Bøger af Carl Philipp Emanuel Bach

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This cantata was written for the Feast of St. Michael's and All Angels, and first performed in Hamburg in 1772. An English translation of the German text is included in this offprint.

The 1769 St. Matthew Passion, H 782, was C.P.E. Bach's first and longest Passion for Hamburg, incorporating chorales and other music of his father's St. Matthew Passion, BWV 244.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Klavier Mittelschwer

Von Carl Philipp Emanuels Flötenkonzerten ist das Werk in d-moll mit Abstand am bekanntesten. Dabei wurde dessen Authentizität immer wieder in Zweifel gezogen. Sicher vom Bach-Sohn stammt eine Fassung des gleichen Konzertes für Cembalo und Orchester, die daher stets als die Originalfassung galt. Ein genaues Studium aller Quellenfunde legt allerdings den Schluss nahe, dass Bach zuerst die Flötenfassung komponierte. Unser Herausgeber, der Flötist András Adorján, kann somit einen von zahlreichen Überlieferungsfehlern bereinigten Notentext vorlegen. Abgerundet wird die Edition von einem Vorwort des Experten für Carl Philipp Emanuel Bach, Wolfram Enßlin.

Für wen schrieb Carl Philipp Emanuel Bach seine Solosonate? Immer wieder ist als Adressat der Sonate der preußische König Friedrich II. ins Spiel gebracht worden. Bach hätte Musik, die exklusiv dem König zugedacht war, jedoch nicht der Allgemeinheit zugänglich gemacht. Das Flötensolo erschien aber in den 1760er Jahren gleich zweimal im Druck. Das Rätsel wird sich nicht lösen lassen. Heute gehört das dreisätzige Werk zu den Solo-Stücken, die jeder Flötist einmal gespielt haben muss - wahrhaft königliche Musik. Der Travers-Flötist Karl Kaiser steuert kenntnisreiche Kommentare zur Aufführungspraxis bei.

This was the first attempt at a full length biography of Bach and a critical apreciation of his work as composer and performer. Translated by Walter Emery in 1941-1942 with introductory notes and two appendices, but not published in his lifetime. Walter Emery, musicologist, specialised in the works J.S. Bach.

This title is a complete edition of the correspondence of the most famous of J.S. Bach's sons. They provide a picture of an 18th century composer hard at work publishing his own music, debating aesthetic matters, and championing the music and teachings of his father.