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Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Thankful Blossom, And Other Tales; Volume 1667 Of Collection Of British Authors; Volume 1667 Of Collection Of British And American Authors Bret Harte Bernhard Tauchnitz, 1877 Literary Criticism; American; General; Literary Criticism / American / General

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Francis Bret Harte (August 25, 1836 May 5, 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

For a moment the two stared at each other--it might have been as in a mirror, so perfectly were their passions reflected in each line, shade, and color of the other's face. It was as if they had each confronted their own passionate and willful souls, and were frightened. It had often occurred before, always with the same invariable ending. The young man's eyes lowered first; the girl's filled with tears.

Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American short story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired. Early life: Bret Harte was born in Albany, New York. He was named Francis Brett Hart after his great-grandfather, Francis Brett. When he was young, his father, Henry, changed the spelling of the family name from Hart to Harte. Henry's father was Bernard Hart, an Orthodox Jewish immigrant who flourished as a merchant, becoming one of the founders of the New York Stock Exchange. Later, Francis preferred to be known by his middle name, but he spelled it with only one "t", becoming Bret Harte. An avid reader as a boy, Harte published his first work at age 11, a satirical poem titled "Autumn Musings", now lost. Rather than attracting praise, the poem garnered ridicule from his family. As an adult, he recalled to a friend, "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse". His formal schooling ended when he was 13, in 1849. Harte moved to California in 1853, later working there in a number of capacities, including miner, teacher, messenger, and journalist. He spent part of his life in the northern California coastal town of Union (now Arcata), a settlement on Humboldt Bay that was established as a provisioning center for mining camps in the interior. The Wells Fargo Messenger, July 1916, relates that, after an unsuccessful attempt to make a living in the gold camps, he signed on as a messenger with Wells Fargo & Co. Express. He guarded treasure boxes on stagecoaches for a few months, then gave it up to become the schoolmaster at a school near Sonora. He created his character Yuba Bill from his memory of an old stagecoach driver. The 1860 massacre of between 80 and 200 Wiyots at the village of Tuluwat was well documented historically and was reported in San Francisco and New York by Harte. When serving as assistant editor for the Northern Californian, Harte editorialized about the slayings while his boss Stephen G. Whipple was temporarily absent, leaving Harte in charge of the paper. Harte published a detailed account condemning the event, writing: "a more shocking and revolting spectacle never was exhibited to the eyes of a Christian and civilized people. Old women wrinkled and decrepit lay weltering in blood, their brains dashed out and dabbled with their long grey hair. Infants scarcely a span long, with their faces cloven with hatchets and their bodies ghastly with wounds."After he published the editorial, his life was threatened, and he was forced to flee one month later. Harte quit his job and moved to San Francisco, where an anonymous letter published in a city paper is attributed to him, describing widespread community approval of the massacre. In addition, no one was ever brought to trial, despite the evidence of a planned attack and references to specific individuals, including a rancher named Larabee and other members of the unofficial militia called the Humboldt Volunteers.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Writings: Frontier Stories; Volume 1 Of Writings; Bret Harte Bret Harte Houghton Mifflin, 1887

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Francis Bret Harte (August 25, 1836[1] - May 5, 1902) was an American short story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Where the North Fork of the Stanislaus River begins to lose its youthful grace, vigor, and agility, and broadens more maturely into the plain, there is a little promontory which at certain high stages of water lies like a small island in the stream. To the strongly-marked heroics of Sierran landscape it contrasts a singular, pastoral calm. White and gray mosses from the overhanging rocks and feathery alders trail their filaments in its slow current, and between the woodland openings there are glimpses of vivid velvet sward, even at times when the wild oats and "wire-grasses" of the plains are already yellowing.

Gabriel Conroy is a novel written by Bret Harte that tells the story of a young man named Gabriel Conroy, who is a successful lawyer living in San Francisco. Despite his success, Gabriel is haunted by the memory of his mother, who died when he was young, and he struggles to find meaning in his life. The novel takes place during the 1870s and explores themes of love, loss, and the search for identity. Gabriel becomes involved with a young woman named Virginia, who is also struggling to find her place in the world. Together, they navigate the challenges of their respective lives and try to make sense of their feelings for each other.As Gabriel and Virginia's relationship deepens, they are forced to confront the realities of their pasts and the obstacles that stand in the way of their happiness. The novel is a poignant exploration of the human condition and the complexities of love and relationships. Through Gabriel's journey, Harte offers a powerful commentary on the social and cultural landscape of San Francisco during the 1870s. The novel is a masterful work of fiction that captures the spirit of a time and place, while also delving deep into the hearts and minds of its characters.1888. Bret Harte's witty, sometimes heart-rending tales of frontier California earned him acclaim during the 1860s as the new prophet of American letters. His books, The Luck of Roaring Camp, The Outcasts of Poker Flat and M'liss, helped establish the foundations of western American fiction. Gabriel Conroy is divided into seven books titled: On the Threshold; After Five Years; The Lead; Drifting; The Vein; A Dip; and The Bed Rock. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The sun was rising in the foot-hills. But for an hour the black mass of Sierra eastward of Angel's had been outlined with fire, and the conventional morning had come two hours before with the down coach from Placerville. The dry, cold, dewless California night still lingered in the long canyons and folded skirts of Table Mountain. Even on the mountain road the air was still sharp, and that urgent necessity for something to keep out the chill, which sent the barkeeper sleepily among his bottles and wineglasses at the station, obtained all along the road. Perhaps it might be said that the first stir of life was in the bar-rooms. A few birds twittered in the sycamores at the roadside, but long before that glasses had clicked and bottles gurgled in the saloon of the Mansion House. This was still lit by a dissipated-looking hanging-lamp, which was evidently the worse for having been up all night, and bore a singular resemblance to a faded reveller of Angel's, who even then sputtered and flickered in HIS socket in an arm-chair below it, -a resemblance so plain that when the first level sunbeam pierced the window-pane, the barkeeper, moved by a sentiment of consistency and compassion, put them both out together. Then the sun came up haughtily. When it had passed the eastern ridge it began, after its habit, to lord it over Angel's, sending the thermometer up twenty degrees in as many minutes, driving the mules to the sparse shade of corrals and fences, making the red dust incandescent, and renewing its old imperious aggression on the spiked bosses of the convex shield of pines that defended Table Mountain. Thither by nine o'clock all coolness had retreated, and the "outsides" of the up stage plunged their hot faces in its aromatic shadows as in water.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

THIS 36 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: In The Carquinez Woods; A Blue Grass Penelope; Devil's Ford and Other Stories, by Bret Harte. To purchase the entire book, please order ISBN 1417911492.

Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American short story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired. Early life: Bret Harte was born in Albany, New York. He was named Francis Brett Hart after his great-grandfather, Francis Brett. When he was young, his father, Henry, changed the spelling of the family name from Hart to Harte. Henry's father was Bernard Hart, an Orthodox Jewish immigrant who flourished as a merchant, becoming one of the founders of the New York Stock Exchange. Later, Francis preferred to be known by his middle name, but he spelled it with only one "t", becoming Bret Harte. An avid reader as a boy, Harte published his first work at age 11, a satirical poem titled "Autumn Musings", now lost. Rather than attracting praise, the poem garnered ridicule from his family. As an adult, he recalled to a friend, "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse". His formal schooling ended when he was 13, in 1849. He was determined to pursue his literary career and traveled back East with his family in 1871 to New York and eventually to Boston where he contracted with the publisher of The Atlantic Monthly for an annual salary of $10,000, "an unprecedented sum at the time".His popularity waned, however, and by the end of 1872 he was without a publishing contract and increasingly desperate. He spent the next few years struggling to publish new work or republish old, and delivering lectures about the gold rush. The winter of 1877-1878 was particularly hard for Harte and his family. He later recalled it as a "hand-to-mouth life" and wrote to his wife Anna, "I don't know-looking back-what ever kept me from going down, in every way, during that awful December and January". After months of soliciting for such a role, Harte accepted the position of United States Consul in the town of Krefeld, Germany in May 1878. Mark Twain had been a friend and supporter of Harte's until a substantial falling out, and he had previously tried to block any appointment for Harte. In a letter to William Dean Howells, he complained that Harte would be an embarrassment to the United States because, as he wrote, "Harte is a liar, a thief, a swindler, a snob, a sot, a sponge, a coward, a Jeremy Diddler, he is brim full of treachery... To send this nasty creature to puke upon the American name in a foreign land is too much".Eventually, Harte was given a similar role in Glasgow in 1880. In 1885, he settled in London. Throughout his time in Europe, he regularly wrote to his wife and children and sent monthly financial contributions. He declined, however, to invite them to join him, nor did he return to the United States to visit them. His excuses were usually related to money. During the 24 years that he spent in Europe, he never abandoned writing and maintained a prodigious output of stories that retained the freshness of his earlier work...........

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Complete Works, Volume 19; Complete Works; Bret Harte Bret Harte Collier and son, 1894

Francis Bret Harte (August 25, 1836 May 5, 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Francis Bret Harte (August 25, 1836 May 5, 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired

There was no mistake this time: he had struck gold at last! It had lain there before him a moment ago-a misshapen piece of brown-stained quartz, interspersed with dull yellow metal; yielding enough to have allowed the points of his pick to penetrate its honeycombed recesses, yet heavy enough to drop from the point of his pick as he endeavored to lift it from the red earth. He was seeing all this plainly, although he found himself, he knew not why, at some distance from the scene of his discovery, his heart foolishly beating, his breath impotently hurried. Yet he was walking slowly and vaguely; conscious of stopping and staring at the landscape, which no longer looked familiar to him. He was hoping for some instinct or force of habit to recall him to himself; yet when he saw a neighbor at work in an adjacent claim, he hesitated, and then turned his back upon him. Yet only a moment before he had thought of running to him, saying, "By Jingo! I've struck it," or "D-n it, old man, I've got it"; but that moment had passed, and now it seemed to him that he could scarce raise his voice, or, if he did, the ejaculation would appear forced and artificial. Neither could he go over to him coolly and tell his good fortune; and, partly from this strange shyness, and partly with a hope that another survey of the treasure might restore him to natural expression, he walked back to his tunnel.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

It was nearly two o'clock in the morning. The lights were out in Robinson's Hall, where there had been dancing and revelry; and the moon, riding high, painted the black windows with silver. The cavalcade, that an hour ago had shocked the sedate pines with song and laughter, were all dispersed. One enamoured swain had ridden east, another west, another north, another south; and the object of their adoration, left within her bower at Chemisal Ridge, was calmly going to bed. I regret that I am not able to indicate the exact stage of that process. Two chairs were already filled with delicate inwrappings and white confusion; and the young lady herself, half-hidden in the silky threads of her yellow hair, had at one time borne a faint resemblance to a partly-husked ear of Indian corn. But she was now clothed in that one long, formless garment that makes all women equal; and the round shoulders and neat waist, that an hour ago had been so fatal to the peace of mind of Four Forks, had utterly disappeared. The face above it was very pretty: the foot below, albeit shapely, was not small. "The flowers, as a general thing, don't raise their heads MUCH to look after me," she had said with superb frankness to one of her lovers. The expression of the "Rose" to-night was contentedly placid. She walked slowly to the window, and, making the smallest possible peephole through the curtain, looked out. The motionless figure of a horseman still lingered on the road, with an excess of devotion that only a coquette, or a woman very much in love, could tolerate. The "Rose," at that moment, was neither, and, after a reasonable pause, turned away, saying quite audibly that it was "too ridiculous for any thing." As she came back to her dressing-table, it was noticeable that she walked steadily and erect, without that slight affectation of lameness common to people with whom bare feet are only an episode. Indeed, it was only four years ago, that without shoes or stockings, a long-limbed, colty girl, in a waistless calico gown, she had leaped from the tailboard of her father's emigrant-wagon when it first drew up at Chemisal Ridge. Certain wild habits of the "Rose" had outlived transplanting and cultivation.