Bøger af Bret Harte

Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tales Of Trail And Town, Volume 4; Issue 2555 Of American Fiction, 1876-1900; Tales Of Trail And Town; Bret Harte Bret Harte Houghton, Mifflin and Company, 1898 Fiction; Westerns; Fiction / Westerns; Western stories

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The sun was going down on the Black Spur Range. The red light it had kindled there was still eating its way along the serried crest, showing through gaps in the ranks of pines, etching out the interstices of broken boughs, fading away and then flashing suddenly out again like sparks in burnt-up paper. Then the night wind swept down the whole mountain side, and began its usual struggle with the shadows upclimbing from the valley, only to lose itself in the end and be absorbed in the all-conquering darkness. Yet for some time the pines on the long slope of Heavy Tree Hill murmured and protested with swaying arms; but as the shadows stole upwards, and cabin after cabin and tunnel after tunnel were swallowed up, a complete silence followed. Only the sky remained visible-a vast concave mirror of dull steel, in which the stars did not seem to be set, but only reflected. A single cabin door on the crest of Heavy Tree Hill had remained open to the wind and darkness. Then it was slowly shut by an invisible figure, afterwards revealed by the embers of the fire it was stirring. At first only this figure brooding over the hearth was shown, but as the flames leaped up, two other figures could be seen sitting motionless before it. When the door was shut, they acknowledged that interruption by slightly changing their position; the one who had risen to shut the door sank back into an invisible seat, but the attitude of each man was one of profound reflection or reserve, and apparently upon some common subject which made them respect each other's silence. However, this was at last broken by a laugh. It was a boyish laugh, and came from the youngest of the party. The two others turned their profiles and glanced inquiringly towards him, but did not speak.

This Is A New Release Of The Original 1893 Edition.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

It may be remembered that it was the habit of that gallant "war-horse" of the Calaveras democracy, Colonel Starbottle, at the close of a political campaign, to return to his original profession of the Law. Perhaps it could not be called a peaceful retirement. The same fiery-tongued eloquence and full-breasted chivalry which had in turns thrilled and overawed freemen at the polls were no less fervid and embattled before a jury. Yet the Colonel was counsel for two or three pastoral Ditch companies and certain bucolic corporations, and although he managed to import into the simplest question of contract more or less abuse of opposing counsel, and occasionally mingled precedents of law with antecedents of his adversary, his legal victories were seldom complicated by bloodshed. He was only once shot at by a free-handed judge, and twice assaulted by an over-sensitive litigant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Writings, Volume 11; Writings; Bret Harte Bret Harte Houghton, Mifflin, 1904

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

The American consul for Schlachtstadt had just turned out of the broad Konig's Allee into the little square that held his consulate. Its residences always seemed to him to wear that singularly uninhabited air peculiar to a street scene in a theatre. The facades, with their stiff, striped wooden awnings over the windows, were of the regularity, color, and pattern only seen on the stage, and conversation carried on in the street below always seemed to be invested with that perfect confidence and security which surrounds the actor in his painted desert of urban perspective. Yet it was a peaceful change to the other byways and highways of Schlachtstadt which were always filled with an equally unreal and mechanical soldiery, who appeared to be daily taken out of their boxes of "caserne" or "depot" and loosely scattered all over the pretty linden-haunted German town. There were soldiers standing on street corners; soldiers staring woodenly into shop windows; soldiers halted suddenly into stone, like lizards, at the approach of Offiziere; Offiziere lounging stiffly four abreast, sweeping the pavement with their trailing sabres all at one angle. There were cavalcades of red hussars, cavalcades of blue hussars, cavalcades of Uhlans, with glittering lances and pennons-with or without a band-formally parading; there were straggling "fatigues" or "details" coming round the corners; there were dusty, businesslike columns of infantry, going nowhere and to no purpose. And they one and all seemed to be WOUND UP-for that service-and apparently always in the same place. In the band of their caps-invariably of one pattern-was a button, in the centre of which was a square opening or keyhole. The consul was always convinced that through this keyhole opening, by means of a key, the humblest caporal wound up his file, the Hauptmann controlled his lieutenants and non-commissioned officers, and even the general himself, wearing the same cap, was subject through his cap to a higher moving power. In the suburbs, when the supply of soldiers gave out, there were sentry-boxes; when these dropped off, there were "caissons," or commissary wagons. And, lest the military idea should ever fail from out the Schlachtstadt's burgher's mind, there were police in uniform, street-sweepers in uniform; the ticket-takers, guards, and sweepers at the Bahnhof were in uniform, -but all wearing the same kind of cap, with the probability of having been wound up freshly each morning for their daily work. Even the postman delivered peaceful invoices to the consul with his side-arms and the air of bringing dispatches from the field of battle; and the consul saluted, and felt for a few moments the whole weight of his consular responsibility

It was the 4th of August, 1854, off Cape Corrientes. Morning was breaking over a heavy sea, and the closely-reefed topsails of a barque that ran before it bearing down upon the faint outline of the Mexican coast. Already the white peak of Colima showed, ghost-like, in the east; already the long sweep of the Pacific was gathering strength and volume as it swept uninterruptedly into the opening Gulf of California. As the cold light increased, it could be seen that the vessel showed evidence of a long voyage and stress of weather. She had lost one of her spars, and her starboard davits rolled emptily. Nevertheless, her rigging was taut and ship-shape, and her decks scrupulously clean. Indeed, in that uncertain light, the only moving figure besides the two motionless shadows at the wheel was engaged in scrubbing the quarter-deck-which, with its grated settees and stacked camp-chairs, seemed to indicate the presence of cabin passengers. For the barque Excelsior, from New York to San Francisco, had discharged the bulk of her cargo at Callao, and had extended her liberal cabin accommodation to swell the feverish Californian immigration, still in its height. Suddenly there was a slight commotion on deck. An order, issued from some invisible depth of the cabin, was so unexpected that it had to be repeated sternly and peremptorily. A bustle forward ensued, two or three other shadows sprang up by the bulwarks, then the two men bent over the wheel, the Excelsior slowly swung round on her heel, and, with a parting salutation to the coast, bore away to the northwest and the open sea again. "What's up now?" growled one of the men at the wheel to his companion, as they slowly eased up on the helm.

What had been in the cool gray of that summer morning a dewy country lane, marked only by a few wagon tracks that never encroached upon its grassy border, and indented only by the faint footprints of a crossing fox or coon, was now, before high noon, already crushed, beaten down, and trampled out of all semblance of its former graciousness. The heavy springless jolt of gun-carriage and caisson had cut deeply through the middle track; the hoofs of crowding cavalry had struck down and shredded the wayside vines and bushes to bury them under a cloud of following dust, and the short, plunging double-quick of infantry had trodden out this hideous ruin into one dusty level chaos. Along that rudely widened highway useless muskets, torn accoutrements, knapsacks, caps, and articles of clothing were scattered, with here and there the larger wrecks of broken-down wagons, roughly thrown aside into the ditch to make way for the living current. For two hours the greater part of an army corps had passed and repassed that way, but, coming or going, always with faces turned eagerly towards an open slope on the right which ran parallel to the lane. And yet nothing was to be seen there. For two hours a gray and bluish cloud, rent and shaken with explosion after explosion, but always closing and thickening after each discharge, was all that had met their eyes. Nevertheless, into this ominous cloud solid moving masses of men in gray or blue had that morning melted away, or emerged from it only as scattered fragments that crept, crawled, ran, or clung together in groups, to be followed, and overtaken in the rolling vapor.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works Of Bret Harte: The Twins Of Table Mountain; Volume 17 Of The Works Of Bret Harte; Bret Harte Bret Harte McKinlay, Stone & Mackenzie, 1907

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

At nightfall it began to rain. The wind arose too, and also began to buffet a small, struggling, nondescript figure, creeping along the trail over the rocky upland meadow towards Rylands's rancho. At times its head was hidden in what appeared to be wings thrown upward from its shoulders; at times its broad-brimmed hat was cocked jauntily on one side, and again the brim was fixed over the face like a visor. At one moment a drifting misshapen mass of drapery, at the next its vague garments, beaten back hard against the figure, revealed outlines far too delicate for that rude enwrapping. For it was Mrs. Rylands herself, in her husband's hat and her "hired man's" old blue army overcoat, returning from the post-office two miles away.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Complete Works, Volume 2; Complete Works; Bret Harte Bret Harte Collier and son, 1890

It was raining and blowing at Eldridge's Crossing. From the stately pine-trees on the hill-tops, which were dignifiedly protesting through their rigid spines upward, to the hysterical willows in the hollow, that had whipped themselves into a maudlin fury, there was a general tumult. When the wind lulled, the rain kept up the distraction, firing long volleys across the road, letting loose miniature cataracts from the hill-sides to brawl in the ditches, and beating down the heavy heads of wild oats on the levels; when the rain ceased for a moment the wind charged over the already defeated field, ruffled the gullies, scattered the spray from the roadside pines, and added insult to injury. But both wind and rain concentrated their energies in a malevolent attempt to utterly disperse and scatter the "Half-way House," which seemed to have wholly lost its way, and strayed into the open, where, dazed and bewildered, unprepared and unprotected, it was exposed to the taunting fury of the blast. A loose, shambling, disjointed, hastily built structure-representing the worst features of Pioneer renaissance-it rattled its loose window-sashes like chattering teeth, banged its ill-hung shutters, and admitted so much of the invading storm, that it might have blown up or blown down with equal facility.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This colorful illustrated classic tale comes to life in large print as Bret Harte tells a story that captures the imagination of a child as the children go on an adventure filled with characters and caves while pretending to be a Pirate.

Excerpt: ...The stage-coach was to start at noon. It only remained for Clarence to take leave of the party. The final parting with Susy had been discounted on the two previous days with some tears, small frights and clingings, and the expressed determination on the child's part "to go with him;" but in the excitement of the arrival at Stockton it was still further mitigated, and under the influence of a little present from Clarence

This Is A New Release Of The Original 1894 Edition.

Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American short story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired. Early life: Bret Harte was born in Albany, New York. He was named Francis Brett Hart after his great-grandfather, Francis Brett. When he was young, his father, Henry, changed the spelling of the family name from Hart to Harte. Henry's father was Bernard Hart, an Orthodox Jewish immigrant who flourished as a merchant, becoming one of the founders of the New York Stock Exchange. Later, Francis preferred to be known by his middle name, but he spelled it with only one "t", becoming Bret Harte. An avid reader as a boy, Harte published his first work at age 11, a satirical poem titled "Autumn Musings", now lost. Rather than attracting praise, the poem garnered ridicule from his family. As an adult, he recalled to a friend, "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse". His formal schooling ended when he was 13, in 1849.Career in California Harte moved to California in 1853, later working there in a number of capacities, including miner, teacher, messenger, and journalist. He spent part of his life in the northern California coastal town of Union (now Arcata), a settlement on Humboldt Bay that was established as a provisioning center for mining camps in the interior.[citation needed] The Wells Fargo Messenger, July 1916, relates that, after an unsuccessful attempt to make a living in the gold camps, he signed on as a messenger with Wells Fargo & Co. Express. He guarded treasure boxes on stagecoaches for a few months, then gave it up to become the schoolmaster at a school near Sonora. He created his character Yuba Bill from his memory of an old stagecoach driver. The 1860 massacre of between 80 and 200 Wiyots at the village of Tuluwat was well documented historically and was reported in San Francisco and New York by Harte. When serving as assistant editor for the Northern Californian, Harte editorialized about the slayings while his boss Stephen G. Whipple was temporarily absent, leaving Harte in charge of the paper. Harte published a detailed account condemning the event, writing: "a more shocking and revolting spectacle never was exhibited to the eyes of a Christian and civilized people. Old women wrinkled and decrepit lay weltering in blood, their brains dashed out and dabbled with their long grey hair. Infants scarcely a span long, with their faces cloven with hatchets and their bodies ghastly with wounds." After he published the editorial, his life was threatened, and he was forced to flee one month later. Harte quit his job and moved to San Francisco, where an anonymous letter published in a city paper is attributed to him, describing widespread community approval of the massacre. In addition, no one was ever brought to trial, despite the evidence of a planned attack and references to specific individuals, including a rancher named Larabee and other members of the unofficial militia called the Humboldt Volunteers.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt: ...from his buggy, "you never spoke a truer word in your life. One moment, Mrs. Tucker. Let me send you back in the buggy. Don't mind ME. I can get a fresh horse of the sheriff. I'm quite at home here. I say, Patterson, step a few paces this way, will you? A little further from your wife, please. That'll do. You've got a claim of five thousand dollars against the property, haven't you?" "Yes." "Well, that woman just driving away is your one solitary chance of getting a cent of it. If your wife insults her again, that chance is gone. And if YOU do

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1897 Edition.