Bøger af Andrew Fox

Focusing on the transitional period of the late Republic to the early Principate, Trees in Ancient Rome offers a sustained examination of the deployment of trees in the ancient city, exploring not only the practicalities of their cultivation, but also their symbolic value. The Ruminal fig tree sheltered the she-wolf as she nursed Romulus and Remus and year's later Rome was founded between two groves. As the city grew, neighbourhoods bore the names of groves and hills were known by the trees which grew atop them. From the 1st century BCE, triumphs included trees among their spoils and Rome's green cityscape grew, as did the challenges of finding room for trees within the congested city. This volume begins with an examination of the role of trees as repositories of human memory, lasting for several generations. It goes on to untangle the import of trees, and their role in the triumphal procession, before closing with a discussion of how trees could be grown in Rome's urban spaces. Drawing on a combination of literary, visual and archaeological sources, it reveals the rich variety of trees in evidence, and explores how they impacted, and were used to impact, life in the ancient city.

Modern Lingo Dictionary[mɒdɜ ʳn - li: ŋ-goʊ - dɪk-tʃʌ-neəʳ-i: ]noun1. A book defining modern terms, phrases, and acronyms for dads across America who are just trying to keep up with their kids.

What price redemption? Is martial honor worth the cost of one's soul? Lieutenant Commander August Micholson lost his first ship, the wooden frigate USS Northport, in reckless battle against the ironclad ram CSS Virginia. However, Flag Officer Andrew Foote offers the disgraced young Micholson a chance to redeem himself: he can take the ironclad gunboat USS James B. Eads on an undercover mission to destroy a hidden rebel boat yard, where a fleet of powerful ironclads is being constructed which will allow the Confederate Navy to dominate the Mississippi. But dangers far more sinister than rebel ironclads await Micholson and his crew. On the dark waters of the Yazoo River, deep within rebel territory, they become entangled in a plot devised by a slave and his master to summon African fire spirits to annihilate the Federal armies. Micholson must battle devils both internal and external to save the lives of his crew, sink the Confederate fleet, and foil the arcane conspiracy. Ultimately, Micholson is faced with a terrible choice - he can risk the lives of every inhabitant of America, both Union and Confederate, or destroy himself by merging with a demon and forever melding his own soul with that of his greatest enemy... Book One of Midnight's Inferno: the August Micholson Chronicles Watch for Book Two, Hellfire and Damnation, available April, 2014!

Jacob Zvi has turned his back on everything he was taught to value. His faith, his family, his citizenship, and even his morals. Yet seemingly divine fate introduces Jacob to the struggling members of an Orthodox congregation in the middle of ghetto in New Orleans while terrorists explode a purloined Soviet nuclear artillery shell atop the Temple Mount in Jerusalem.But things quickly take a turn for the Biblical, for the worthy dead are returning to life to build a Third Temple atop the now radioactive Temple Mount, scoured empty by the atomic blast. They return not to bodies of flesh and blood, but to cybernetic bodies produced in an advanced robotics lab on the Tulane campus, part of a secret project funded by the Department of Homeland Security.The End of Days has begun, but unlike anything that has been anticipated by Christians, Buddhists, Hindus, or Muslims. When Jacob is inexplicably selected to serve as God's mouthpiece, and he finds he makes for a clownishly awkward prophet of God's Kingdom on Earth.But he will have to up his game immeasurably in order to broker peace with all the factions who bitterly reject this version of the End Times-chief among them progressive Jews themselves! THE END OF DAZE, a science fiction eschatological satire fitting for the End Times encroaching on the twenty-first century.

Focusing on the transitional period of the late Republic to the early Principate, Trees in Ancient Rome offers a sustained examination of the deployment of trees in the ancient city, exploring not only the practicalities of their cultivation, but also their symbolic value. The Ruminal fig tree sheltered the she-wolf as she nursed Romulus and Remus and year's later Rome was founded between two groves. As the city grew, neighbourhoods bore the names of groves and hills were known by the trees which grew atop them. From the 1st century BCE, triumphs included trees among their spoils and Rome's green cityscape grew, as did the challenges of finding room for trees within the congested city.This volume begins with an examination of the role of trees as repositories of human memory, lasting for several generations. It goes on to untangle the import of trees, and their role in the triumphal procession, before closing with a discussion of how trees could be grown in Rome's urban spaces. Drawing on a combination of literary, visual and archaeological sources, it reveals the rich variety of trees in evidence, and explores how they impacted, and were used to impact, life in the ancient city.

Media events have been described as broadcasts that involve an engaged audience viewing the same event simultaneously; though this definition is still relevant, the way media outlets interact with and react to their audiences has greatly changed. This is in part due to the emergence of social media platforms which allow a participatory audience, something that genre-specific television channels now rely on. Because these genre-specific, 24-hour channels seek to hook viewers with hyperbolic presentation and the illusion of large media events, the original definition must be adapted. Global Perspectives on Media Events in Contemporary Society seeks to re-define the role of the media in relaying information about current events within a modern context. Determining what constitutes as and the proper presentation of a media event is of great importance given the ubiquity of media consumption. This book approaches the topic from historical, ceremonial, and globally cultural perspectives while addressing news, sports, and other significant current events. It is a vital resource for students and teachers of communication, media, and journalism, professionals in the media industry, policy makers, and sociologists.

After morphing into 187 very large white rats in the name of self-preservation, Jules Duchon is back to his portly self, a member of that secret class of New Orleans citizens known as the undead. Though he would like nothing better than to spend his nights raising hell and biting flesh in his beloved French Quarter, duty calls when an exclusive club of blue blood vampires demands that the 450-pound cabbie find out who is attacking its young and beautiful members. Adding insult to injury, he has to enlist the help of a former foe: a black vampire named Preston. What's a vampire to do? Without the love of a woman to ease his pain, Jules isn't convinced that his undead life is worth living. He doesn't desire Doodlebug (she may be a woman now but Jules knew her back when she was just a boy) any more than he longs for Daphne, a rat catcher who nourishes a crush the size of Jules. No, only Maureen will do. Once a beautiful stripper with nothing but curve after curve to her bodacious body, now she is mere dust in a jar. But Jules will move heaven and earth to get her back . . . even if it means pulling her back from the dead.

Andrew Fox shows how to predict and assess the most dangerous terrorist threats likely to emerge in the near future in order to focus on countering them.

Hurricanes and vampires and superheroes... oh, my!Following the events of Bride of the Fat White Vampire and The Bad Luck Spirits' Social Aid and Pleasure Club, Jules Duchon and his vampiric family suffer through Hurricane Antonia's devastating floods. In an emptied city, where will they get their blood? Salvation arrives from a highly unlikely source: a trio of Japanese superheroes working with the International Red Cross. But the help of Bonsai Master, Anime Girl, and Cutie-Scary Man comes with a bedeviling price. The blood donated by the three superheroes proves to have highly unpredictable effects on its imbibers. Before they know it, Maureen is transformed into her worst, weightiest nightmare, Jules' mother cleans up Fraternity Row as a human vacuum cleaner, and Jules terrorizes the French Quarter as the meanest, horniest Easter Bunny ever! Chaos ensues in the best tradition of the Fat White Vampire series!Praise for the Fat White Vampire series: "... the best thing to happen to vampire fiction in ages."--Linda Marotta, Fangoria Magazine "There's a great tradition of New Orleans vampire novels . . . In this very, very funny first novel, Andrew Fox bears the standard high."-James Sallis, Magazine of Fantasy and Science Fiction "Funny, clever, and highly entertaining."--Joe Murphy, The Dragon Page

Science fiction is NOT a safe space!In this companion volume to Hazardous Imaginings: The Mondo Book of Politically Incorrect Science Fiction, fourteen stories by Ian Creasey, Andrew Fox, David Wesley Hill, Liam Hogan, Claude Lalumière, and other writers from around the world push the boundaries of what is considered taboo in science fiction. From a society where telling an insult joke is a capital crime to one where letting your faucet drip may cost you your head, from a utopia where inequality and want have been abolished to a hostile planet whose isolated colonists must deal with the aftermath of a sexual assault among their own, these stories pull no punches.With an introduction by award-winning author Barry N. Malzberg.

Over Our Heads: the brilliant debut by Andrew Fox.A young man rushes to the bedside of his ex, knowing the baby she's having is not his own. Travelling colleagues experience an eerie moment of truth when a fire starts in their hotel. A misdirected parcel sets off a complex psychodrama involving two men, a woman and a dog ... Andrew Fox's clever, witty, intense and thoroughly entertaining stories capture the passions and befuddlements of the young and rootless, equally dislocated at home and abroad. Set in America and Ireland - and, at times, in jets over the Atlantic - Over Our Heads showcases a brilliant new talent.'The stories are wonderfully crafted and cared-for, the undertones are witty and ironic, but also serious and filled with sympathy' Colm T ib n, Guardian'Over Our Heads is full of surprises, all of them great' Roddy Doyle, winner of the Booker Prize'Deft, clever, intense - this is a terrific debut from a very gifted new writer' Kevin Barry, winner of the IMPAC prize'Andrew Fox's stories are slivers of power; knowing, watchful and burning with intelligence. Lives half-lived or grasped at; loves longed for and destroyed; the journey of the modern emigrant who goes away in the same daze in which he comes home: these are stories which linger long after they have been read' Belinda McKeon'Fox is skilful at probing the bigger emotions: alienation, loss and nostalgia. His sparse prose is an effective counterpoint to complex feelings. His stories deal with the moments that shape a life: first trysts, the illness of a parent, the graduation of a child. ... Fox knows the hallmark of a good short story: leave the reader wanting more' Financial Times'An impressive and thoroughly enjoyable collection ... Fox lets his characters tramp around their worlds, searching for heaven on earth' Irish Times'Achieves the effect of intimating deep fissures of pain and longing beneath the lightest of surface cracks. Fox's prose is poised and confident, a well-honed tool with which to treat his delicate subject matter' Sunday Times'The best of these stories are very good indeed ... While there are few happy souls in these arresting stories, the reader can find consolation in Fox's supple prose and frequently subtle insights' Irish Independent'A remarkable new talent ... He is able to tread so lightly that we only realise we have been cleverly punched in the solar plexus after we finish the last line' Irish Mail on Sunday (five stars)