Chez Ladvocat, libraire, 1822 Drama; Continental European; Drama / Continental European; Italian drama

La Collezione Completa Delle Commedie Del Carlo Goldoni V1 (1809) ¿¿¿¿¿ una raccolta di tutte le commedie scritte dal celebre drammaturgo italiano Carlo Goldoni. Questo primo volume contiene le prime 23 commedie di Goldoni, tra cui ""Il servitore di due padroni"", ""La locandiera"" e ""Le baruffe chiozzotte"". Queste opere sono considerate tra le pi¿¿¿¿¿ importanti della letteratura italiana e sono state rappresentate in tutto il mondo. Il volume ¿¿¿¿¿ stato pubblicato nel 1809 e rappresenta una raccolta completa delle opere teatrali di Goldoni. ¿¿¿¿¿ un'opera di grande valore culturale e storico, che permette di apprezzare l'arte e la genialit¿¿¿¿¿¿ di uno dei pi¿¿¿¿¿ grandi autori italiani di tutti i tempi.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.