Bøger af Barton Swaim

Barton Swaim was struggling to find an academic jobhed recently received a PhD in Englishwhen he sent his resume to Mark Sanford, the conservative and controversial governor of South Carolina. He thought he could improve the governors writing and speeches. On the surface, this is the story of Sanfords rise and fall. But its really an account of what happens when a band of believers attach themselves to an ambitious narcissist. Everyone knows this kind of politiciana charismatic maverick who goes up against the system and its ways, but thinks he doesnt have to live by the rules. Swaim describes what makes people invest in their leaders, how those leaders do provide moments of inspiration, and then how they let them down.The Speechwriter is a funny and candid introduction to the world of politics, where press statements are purposefully nonsensical, grammatical errors are intentional, and better copy means more words. Through his three years in the governors office, Swaim paints a portrait of a man so principled hed rather sweat than use state money to pay for air conditioning, so oblivious hed wear the same stained shirt for two weeks, so egotistical hed belittle his staffers to make himself feel better, and so self-absorbed he never once apologized for making his administration the laughing stock of the country. In the end, its also an account of the very human staffers who risk a life in politics out of conviction and learn to survive a broken heart.

Why were Scottish writers able to dominate the field of periodical literature throughout the nineteenth century? Barton Swaim's Scottish Men of Letters and the New Public Sphere, 1802-1834 attempts an answer to that question by examining the period when the Scots' dominance was at its height: the three decades after the founding of the Edinburgh Review in 1802. In this carefully researched and thoughtful study, Swaim discusses the ways in which four writers in the vanguard of Scottish periodical-writing - Francis Jeffrey, John Wilson, John Gibson Lockhart, and Thomas Carlyle - exemplify the historical and cultural dynamics that occasioned Scottish dominance of what Jurgen Habermas would later call the public sphere.