Bøger af Anita Brookner

'The future is not always a whole new ball game. There tends to be unfinished business. One trails all sorts of things around with one, things that simply won't be got rid of.'Destined to be a haunter of libraries, Lewis's cautious progress through life reveals to him only his own shortcomings. Estranged from his wife and daughter, he searches for an alternative. This novel presents the life and aspirations of one man who remains out of step with his times.

'He was not trained for freedom, that was the problem, had not been brought up for it.'At seventy-three, Herz is facing an increasingly bewildering world. He cannot see his place in it or even work out what to do with his final years. Questions and misunderstandings haunt Herz like old ghosts. Should he travel, sell his flat, or propose marriage to a friend he has not seen in thirty years? The letters he writes and does not send and the passers-by he encounters remind him how out of touch he is, how detached from the modern world. Yet Herz believes that he must do something, only he doesn't know what this next big thing in life should be . . .

'Within a few weeks, it seemed, the fixed points of my existence had revealed themselves to be untrustworthy.'Zo is delighted when her widowed mother maries Simon, a generous older man who owns a villa in Nice. However, the long enchanted visits to France she enjoys come to an abrupt end when Simon suffers a bad fall. Zo and her mother, finding themselves surounded by well-meaning strangers, must learn how and how not to trust appearances . . .

'I had spent that morbid Sunday wondering if simple happiness were available to all and had come to the conclusion that it was not. One had to make a determined bid for it, and I did not quite know how this was done.'Enigmatic Claire is 30 and lives alone. When she meets Martin Gibson, a faded scholar, she becomes inordinately interested. She is even more interested when she meets his wife, a far more spectacular personality. But the unexpected news of this woman's death releases emotions that were not entirely foreseen.

'She hoped one day to find the image she unconsciously sought, without knowing why she sought it, something to lift the spirits, to transport her on an imaginary journey, to give a hint of the transcendence which was so blatantly lacking in her everyday life of words and paper.'Beatrice and Miriam are sisters, sharing little except a traditional childhood that has left them burdened with unhappy memories.Beatrice is a pianist, a romantic, who believes in love, while Miriam, who married the rather colourless Jonathan Eldon for pragmatic reasons, companionship, status, is not beyond disillusionment. Following her divorce, she returns to Beatrice, who is beginning to appear fragile. While they share a home and a few acquaintances, neither confides to the other what is in their hearts.For the beautiful Beatrice, now prepared to settle for friendship and closeness rather than passion, there is Max and the hope of the carving a contented future with him. For Miriam there is love and esteem - and, finally, certainty.

Since childhood, Ruth Weiss has been escaping from life into books, from the hothouse attentions of her parents into the warmth of lovers and friends. Now Dr Weiss, at 40, knows that her life has been ruined by literature and that once again she must make a new start.

'Fiction taught her all she knew of life, taught her to interpret the lives of others.'Dorothea May has had a reclusive life, particularly since the death of her husband Henry some fifteen years ago. Genteel, faint-hearted and solitary, her closest relatives are Henry's cousin, the imperious Kitty, and her husband Austin. When Kitty's granddaughter comes to London to marry, Dorothea is bullied into providing a room for Steve, the best man, thus plunging her into a world of youth that she finds both puzzling and transforming.

'No man is free of his own history' Hartmann and Fibich came to England on the kindertransport. As orphans of the war they were strangers in a strange land. Together, they survived. And in adulthood they have been unable to separate, sharing a successful business.Yet Hartmann's carefully polished manners conceal the past he refuses to think about. While Fibich, a mass of fears and neuroses, can do nothing but remember. Together these two men seek to build a future from the shaky foundations of their own pasts . . .'Like Virginia Woolf, Brookner's aim is not to draw characters in the round, but to reveal psychological reality in the deep' The Times

Strangers is the twenty fourth novel by Anita Brookner, the Booker Prize winning author of Hotel du Lac. Paul Sturgis is a retired banker manager who lives alone in a dark little flat. He walks alone and dines alone, seeking out and taking pleasure in small exchanges with strangers: the cheerful Australian girl who cuts his hair, the lady at the drycleaners. His only relative, and only acquaintance, is a widowed cousin by marriage - herself a virtual stranger - to whom he pays ritualistic visits on a Sunday afternoon. Trying to make sense of his current solitary state, and fearing that his destiny may be to die among strangers, Sturgis trawls through memories of his failed relationships and finds himself longing for companionship, or at the very least a conversation. But then a chance encounter with a stranger - a recently divorced and demanding younger woman - shakes up his routine and when an old girlfriend appears on the scene, Sturgis is forced to make a decision about how (and with whom) he wants to spend the rest of his days . . . 'Each book is a prayer bead on a string, and each prayer is a secular, circumspect prayer, a prayer and a protest and a charm against encroaching night' Hilary Mantel, Guardian'No one writes with more skill and honesty about the human condition and this book is possibly her finest' Julie Myerson, Observer'A novel of great stylistic beauty and psychological truth. As great a reflection on fear and regret as Philip Larkin or Beckett' Guardian'Like Graham Greene, she draws the reader into a world that has a character and signature all of its own . . . Strangers is a novel of sober brilliance, and the unerring, unflinching Brookner is still a much underestimated novelist' Helen Dunmore, The TimesAnita Brookner was born in south London in 1928, the daughter of a Polish immigrant family. She trained as an art historian, and worked at the Courtauld Institute of Art until her retirement in 1988. She published her first novel, A Start in Life, in 1981 and her twenty-fourth, Strangers, in 2009. Hotel du Lac won the 1984 Booker Prize. As well as fiction, Anita Brookner has published a number of volumes of art criticism.

The Rules of Engagement is the twenty second novel by Anita Brookner, the Booker Prize winning author of Hotel du Lac.Elizabeth and Betsy are old school friends. Born in 1948 and unready for the sixties, they had high hopes of the lives they would lead, even though their circumstances were so different.When they meet again in their thirties, Elizabeth, married to the safe, older Digby is relieving the boredom of a cosy but childless marriage with an affair. Betsy seems to have found real romance in Paris. Are their lives taking off, or are they just making more of the wrong choices without even realising it?'One of the most observant moralists writing today. A dark, wintry work and there is plenty here to satisfy Brookner's fans' Guardian'Her technique as a novelist is so sure and so quietly commanding' Hilary Mantel, Guardian'She is one of the great writers of contemporary fiction' Literary ReviewAnita Brookner was born in south London in 1928, the daughter of a Polish immigrant family. She trained as an art historian, and worked at the Courtauld Institute of Art until her retirement in 1988. She published her first novel, A Start in Life, in 1981 and her twenty-fourth, Strangers, in 2009. Hotel du Lac won the 1984 Booker Prize. As well as fiction, Anita Brookner has published a number of volumes of art criticism.