Bøger af Amy Licence

A unique new look at the sixteenth century, told through the lives of 100 different women.

"Much has been written about the lives of the Tudors, but it is sometimes difficult to really grasp how they experienced the world. Using the five senses, Amy Licence presents a new perspective on the material culture of the past, exploring the Tudors' relationship with the fabric of their existence, from the clothes on their back, roofs over their heads and food on their tables, to the wider questions of how they interpreted and presented themselves, and beliefs about life, death and beyond. This book helps recapture the past: what were the Tudors' favorite perfumes? How did the weather affect their lives? What sounds from the past have been lost? Take a journey back 500 years, to experience the Tudor world as closely as possible, through sights, sound, smell, taste and touch."--Provided by publisher.

What went on behind closed doors in the Tudor Court? Comprehensive coverage of all the major Tudors, from Henry VII and Henry VIII to Elizabeth I. Full of fresh information and insights.

A material culture book that celebrates the way the Tudors experienced the world through their five senses, the first book of its kind

The five hundredth anniversary of a momentous and spectacular meeting between two rival Renaissance monarchs; a failed bid for peace in Europe.

A dynasty is defined by its men: by their personalities, their wars and reigns, their laws and decisions. Their mothers, wives, sisters and daughters are often depicted as mere foils, shadowy figures whose value lies in the inheritance they brought, or the children they produced. Yet the Tudor dynasty is full of women who are fascinating in their own right, like Margaret Beaufort, who finally emerged triumphant after years of turmoil; Elizabeth of York and her steadying influence; Catherine of Aragon and Anne Boleyn, whose rivalry was played out against the backdrop of the Reformation; and Mary and Elizabeth, England's first reigning queens. Then there were all the others: Henry VIII's fascinating sisters who became queens of France and Scotland, and their offspring, the Brandon and Grey women, Lady Margaret Douglas and her granddaughter Arabella Stuart. Many more women danced the Pavane under Henry's watchful eye or helped adjust Elizabeth's ruff. These were strong women, wielding remarkable power, whether that was behind the scenes or on the international stage. Their contribution took England from the medieval era into the modern. It is time for a new narrative of the Tudor women: one that prioritises their experiences and their voices.

The interweaving lives of Ida John, Sophie Brzeska and Fernande Olivier: three mould-breaking women who forged modern relationships with extraordinary men (writer Augustus John, and artists Henri Gaudier-Brzeska and Picasso).

The majority of these young men died in their teens, on the brink of manhood. They represent the lost paths of history, the fascinating "what-ifs" of the houses of York and Tudor.

THE biography of the most alluring, important and enigmatic of Henry VIII's six wives - Anne Boleyn.

Catherine of Aragon continues to fascinate readers 500 years after she became Henry VIII's first queen. Her life was one of passion and determination, of suffering and hope, but ultimately it is a tragic love story, as circumstances conspired against her. Having lost her first husband, Henry's elder brother Prince Arthur, she endured years of ill health and penury, to make a dazzling second match in Henry VIII. There is no doubt that she was Henry's true love, compatible with him in every respect and, for years, she presided over a majestic court as the personification of his ideal woman. However, Catherine's body failed her in an age when fertility was a prerequisite of political stability. When it became clear that she could no longer bear children, the king's attention turned elsewhere, and his once chivalric devotion became resentment. Catherine's final years were spent in lonely isolation but she never gave up her vision: she was devoted to her faith, her husband and to England, to the extent that she was prepared to be martyred for them. Banished and close to death, she wrote a final letter to her 'most dear lord and husband'. 'I pardon you everything... mine eyes desire you above all things.' The fidelity of this remarkable woman never wavered.

When the tall, athletic Edward of York seized the English throne in 1461, he could have chosen any bride he wanted. With his dazzling good looks and royal lineage, the nineteen-year-old quickly got a reputation for womanising, and few were able to resist his charm and promises. For three years he had a succession of mistresses, while foreign princesses were lined up to be considered for his queen. Then he fell in love. The woman who captured the king was Elizabeth Woodville, a widow five years his elder. While her contemporaries and later historians have been divided over her character, none have denied her beauty. She had previously been married to a Lancastrian knight who had lost his life fighting against the Yorkists. When she petitioned the king to help restore her son's inheritance, reputedly waiting for him under an oak tree, the young Edward was immediately spellbound. But this romance was not to be just another fling. Conscious of her honour and her future, Elizabeth repelled his advances. Edward's answer was to make her his wife. It was to prove an unpopular decision. Since then, Edward's queen has attracted extreme criticism, her story and connections reported by hostile chroniclers, her actions interpreted in the bleakest of lights. In this enlightening book, Amy Licence reassesses the tumultuous lives of the real White Queen and the king she captivated.

Sisters Vanessa Bell and Virginia Woolf have long been celebrated for their central roles in the development of modernism in art and literature. Vanessa's experimental work places her at the vanguard of early twentieth-century art, as does her role in helping introduce many key names - Cezanne, Matisse, Picasso - to an unsuspecting public in 1910. Virginia took these artistic innovations and applied them to literature, pushing the boundaries of form, narrative and language to find a voice uniquely her own. Yet their private lives were just as experimental. Vanessa's marriage to art critic Clive Bell was shaken early on by his flirtation with her sister, and Virginia's marriage to Leonard Woolf placed him more in the role of carer than husband as he tried to meet the needs of his wife's fragile mental health. However, forming the core of the Bloomsbury Group, they welcomed into their London and Sussex homes a host of their talented peers, and caused speculation and scandal by following their hearts, not society's norms, in their continued pursuit of love. In Living in Squares, Loving in Triangles, Amy Licence explores the brave, passionate and innovative lives these remarkable women lived, and discovers where their strength and talent came from.

For a King renowned for his love life, Henry VIII has traditionally been depicted as something of a prude, but the story may have been different for the women who shared his bed. How did they take the leap from courtier to lover - perhaps even to wife? What was Henry really like as a lover?Henry's women were uniquely placed to experience the tension between his chivalric ideals and the lusts of the handsome, tall, athletic king; his first marriage, to Catherine of Aragon, was on one level a fairytale romance, but his affairs with Anne Stafford, Elizabeth Carew and Jane Popincourt undermined it early on. Later, his more established mistresses, Bessie Blount and Mary Boleyn, risked their good names by bearing him illegitimate children. Typical of his time, Henry did not see that casual liaisons might threaten his marriage, until he met the one woman who held him at arm's length. The arrival of Anne Boleyn changed everything. Her seductive eyes helped rewrite history. After their passionate marriage turned sour, the king rapidly remarried to Jane Seymour. Henry was a man of great appetites, ready to move heaven and earth for a woman he desired; Licence readdresses the experiences of his wives and mistresses in this frank, modern take on the affairs of his heart. What was it really like to be Mrs Henry VIII?

As Tudors go, Elizabeth of York is relatively unknown. Yet she was the mother of the dynasty, with her children becoming King of England (Henry VIII) and Queens of Scotland (Margaret) and France (Mary Rose) and her direct descendants included three Tudor monarchs, two executed queens and, ultimately, the Stuart royal family. Although her offspring took England into the early modern era, Elizabeth's upbringing was rooted firmly in the medieval world. The pivotal moment was 1485. Before then, her future was uncertain amid the turbulent Wars of the Roses, Elizabeth being promised first to one man and then another, and witnessing the humiliation and murder of her family. Surviving the bloodbath of the reign of her uncle, Richard III, she slipped easily into the roles of devoted wife and queen to Henry VII and mother to his children, and has been venerated ever since for her docility and beauty. But was she as placid as history has suggested? In fact, she may have been a deeply cultured and intelligent survivor who learned to walk a difficult path through the twists and turns of fortune. Perhaps she was more of a modern woman than historians have given her credit for.

Shakespeare's enduring image of Richard III's queen is one of bitterness and sorrow. Anne curses the killer of her husband and father, before succumbing to his marriage proposal, bringing to herself a terrible legacy of grief and suffering an untimely death. Was Anne a passive victim? Did she really jump into bed with the enemy? Myths aside, who was the real Anne? As the Kingmaker's daughter, she played a key role in his schemes for the throne. Brought up in the expectation of a glorious marriage, she was not the passive manipulated pawn of romantic legend; in fact, she was a pragmatist and a survivor, whose courage and endurance were repeatedly pushed to the limit. Her first marriage, to the young Lancastrian, Prince Edward, should have brought her riches and a throne, but when she returned to England to claim her right, she found herself fatherless and widowed. Her second marriage, to her childhood friend Richard of Gloucester, proved to be a successful and peaceful union. Then, in the spring of 1483, everything changed. Anne found herself catapulted into the public eye and sitting on the throne beside Richard. The circumstances of their reign put an unprecedented pressure on their marriage; amid rumours of affairs and divorce, Anne died mysteriously, during an eclipse of the sun, just weeks before Richard's death on the battlefield. This fascinating and elusive woman is shrouded in controversy and unanswered questions. Amy Licence reassesses the long-standing myths about Anne's role, her health and her marriages, to present a new view of the Kingmaker's daughter.

Learn what went on behind closed doors in the Tudor court. Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors - Elizabeth of York died in childbirth, two of Henry VIII's queens were beheaded for infidelity, and Elizabeth I's elective virginity signalled the demise of a dynasty. Amy Licence guides the reader through the births of Henry VII and Elizabeth of York's two sons, Arthur and Henry, Catherine of Aragon's subsequent marriages to both of these men, Henry VIII's other five wives and his mistresses, and the sex lives of his daughters. This book details the experiences of all these women, from fertility, conception and pregnancy through to the delivery chamber, on to maternal and infant mortality. Each woman's story is a blend of specific personal circumstances, set against their historical moment: for some the joys were brief, for others it was a question that ultimately determined their fates.

Known to be proud, regal and beautiful, Cecily Neville was born in the year of the great English victory at Agincourt and survived long enough to witness the arrival of the future Henry VIII, her great-grandson. Her life spanned most of the fifteenth century. Cecily's marriage to Richard, Duke of York, was successful, even happy, and she travelled with him wherever his career dictated, bearing his children in England, Ireland and France, including the future Edward IV and Richard III. What was the substance behind her claim to be 'queen by right'? Would she indeed have made a good queen during these turbulent times? One of a huge family herself, Cecily would see two of her sons become kings of England, but the struggles that tore apart the Houses of Lancaster and York also turned brother against brother. Cecily's life cannot have been easy. Images of her dripping in jewels and holding her own alternative 'court' might belie the terrible heartache of seeing her descendants destroy each other. In attempting to be the family peacemaker, she frequently had to make heart-wrenching choices, yet these did not destroy her. She battled on, outliving her husband, friends, rivals and most of her children, to become one of the era's great survivors.