Bøger af Andre Dubus

Tom Lowe's fall was catastrophic-a moment of fatigued inattention while shingling a roof leading to excruciating pain, opioid addiction, divorce and estrangement from his son. Yet Tom still considers himself a worker, unlike his shiftless neighbours in subsidised housing. And he resents the hell out of the banker and adjustable-rate mortgage responsible for foreclosure on the home he built himself. After his car is impounded, Tom stoops lower than he ever thought possible, with a scheme to commit fraud. But in digging through literal trash, Tom finds that something new begins to grow: a recognition of common humanity, a self-acceptance deeper than pride, a determination to give what he can. Still, he'll need to fall even further before he finds a new place to rest. To one man's painful moral journey, Andre Dubus III brings compassion with an edge of dark absurdity, forging a novel as absorbing as it is profound.

"Tom Lowe's identity and his pride are invested in the work he does with his back and his hands. He designed and built his family's dream home, working extra hours to pay off the adjustable rate mortgage he took on the property, convinced he is making every sacrifice for the happiness of his wife and son. Until, in a moment of fatigued inattention, shingling a roof in too-bright sunlight, he falls. In constant pain, addicted to painkillers at the cost of his relationships with his wife and son, Tom slowly comes to realize that he can never work again. If he is not a working man, who is he? He is not, he believes, the kind of person who lives in subsidized housing, though that is where he has ended up. He is not the kind of person who hatches a scheme to commit convenience-check fraud, together with neighbors he considers lowlifes, until he finds himself stealing his banker's trash. Who is Tom Lowe, and who will he become? Can he find a way to reunite hands and heart, mind and spirit, to be once again a giver and not just a taker, to forge a self-acceptance deeper than pride? Andre Dubus III's soulful cast includes Trina, the struggling mom next door who sells her own plasma to get by; Dawn, the tough-talking owner of the local hairdressing salon; Jamie, a well-meaning pothead college student ready to stick it to "the man"; and a mix of strangers and neighbors who will never know the role they played in changing a life. To one man's painful moral journey, Dubus brings compassion with an edge of dark absurdity, forging a novel as absorbing as it is profound"--

Tom Lowe's fall was catastrophic-a moment of fatigued inattention while shingling a roof leading to excruciating pain, opioid addiction, divorce and estrangement from his son. Yet Tom still considers himself a worker, unlike his shiftless neighbours in subsidised housing. And he resents the hell out of the banker and adjustable-rate mortgage responsible for foreclosure on the home he built himself.After his car is impounded, Tom stoops lower than he ever thought possible, with a scheme to commit convenience-check fraud. But in digging through literal trash, Tom finds that something new begins to grow: a recognition of common humanity, a self-acceptance deeper than pride, a determination to give what he can. Still, he'll need to fall even farther before he finds a new place to rest. To one man's painful moral journey, Andre Dubus III brings compassion with an edge of dark absurdity, forging a novel as absorbing as it is profound.

"First published in 1967 by The Dial Press"--Title page verso.

In his stunning follow-up to the #1 best-selling House of Sand and Fog, Andre Dubus draws us into the lives of three deeply flawed, driven people whose paths intersect on a September night in Florida. April, a stripper, has brought her daughter to work at the Puma Club for Men. There she encounters Bassam, a foreign client both remote and too personal, and free with his money. Meanwhile, another man, AJ, has been thrown out of the club, and he's drunk and angry and lonely. From these explosive elements comes a relentless, raw, and page-turning narrative that seizes the reader by the throat with psychological tension, depth, and realism.

Passion and betrayal, violent desperation, ambivalent love that hinges on hatred, and the quest for acceptance by those who stand on the edge of society-these are the hard-hitting themes of a stunningly crafted first collection of stories by the bestselling author of House of Sand and Fog.A vigilant young man working in a halfway house finds himself unable to defend against the rage of one of the inmates in the title story. In "White Trees, Hammer Moon," a man soon to leave home for prison finds himself as unprepared for a family camping trip in the mountains of New Hampshire as he has been for most things in his life. And in the award-winning "Forky," an ex-con is haunted by the punishment he receives just as he is being released into the world. With an incisive ability to inhabit the lives of his characters, Dubus travels deep into the heart of the elusive American dream.

The twenty-five luminous and intensely personal essays in this collection are, like Andre Dubus's celebrated short stories, a testament to the author's vulnerability, vision, and indestructible faith. Since losing one leg and the use of the other in a 1986 accident, Dubus has experienced despair, learned acceptance, and, finally, found joy in the sacramental magic of even the most quotidian tasks.Whether he is writing of the relationship with his father, the rape of his beloved sister, his Catholic faith, the suicide of a gay naval officer, his admiration for fellow writers like Hemingway and Mailer, or the simple act of making sandwiches for his daughters' lunchboxes, Dubus cuts straight to the heart of things. Here we have a master at the height of his powers, an artist whose work "is suffused with grace, bathed in a kind of spiritual glow" (The New York Times Book Review).

"Andre Dubus, one of the 20th century's most gifted short story writers."-The New York TimesWhen Andre Dubus's first book of stories, Separate Flights arrived in 1975, it was immediately celebrated as the arrival of a new and important voice in American fiction. Two years later came Adultery and Other Choices and Dubus' reputation rose even higher.Both books are now collected in We Don't Live Here Anymore, the first in the three-volume Collected Short Stories and Novellas by Andre Dubus. "The stories are about how people must make accommodations once they find out there's no winning," Ann Beattie writes in her introduction. While the collection's opening stories focus on the fragile nature of youth, later stories shift to darker struggles of adulthood, such as in "Andromache"-Dubus's first story to appear in The New Yorker-which traces the aftermath of a tragic death during wartime.Collected Short Stories and Novellas by Andre Dubus includes We Don't Live Here Anymore, The Winter Father, and The Cross Country Runner. All three contain work by an American master, perfect for anyone who loves stories of the human heart and where it can lead us.

The third volume in Godines 2018 re-issue of the short stories and novellas of Andre Dubus, The Cross Country Runner brings together his 1986 collection Last Worthless Evening and Voices from the Moonhis longest, most masterful novellawith previously uncollected stories, and a new introduction by PEN Faulkner Award-winning author Tobias Wolff.

Exquisitely powerful short stories by the masterful Andre Dubus. Originally published in two volumes, The Times Are Never So Bad and Finding a Girl in America.This collection includes some of Andre Dubus's most celebrated stories including "A Father's Story," "The Pretty Girl," and "Killings"-the basis of the Academy Award-nominated film In the Bedroom-a swift tale of revenge that leaves readers wondering what they might do in the name of family love."Dubus's stories feel as fresh today as they did when I first read them, three decades ago," Richard Russo writes in the introduction. "One reason is the delight he takes in playing off readers' genre expectations. Conventional robbery stories, for example, are almost always concerned with whether the thieves will get caught. Here [in 'Anna'] it's the exact opposite. Dubus doesn't care whether Anna and Wayne get caught; not getting caught actually deepens their predicament. Similarly, 'Townies,' which at first appears to be the story of a murdered college girl, turns out to be about the unexpected link between the campus cop who finds her body and the boy who kills her, both of whom have been excluded from the privileged girl's world by virtue of their class."Collected Short Stories and Novellas by Andre Dubus includes We Don't Live Here Anymore, The Winter Father, and The Cross Country Runner. All three contain work by an American master, perfect for anyone who loves stories of the human heart and where it can lead us.

Presents essays by leading short-story writers on their favorite American short stories and why they like them. It will send readers to the library or bookstore to read - or re-read - the stories selected.On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "e;Nobody can read like a writer,"e; Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.

A breaved father stalks his son's killer. A woman cries alone by her television screen. A devout teenager wrestles with his faith and sexuality. Here, in these twenty-three stories, Andre Dubus turns fiction into an act of compassion. For readers new to Dubus, this is the perfect starting point. For fans of his, this is an essential, must-have collection.

A recent immigrant from the Middle East-a former colonel in the Iranian Air Force-yearns to restore his family's dignity in California. A recovering alcoholic and addict down on her luck struggles to hold onto the one thing she has left?her home. And her lover, a married cop, is driven to extremes to win her love.Andre Dubus III's unforgettable characters-people with ordinary flaws, looking for a small piece of ground to stand on-careen toward inevitable conflict. Their tragedy paints a shockingly true picture of the country we live in today.

Andre Dubus III's first novel in a decade is a masterpiece of thrilling tension and heartrending empathy.

In this heartbreakingly beautiful book of disillusioned intimacy and persistent yearning, beloved and celebrated author Andre Dubus III explores the bottomless needs and stubborn weaknesses of people seeking gratification in food and sex, work and love.

Won Book of the Year Adult Non-Fiction-2012 Indie Choice Awards Amazon Best Book of the Month February 2011 An acclaimed novelist reflects on his violent past and a lifestyle that threatened to destroy him-until he was saved by writing.