Bøger af Arthur Schopenhauer

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Arthur Schopenhauer (Danzig, February 22, 1788-Frankfurt, Kingdom of Prussia, September 21, 1860) was a German philosopher. Its philosophy, conceived essentially as a "think to the end" philosophy of Kant, Plato and is indebted to Spinoza, also serving as a bridge with Eastern philosophy, especially Buddhism, Taoism and vedanta.1 In his work later, from 1836, he presents his philosophy in open polemic against post-Kantian metaphysical developments of his contemporaries.

Arthur Schopenhauer: Aphorismen zur Lebensweisheit Edition Holzinger. Taschenbuch Berliner Ausgabe, 2016 Vollständiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Erstdruck: 1851 Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: Arthur Schopenhauer, Radierung von 1901 nach der "Ersten Schäferschen Photographie" von Rogelio de Egusquiza (1845-1915) Gesetzt aus der Minion Pro, 11 pt.

This is an unabridged single-volume edition (all 3 original volumes in one), of "The World as Will and Idea [Representation]" (German: Die Welt als Wille und Vorstellung), the central work of the German philosopher Arthur Schopenhauer. The main body of the work states at the beginning that it assumes prior knowledge of Immanuel Kant's theories (see his "Critique of Pure Reason" ISBN: 9781537260051). Schopenhauer recommended that the student begin with the final Appendix (found in volume 3), titled "On the Fourfold Root of the Principle of Sufficient Reason" before the rest of the book. The first volume contains four Books, two on "The World as Will" and two on "The World as Idea," while the second and third volumes contain Supplementary material to each of the four books. The second volume also opens with an appendix to the four books, titled "Critique of the Kantian Philosophy," in which Schopenhauer rejects most of Kant's ethics and significant parts of his epistemology and aesthetics.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The contents of this, as of the other volumes in the series, have been drawn from Schopenhauer's Parerga, and amongst the various subjects dealt with in that famous collection of essays, Literature holds an important place. Nor can Schopenhauer's opinions fail to be of special value when he treats of literary form and method. For, quite apart from his philosophical pretensions, he claims recognition as a great writer; he is, indeed, one of the best of the few really excellent prose-writers of whom Germany can boast. While he is thus particularly qualified to speak of Literature as an Art, he has also something to say upon those influences which, outside of his own merits, contribute so much to an author's success, and are so often undervalued when he obtains immediate popularity. Schopenhauer's own sore experiences in the matter of reputation lend an interest to his remarks upon that subject, although it is too much to ask of human nature that he should approach it in any dispassionate spirit. In the following pages we

The World as Will and Idea [Representation] (German: Die Welt als Wille und Vorstellung) is the central work of the German philosopher Arthur Schopenhauer, published here, as in the original English translation, in 3 volumes. The main body of the work states at the beginning that it assumes prior knowledge of Immanuel Kant's theories (see his "Critique of Pure Reason" ISBN: 9781537260051). Schopenhauer recommended that the student begin with the final Appendix (found in volume 3), titled "On the Fourfold Root of the Principle of Sufficient Reason" before the rest of the book. The first volume contains four Books, two on "The World as Will" and two on "The World as Idea," while the second and third volumes contain Supplementary material to each of the four books. The second volume also opens with an appendix to the four books, titled "Critique of the Kantian Philosophy," in which Schopenhauer rejects most of Kant's ethics and significant parts of his epistemology and aesthetics.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Arthur Schopenhauer: Die Welt als Wille und Vorstellung. Beide Bände in einem Buch Edition Holzinger. Großformat, 178 x 254 mm Berliner Ausgabe, 2016, 4. Auflage Vollständiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Wiedergegeben wird der Text der 3. vermehrten und verbesserten Auflage, Leipzig (Brockhaus) 1859, in den spätere Herausgeber allerdings Zusätze integrierten, die sie Schopenhauers Handexemplaren und Manuskriptbüchern entnahmen. Sofern sich diese Zusätze nicht in den laufenden Text einfügen ließen, wurden sie in Fußnoten beigefügt. Diese Fußnoten werden hier gesondert gezählt und sind durch ein A gekennzeichnet. Textgrundlage sind die Ausgaben: Arthur Schopenhauer. Zürcher Ausgabe. Werke in zehn Bänden. Der Text folgt der historisch-kritischen Ausgabe von Arthur Hübscher. Die editorischen Materialien besorgte Angelika Hübscher. Redaktion von Claudia Schmölders, Fritz Senn und Gerd Haffmanns, Zürich: Diogenes, 1977. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: Ölgemälde von Julius Hamel: Erstes Porträt Arthur Schopenhauers, 1856 Gesetzt aus der Minion Pro, 11 pt.

Eristische Dialektik oder die Kunst, Recht zu behaltenist der Name eines um 1830 entstandenen Manuskripts von Arthur Schopenhauer, in dem er als Eristik oder Eristische Dialektik eine Kunstlehre beschreibt, um in einem Disput als derjenige zu erscheinen, der sich im Recht befindet. Zu diesem Zweck gibt er 38 rhetorische Strategeme an, die also nicht der Wahrheitsfindung dienen, sondern dem Erfolg in einem Streitgespräch durch bestimmte argumentative Formen. Diesen Zweck haben auch klassische Sophismen. Einige davon werden von Schopenhauer ebenfalls aufgeführt. Er erwähnt das Manuskript 1851 in Parerga und Paralipomena. Dort distanziert er sich aber von diesem polemischen Ansatz.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a new release of the original 1932 edition.

This collection chronicles the fiction and non fiction classics by the greatest writers the world has ever known. The inclusion of both popular as well as overlooked pieces is pivotal to providing a broad and representative collection of classic works.

PRELIMINARY. When Schopenhauer was asked where he wished to be buried, he answered, "Anywhere; they will find me;" and the stone that marks his grave at Frankfort bears merely the inscription "Arthur Schopenhauer," without even the date of his birth or death. Schopenhauer, the pessimist, had a sufficiently optimistic conviction that his message to the world would ultimately be listened to--a conviction that never failed him during a lifetime of disappointments, of neglect in quarters where perhaps he would have most cherished appreciation; a conviction that only showed some signs of being justified a few years before his death. Schopenhauer was no opportunist; he was not even conciliatory; he never hesitated to declare his own faith in himself, in his principles, in his philosophy; he did not ask to be listened to as a matter of courtesy but as a right--a right for which he would struggle, for which he fought, and which has in the course of time, it may be admitted, been conceded to him. Although everything that Schopenhauer wrote was written more or less as evidence to support his main philosophical thesis, his unifying philosophical principle, the essays in this volume have an interest, if not altogether apart, at least of a sufficiently independent interest to enable them to be considered on their own merits, without relation to his main idea. And in dissociating them, if one may do so for a moment (their author would have scarcely permitted it!), one feels that one enters a field of criticism in which opinions can scarcely vary. So far as his philosophy is concerned, this unanimity does not exist; he is one of the best abused amongst philosophers; he has many times been explained and condemned exhaustively, and no doubt this will be as many times repeated. What the trend of his underlying philosophical principal was, his metaphysical explanation of the world, is indicated in almost all the following essays, but chiefly in the "Metaphysics of Love," to which the reader may be referred. These essays are a valuable criticism of life by a man who had a wide experience of life, a man of the world, who possessed an almost inspired faculty of observation. Schopenhauer, of all men, unmistakably observed....

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The volume now before the reader is a tardy addition to a series in which I have endeavoured to present Schopenhauer's minor writings in an adequate form. Its contents are drawn entirely from his posthumous papers. A selection of them was given to the world some three of four years after his death by his friend and literary executor, Julius Frauenstädt, who for this and other offices of piety, has received less recognition than he deserves. The papers then published have recently been issued afresh, with considerable additions and corrections, by Dr. Eduard Grisebach, who is also entitled to gratitude for the care with which he has followed the text of the manuscripts, now in the Royal Library at Berlin, and for having drawn attention-although in terms that are unnecessarily severe-to a number of faults and failings on the part of the previous editor.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The volume now before the reader is a tardy addition to a series in which I have endeavoured to present Schopenhauer's minor writings in an adequate form. Its contents are drawn entirely from his posthumous papers. A selection of them was given to the world some three of four years after his death by his friend and literary executor, Julius Frauenstet, who for this and other offices of piety, has received less recognition than he deserves. Arthur Schopenhauer ( 22 February 1788 - 21 September 1860) was a German philosopher. He is best known for his 1818 work The World as Will and Representation (expanded in 1844), wherein he characterizes the phenomenal world as the product of a blind and insatiable metaphysical will. Proceeding from the transcendental idealism of Immanuel Kant, Schopenhauer developed an atheistic metaphysical and ethical system that has been described as an exemplary manifestation of philosophical pessimism, rejecting the contemporaneous post-Kantian philosophies of German idealism. Schopenhauer was among the first thinkers in Western philosophy to share and affirm significant tenets of Eastern philosophy (e.g., asceticism, the world-as-appearance), having initially arrived at similar conclusions as the result of his own philosophical work. Though his work failed to garner substantial attention during his life, Schopenhauer has had a posthumous impact across various disciplines, including philosophy, literature, and science. His writing on aesthetics, morality, and psychology would exert important influence on thinkers and artists throughout the 19th and 20th centuries. Those who have cited his influence include Friedrich Nietzsche, Richard Wagner, Leo Tolstoy, Ludwig Wittgenstein, Erwin Schrödinger, Otto Rank, Gustav Mahler, Joseph Campbell, Albert Einstein, Carl Jung, Thomas Mann, Émile Zola, George Bernard Shaw, Jorge Luis Borges and Samuel Beckett.

"l'essentiel pour le bonheur de la vie, c'est ce que l'on a en soi-même." En nous guidant sur les voies de la Sagesse, Schopenhauer nous montre le chemin du Bonheur.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

'Dialéctica erística o el arte de tener razón, expuesta en treinta y ocho estratagemas es un pequeño tratado inconcluso escrito por el filósofo alemán Arthur Schopenhauer, basado principalmente en los Tópicos de Aristoteles. Fue publicado en 1864, póstumamente, por Julius Frauenstädt bajo el título de Eristik (Erística).

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Der Glaube an eine specielle Vorsehung, oder sonst eine übernatürliche Lenkung der Begebenheiten im individuellen Lebenslauf, ist zu allen Zeiten allgemein beliebt gewesen, und sogar in denkenden, aller Superstition abgeneigten Köpfen findet er sich bisweilen unerschütterlich fest, ja, wohl gar außer allem Zusammenhange mit irgend welchen bestimmten Dogmen.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Schopenhauer's metaphysical analysis and his views on human motivation and desire influenced many well-known thinkers including Friedrich Nietzsche, Richard Wagner, Ludwig Wittgenstein, Albert Einstein, Sigmund Freud, Otto Rank, Carl Gustav Jung etc.This book is a collection of essays about writing and literature.

Arthur Schopenhauer: Über die vierfache Wurzel des Satzes vom zureichenden Grunde. Eine philosophische Abhandlung Lesefreundlicher Großdruck in 16-pt-Schrift Edition Holzinger. Großformat, 216 x 279 mm Berliner Ausgabe, 2016 Vollständiger, durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger Schopenhauers Dissertation lag im Oktober 1813 der Philosophischen Fakultät der Universität Jena vor. Erstdruck: Rudolstadt 1813. Wiedergegeben wird der Text der 2. verbesserten Auflage, Frankfurt am Main 1847, in den spätere Herausgeber allerdings Zusätze integrierten, die sie Schopenhauers Handexemplaren und Manuskriptbüchern entnahmen. Sofern sich diese Zusätze nicht in den laufenden Text einfügen ließen, wurden sie in Fußnoten beigefügt. Diese Fußnoten werden hier gesondert gezählt und sind durch ein A gekennzeichnet. Textgrundlage ist die Ausgabe: Arthur Schopenhauer. Zürcher Ausgabe. Werke in zehn Bänden. Der Text folgt der historisch-kritischen Ausgabe von Arthur Hübscher. Die editorischen Materialien besorgte Angelika Hübscher. Redaktion von Claudia Schmölders, Fritz Senn und Gerd Haffmanns, Zürich: Diogenes, 1977. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: Arthur Schopenhauer, Radierung von 1901 nach der "Ersten Schäferschen Photographie" von Rogelio de Egusquiza (1845-1915) Gesetzt aus der Minion Pro, 16 pt.