Bøger af Carlo Goldoni

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Mémoires De M. Goldoni, Pour Servir A L'Histoire De Sa Vie, Et A Celle De Son Théatre: Dédiés Au Roi, Volume 2; Mémoires De M. Goldoni, Pour Servir A L'Histoire De Sa Vie, Et A Celle De Son Théatre: Dédiés Au Roi; Carlo Goldoni Carlo Goldoni Duchesne, 1787

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Pamela: Comedia En Prose: En 3 Actos Carlo Goldoni Gibert y Tutó, 1800

"Painter and son of nature," wrote Voltaire, at that time the arbitrator and the dispenser of fame in cultured Europe, to Carlo Goldoni, then a rising dramatist, "I would entitle your comedies, 'Italy liberated from the Goths.'" The sage of Ferney's quick critical faculty had once again hit its sure mark, for it is Goldoni's supreme merit, and one of his chief titles to fame and glory, that he released the Italian theatre from the bondage of the artificial and pantomime performances that until then had passed for plays, and that, together with Molière, he laid the foundations of the drama as it is understood in our days.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Collezione Completa Delle Commedie Del Signor Carlo Goldoni, Avvocato Veneziano ...; Volumes 31-33 Of Collezione Completa Delle Commedie Del Signor Carlo Goldoni, Avvocato Veneziano; Carlo Goldoni Carlo Goldoni Del Majno, 1831 Drama; Continental European; Drama / Continental European

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Gutherzige Murrkopf: Lustspiel Carlo Goldoni

Carlo Osvaldo Goldoni was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty. His plays offered his contemporaries images of themselves, often dramatizing the lives, values, and conflicts of the emerging middle classes. Though he wrote in French and Italian, his plays make rich use of the Venetian language, regional vernacular, and colloquialisms. Goldoni also wrote under the pen name and title "Polisseno Fegeio, Pastor Arcade," which he claimed in his memoirs the "Arcadians of Rome" bestowed on him.

La bottega del caffè, composta nel 1750, è una delle più importanti commedie di Carlo Goldoni, all'interno della quale si sviluppa un intermezzo, dallo stesso titolo, composto da Goldoni nel 1736. Nato inizialmente come intermezzo in tre parti, l'enorme successo del soggetto spinse il commediografo a tornarci sopra, ampliandolo fino a crearne una commedia in tre atti. È considerata uno dei suoi testi più fortunati tra le sedici commedie nuove. La commedia venne rappresentata per la prima volta a Mantova, il 2 maggio di quell'anno, con gran successo. Fu poi portata a Venezia dove fu replicata per dodici volte. L'azione della commedia vera e propria si avvia alle prime luci dell'alba di un mite mattino invernale in Venezia, durante il carnevale, per concludersi quando scende la notte. Il caffettiere Ridolfo si sta prendendo a cuore la sorte del giovane mercante di stoffe Eugenio, che da qualche tempo frequenta assiduamente la casa da gioco di Pandolfo. Lí Eugenio ha subíto molte perdite ingenti giocando a carte con Flaminio, un giovane torinese che si spaccia per nobile. La moglie di Eugenio, Vittoria, cerca invano di far ravvedere il marito. Allo stesso scopo è giunta a Venezia da Torino la moglie di Flaminio, Placida, che, travestita da pellegrina, ignora la nuova identità assunta dal marito, ed è esposta alle insidie intessute da don Marzio. Quest'ultimo è un nobile napoletano in decadenza, prepotente, ambiguo e chiacchierone, che prova piacere nel frapporre ostacoli al desiderio delle due mogli di ricondurre sulla retta via Eugenio e Flaminio; trova anzi modo di indurli a festeggiare la ritrovata libertà quando pensa di aver allontanato definitivamente le due donne, e unisce ai festeggiamenti la ballerina Lisaura che, ignara del fatto che Flaminio fosse già sposato, sperava di diventare sua moglie per poter cosí abbandonare il paese. I tranelli di don Marzio e Pandolfo trovano un fiero oppositore nel caffettiere Ridolfo e nel suo garzone Trappola, che aprono gli occhi a Eugenio e a Flaminio: pentiti, i due si ricongiungono alle mogli, mentre Pandolfo è arrestato per truffa e don Marzio lascia la città.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Commedie Scelte; Commedie Scelte; Carlo Goldoni Carlo Goldoni G. Silvestri, 1825 Drama; General; Drama / General