Bøger af Alan L. Hoover

The Whaling People live along the west coast of Vancouver Island and Cape Flattery in Washington. They comprise more than 20 First Nations, including the Nuu-chah-nulth (formerly called Nootka), Ditidaht, Pacheedaht and Makah. These socially related people enjoyed a highly organized, tradition-based culture for centuries before Europeans arrived. As whaling societies, they had a unique relationship with the sea. In The Whaling People, Eugene Arima and Alan Hoover give an intimate account of the traditional ways in which these coastal people looked at and understood the world they lived in. They present the activities, technologies and rituals that the Whaling People used to make a living in their complex coastal environments, and their beliefs about the natural and supernatural forces that affected their lives. The book features 12 narratives collected from First Nations elders, each illustrated with original drawings by the celebrated Hesquiaht artist Tim Paul. This informative and entertaining book celebrates the still-thriving cultures of the Whaling People, who survived the devastating effects of colonial power and influences. It includes a history of treaty making in BC, leading up to the just-ratified Maa-nulth Treaty signed by five First Nations of the Whaling People.

Peter Macnair and Alan Hoover recount the history of Haida argillite carving since it began in the early 1800s, and they describe more than 200 examples from the extensive collection of the Royal BC Museum. Argillite is a dense, black shale mined from a quarry on Haida Gwaii (Queen Charlotte Islands), reserved for the exclusive use of Haida carvers. Argillite works are unique in style and character, ranging from ceremonial pipes and model poles to elaborate platters and chests. "The careful scholarship of Peter Macnair and Alan Hoover has ensured that The Magic Leaves remains an authoritative text on the types, subjects and history of argillite carving. Argillite carvings made for the souvenir, ethnographic and fine-art markets maintained and developed Indigenous stylistic and narrative traditions. The beautiful black slate of Haida Gwaii continues to be a vehicle for profound expressions of Haida history and artistic innovation." - Dr. Martha Black, from the Foreword.