Bøger af Anna-Teresa Tymieniecka

The fine arts first emerged divided by the five senses yet, since their very origin, they have projected aesthetic networks among themselves. Music, song, painting, architecture, sculpture, theatre, dance - distinct in themselves - grew together, enhancing each other. In the present outburst of technical ingeniosity, individual arts cross all barriers, as well as proliferate in kind. Hence the traditional criteria of appreciation and enjoyment vanish. The enlarged and ever-growing field calls for new principles of appreciation and new values, essential to our culture. This collection initiates an inquiry into the aesthetic foundations of the fine arts. Their common aesthetic nature, as well as the differentiating specificities which sustain them, might reveal the universal role of aesthetics in human life.

This collection presents perspectives into the pristine field of phenomenology/philosophy of life conceived by Tymieniecka, initiated in the Analecta Husserliana and unfolding with each volume. This new and original philosophy reaches to the `inner workings of Nature' as well as to the innermost recesses of the Human Creative Condition, opening a basic starting point for all philosophy. Life, `the theme of our times', finds at last a profound philosophical treatment.

This book uses the logos of life as the foundation for the retrieval of the metaphysical vision. In it, classic philosophical concerns are viewed in light of a New Enlightenment brought about by advances in the sciences of life and of human apprehension.

This sequel to Analecta Husserliana Volume 100 proposes that the universal logoic flow gathers our rhapsodic cadences of reflection on reality in all their innumerable fluctuations, and sifts them to mold the intimate mind/soul inwardness that is faith.

This book uses the logos of life as the foundation for the retrieval of the metaphysical vision. In it, classic philosophical concerns are viewed in light of a New Enlightenment brought about by advances in the sciences of life and of human apprehension.

Employing her original concept of the ontopoiesis of life, the author uncovers the intrinsic law of the primogenital logos - that which operates in the working of the indivisible dyad of impetus and equipoise.

From Aristotle to the present, memory has been grasped as a trace or impression of lost reality - bridging physiological experience and consciousness.

Since this situation now involves the ultimate conditions of human existence, its demands have at last given to philosophy the impetus and direction needed for conceiving that the first and last of its concerns should be life itself.

THE NEW CRITIQUE OF REASON A new critique of reason is the crucial task imposed on the philosophy of our times as we emerge more and more from so-called "modernism" into a historical phase which will have to take its own paths and find its own determination.