Bøger af Alfred Kubin

Øst for Samarkands bjerge ligger Drømmebyen, Perle, som hovedstad i et gådefuldt land. Sådan bliverDrømmeriget en tåget novembereftermiddag præsenteret for bogens hovedperson, forfatterens alterego, af en mystisk udsending derfra. Han får også at vide, at rigets grundlægger er hans gamleskolekammerat, Patera, der nu inviterer ham til at slå sig ned i dette slaraffenland for alle, der erutilfredse med den moderne kultur. Og inden længe rejser han og hans hustru af sted fra München medOrientekspressen. Men mødet med Drømmeriget bliver et møde med uventede spændinger og sælsomme konflikter, og det bliver snart tydeligt, at det ikke er muligt for nogen at undslippe.Alfred Kubins fabulerende undergangsroman Den anden side indskriver sig i traditionen fra E.T.A.Hoffmann og Edgar Allan Poe og fik afgørende indflydelse på Franz Kafka og Ernst Jünger. Den er alti ét: eventyrroman, dystopi, profeti, allegori, samfundssatire, dekadence- og modernitetskritik og ansesfor at være et hovedværk i den europæiske fantastik.Alfred Kubin (1877-1959) var en østrigsk tegner, illustrator og forfatter, hvis værk kredser om detgroteske, uhyggelige og overnaturlige. Han var knyttet til den tyske kunstnergruppe Der Blaue Reiter og regnes i dag som en vigtig overgangsfigur fra symbolisme til ekspressionisme og surrealisme. Med den fantastiske roman Den anden side (1909) skabte han et litterært modstykke til sin billedkunst.

The Other Side tells of a dream kingdom which becomes a nightmare, of a journey to Pearl, a mysterious city created deep in Asia, which is also a journey to the depths of the subconcious, or as Kubin himself called it, 'a sort of Baedeker for those lands which are half known to us'. Written in 1908, and more or less half way between Meyrink and Kafka, it was greeted with wild enthusiasm by the artists and writers of the Expressionist generation. ' Expressionist illustrator Kubin wrote this fascinating curio, his only literary work in 1908. A town named Pearl, assembled and presided over by the aptly named Patera, is the setting for his hallucinatory vision of a society founded on instinct over reason. Culminating apocalyptically - plagues of insects, mountains of corpses and orgies in the street - it is worth reading for its dizzying surrealism alone. Though ostensibly a gothic macabre fantasy, it is tempting to read The Other Side as a satire on the reactionary, idealist utopianism evident in German thought in the early twentieth century, highly prescient in its gloom, given later developments. The language often suggests Nietsche. The inevitable collapse of Patera's creation is lent added horror by hindsight. Kubin's depiction of absurd bureaucracy is strongly reminiscent of Kafka's The Trial, and his flawed utopia, situated next to a settlement of supposed savages, brings to mind Huxley's Brave New World; it precedes both novels, and this superb new translation could demonstrate its influence on subsequent modern literature.' Kieron Pim in Time Out It will appeal to fans of Mervyn Peake and readers who like the darkly decadent, the fantastic and the grotesque in their reading.

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Alfred Leopold Isidor Kubin (1877-1959) was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Originally published in 1950 this work covers his viewpoint on art, the method of his work, and his creative process, with over 100 black and white illustrations from his career as an illustrator.The artist's memoirs recount his troubled youth, which was shadowed by his hatred for his estranged father, his attempted suicide at the grave of his beloved mother, and his mental breakdown during military service. Upon his 1899 enrollment at the Munich Academy, Kubin discovered a world of inspiration in the works of Odilon Redon, Edvard Munch, James Ensor, and Max Klinger, and he vowed to dedicate his life to the creation of similarly imaginative art. The pen-and-ink drawings featured in this compilation include grotesques from his "Dance of Death" sequence, which employs a Renaissance theme to reflect the artist's interpretation of modern society and its rapid changes, as well as illustrations from various works of Edgar Allen Poe. Alfred Kubin is renowned as one of the all-time finest illustrators of fantastic themes, Kubin illustrated more than 70 books, including the works of Dostoyevsky and Poe as well as his own fiction.