Bøger af Bohumil Hrabal

WITH AN INTRODUCTION BY ADAM THIRLWELL'Our very best writer today' Milan KunderaSparkling with comic genius and narrative exuberance, I Served the King of England is a story of how the unbelievable came true.

Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal's rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life-or at least unburdens himself of a lifetime's worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like "in the days of the monarchy" and how they've changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague's pubs and football stadiums, developed a unique method which he termed "palavering," whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.

In these letters written to April Gifford (Dubenka) between 1989 and 1991 but never sent, Bohumil Hrabal (1914-1997) chronicles the momentous events of those years as seen, more often than not, from the windows of his favorite pubs. In his palavering, stream-of-conscious style that has marked him as one of the major writers and innovators of postwar European literature, Hrabal gives a humorous and at times moving account of life in Prague under Nazi occupation, Communism, and the brief euphoria following the revolution of 1989 when anything seemed possible, even pink tanks. Interspersed are fragmented memories of trips taken to Britain - as he attempted to track down every location mentioned in Eliot's "The Waste Land" - and the United States, where he ends up in one of Dylan Thomas's haunts comparing the waitresses to ones he knew in Prague. The result is a masterful blend of personal history and fee association rendered in a prose as powerful as it is poetic..

First published in 1971 in a typewritten edition, then finally printed in book form in 1989, I Served the King of England is "an extraordinary and subtly tragicomic novel" (The New York Times), telling the tale of Ditie, a hugely ambitious but simple waiter in a deluxe Prague hotel in the years before World War II. Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

Hanta rescues books from the jaws of his compacting press and carries them home. Hrabal, whom Milan Kundera calls "our very best writer today," celebrates the power and the indestructibility of the written word. Translated by Michael Henry Heim.

"Glimmers in anticipation of Hrabal's later virtuosity." --New Yorker "A collection of formative fiction from a writer whose work has earned comparison with Joyce and Beckett. . . . Early work from a writer who merits a larger readership." --Kirkus Reviews This collection of the earliest prose by one of literature's greatest stylists captures, as scholar Arnault Maréchal put it, "the moment when Hrabal discovered the magic of writing." Taken from the period when Bohumil Hrabal shifted his focus from poetry to prose, these stories--many written in school notebooks, typed and read aloud to friends, or published in samizdat--often showcase raw experiments in style that would define his later works. Others intriguingly utilize forms the author would never pursue again. Featuring the first appearance of key figures from Hrabal's later writings, such as his real-life Uncle Pepin, who would become a character in his later fiction and is credited here as a coauthor of one piece, the book also contains stories that Hrabal would go on to cannibalize for some of his most famous novels. All together, Why I Write? offers readers the chance to explore this important nascent phase of Hrabal's writing. Expertly interpreted by award-winning Hrabal translator David Short, this collection comprises some of the last remaining prose works by Hrabal to be translated into English. A treasure trove for Hrabal devotees, Why I Write? allows us to see clearly why this great prose master was, as described by Czech writer and publisher Josef Skvorecký, "fundamentally a lyrical poet."

In the autumn of 1965, flush with the unexpected success of his first published books, the Czech author Bohumil Hrabal bought a cottage in Kersko. From then until his death in 1997, he divided his time between Prague and his country retreat, where he wrote and tended to a community of feral cats. Over the years, his relationship to cats grew deeper and more complex, becoming a measure of the pressures, both private and public, that impinged on his life as a writer.All My Cats, written in 1983 after a serious car accident, is a confessional memoir, the chronicle of an author who becomes overwhelmed. As he is driven to the brink of madness by the dilemmas created by his indulgent love for the animals, there are episodes of intense brutality as he controls the feline population. Yet in the end, All My Cats is a book about Hrabal's relationship to nature, about the unlikely sources of redemption that come to him unbidden, like a gift from the cosmos-and about love.

Enter the gas-lit streets of post-war Prague, the steelworks run by singed men, the covered market that smells of new-born babes, the cacophonous open-air dance hall.

Novelist Bohumil Hrabal (1914-97) was born in Brno, Czechoslovakia, and spent decades working at a variety of laboring jobs before turning to writing in his late forties. This book offers a collection of stories that set in Hrabal's Kersko.

Showcases the author's bohemian intellectual life, and his relationship with Vladimir Boudnik.

This ebullient, gallivanting novel encapsulates the world vision of the Czech Republic's best-loved author in one tumbling, breathtaking sentence. Saints and sinners, emperors and embezzlers, barmaids and balalaikas all play their part in the bawdy reminiscences of Hrabal's cobbler as he charms an audience of young beauties.

Novelist Bohumil Hrabal (1914-97) was born in Brno, Czechoslovakia and spent decades working at a variety of laboring jobs before turning to writing in his late forties. From that point, he quickly made his mark on the Czech literary scene; by his death he was ranked with Jaroslav Hasek, Karel Capek, and Milan Kundera as among the nation's greatest twentieth-century writers. Known for writing about political questions with humor and vivid expressiveness, Hrabal also was given to experimentation--his early novel Dancing Lessons for the Advanced in Age, for example, consists of a single extended sentence.Pirouettes on a Postage Stamp carried Hrabal's experimentation to the field of autobiography. On its surface a verbatim record of an oral interview conducted by Hungarian journalist László Szigeti, the book confuses and confounds with false starts, digressions, and philosophical asides. Yet despite all the games and distractions, Hrabal's personality shines through, compelling and unforgettable, making Pirouette on a Postage Stamp an unexpected treat for any lover of Czech literature.