Bøger af Athol Fugard

This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time."

Distributor from label on p. 2 of cover.

The latest passionate drama from South African Athol Fugard portrays in moving, personal terms the recent conflicts, fears and hopes that have reshaped the political landscape of his native land. "If there is a more urgent and indispensable playwright in world theatre, I don't know who it could be."--Jack Kroll, Newsweek

Original works exploring life in tumultuous South Africa with the intimacy and detail specific to the camera's eye.

"Fugard registers and captures the keen images that are the very stuff of vibrant theatre."--Time

A South African pastor and a young teacher from Cape Town battle over the fate of an eccentric elderly widow.

Two Black scavengers emerge from the underbrush loaded with their total possessions: the makings of a shack and a battery of pots and pans, but nothing to cook in them.

Full Length, Drama Characters: 2 male, 1 female Unit set. The great South African playwright confronts the tragedy of apartheid in his native land in this compelling tale about the efforts of a humble and humane black teacher in a segregated township to persuade just one young person that education, not violence, is the answer to South Africa's problems. "A document of towering stature." Philadelphia Inquirer "The drama vacillates superbly between politica

A classic of South African literature, adapted into a major motion picture, introduced by Jonathan Kaplan

A challenging examination of race relations in post-apartheid South Africa from an iconic playwright.

"With extracts from Athol Fugard's unpublished notebooks"--Page 1 of cover.

Genre: Drama Characters: 2 males, 1 female Scenery: Bare Stage On board the SS Graigaur a young sailor begins to pen his first novel. Assisted by his muse, a portrait of his mother comes to life, and supported by his friend, an illiterate ship's mechanic, he struggles to balance romance and reality. This most personal of Athol Fugard's works is strictly autobiographical; at twenty he abandoned his university education, hitch hiked up Africa and ended up on a tramp steamer in Port Sudan. This play refl ects his attempts to come to terms with the conflicting emotions evoked by memories of his courageous mother and flawed father. "Charming... Admire The Captain's Tiger and the lovely way in which it is told." - The New York Daily News

Drama / 3m (1 white, 2 black) / Int.The role that won Zakes Mokae a Tony Award brought Danny Glover back to the New York stage for the Roundabout Theatre's revival of this searing coming of age story, considered by many to be Fugard's masterpiece. A white teen who has grown up in the affectionate company of the two black waiters who work in his mother's tea room in Port Elizabeth learns that his viciously racist alcoholic father is on his way home from the hospital. An ensuing rage unwitting

A play which tells a gentle story of how the generations cope with the end of apartheid in South Africa. A young women wants to leave home to begin to lead her own life, but her grandfather takes this as an insult to his way of life and everything he has worked for.

The four plays in this volume focus on the people and the place Fugard knows most intimately - Port Elizabeth, South Africa. Each explores a tense family situation or relationship against the background of wider suffering and tensions, engaging our sympathies for South Africans of all races.

This collection of Athol Fugard's plays confirms his reputation as 'South Africa's most accomplished playwright' (The Times). The collection includes the plays The Road to Mecca, A Place with the Pigs, My Children! My Africa!, Playland and Valley Song, and is introduced by the author.

A collection of five plays (one of them, "The Coat", published for the first time in the UK) drawing on black urban experience, conceived by the author in active collaboration with people from the townships of South Africa.