Bøger af Barbara Goff

A fascinating exploration of the relation of the Modern Olympic Games to the Classical tradition, examining claims of continuity between ancient and modern.

Set at the end of the Trojan war, this book depicts the women of Troy as they wait to be taken into slavery. It introduces readers to the issues that have divided critics, such as the extent to which the play responds to the historical events of the Peloponnesian War.

An investigation into the teaching of classics in the colonial education of West Africa in the late nineteenth and twentieth centuries.

This 1990 book is a reading of Euripides' Hippolytos. Dr Goff approaches the play through the techniques of modern literary criticism, including deconstruction and feminism and is able to shed light on this influential text through her analysis of the language of the play.

What activities did the women of ancient Greece perform in the sphere of ritual, and what were the meanings of such activities for them and their culture? By offering answers to these questions, this study aims to recover and reconstruct an important dimension of the lived experience of ancient Greek women. A comprehensive and sophisticated investigation of the ritual roles of women in ancient Greece, it draws on a wide range of evidence from across the Greek world, including literary and historical texts, inscriptions, and vase-paintings, to assemble a portrait of women as religious and cultural agents, despite the ideals of seclusion within the home and exclusion from public arenas that we know restricted their lives. As she builds a picture of the extent and diversity of women's ritual activity, Barbara Goff shows that they were entrusted with some of the most important processes by which the community guaranteed its welfare. She examines the ways in which women's ritual activity addressed issues of sexuality and civic participation, showing that ritual could offer women genuinely alternative roles and identities even while it worked to produce wives and mothers who functioned well in this male-dominated society. Moving to more speculative analysis, she discusses the possibility of a women's subculture focused on ritual and investigates the significance of ritual in women's poetry and vase-paintings that depict women. She also includes a substantial exploration of the representation of women as ritual agents in fifth-century Athenian drama.