Bøger af Andrew Milner

Emily is rapidly approaching fifty and thinks her life is just plain sailing. When her husband leaves her for a twenty five year old and her dad dies, it leaves her facing an uncertain and lonely future.She has two friends, Sally who is a gold digger yet hopeless in love and the pretty but dippy Dawn a police officer, who each have their own issues for Emily to deal with. On top of that her mum who is easily confused, and refers to cappuccino as Al Pacino, needs her full attention. Just when things start to hit rock bottom she meets an Italian stallion who turns her head so far she cricks her neck. In actual fact he's called Kevin and has probably never been to Italy, but with lessons learnt she decides that maybe the devil that she already knows isn't so bad after all.

Amidst continuing debates about the literary canon, Literature, Culture and Society poses a revealing question--if academics find it valuable and stimulating to discuss texts ranging from Genesis to Bladerunner in their leisure time, why do they act as if this is sacrosanct in their formal work? In this well- argued and refreshing discussion of the history and importance of literary criticism, Milner embraces a reality that many in the academy still fear, that cultural studies is alive, and it's here to stay. Andrew Milner begins with an introduction to the field of cultural studies and its parent disciplines of English literature and sociology. He reviews the defining terms and the theoretical traditions in a manner that is sophisticated but accessible. He discusses just how and why cultural studies evolved, and what it has to offer our appraisal of all texts, be they old or new, print or film. Milner eschews both cultural populism and literary elitism in favor of a criticism that is more concerned with value than with exclusion. The author concludes this significant and insightful book with a demonstration of his theories, tying together a group of narratives ranging from Paradise Lost to the latest Frankenstein films. Literature, Culture and Society cogently examines the question of scholarship and forcefully demonstrates that rigorous academic inquiry need not be reserved for dust-covered texts alone.

This important volume collects twenty-six essential essays that chart the development of Andrew Milner's distinctively Orwellian cultural materialism.

An introduction to the historical and theoretical groundings of cultural studies which identifies six alternative paradigms: utilitarianism, culturalism, marxism, structuralism, feminism and postmodernism. It explores the socio-discursive

The book is an attempt to reinstate - and demonstrate by practical example - the mutual relevance and interdependence of literary studies and cultural studies