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THE FOREWORD BLUESWesli Court said I should write a book,A bunch of blues-enough to fill a book,And he'd design the cover. I said, "Look,If you'll write half of them, then I will chooseA ball-point pen, a felt-tip-I will chooseTo join you in a modicum of blues."And that's the reason, Reader, we are here-You, Wes and me-we three assembled hereAmong these turning leaves yellow and sere.We hope you'll think the words we write are fine,Our writing bold and dark, but our wordage fine . . . ,At least we hope you'll like the cover design.Envoy EpilogueGo, little book of sorrows, cares and woes,But Wesli's gone. Where? Only goodness knows.

Gay Talese and Pete Hamill discuss the life and legacy of Frank Sinatra. "Like his hero, Jay Gatsby, Sinatra 'believed in the green light, the orgiastic future that year by year recedes before us.' It was that longing for a lost future that so permeated his music and life that gave it an essential quality of longing, loss, and nostalgia."

OThis unique and remarkable catalogue may well represent the cornerstone of a long-needed Italian-American Archive, the entry point to the social, political, and literary micro-history of one of the largest migrations in modern times.ONPeter Carravetta, Alfonse M. D'Amato Professor of Italian and Italian American Studies, SUNY at Stony Brook.

Contributors to this work include Carmine di Biase, Giuseppe Antonio Camerino, Simone Castaldi, Elena Coda, Lois C. Dubin, Sylvie Duvernoy, Elvio Guagnini, Kay Bea Jones, Russell Scott Valentino, and Cristina Perissinotto.

Poetry. Joseph V. Ricapito is a professor of Spanish, Italian, and Comparative Literature at Louisiana State University and holds the Joseph S. Yenni Distinguished Chair for the Department of Italian Studies. He holds degrees from Brooklyn College, CUNY, University of Iowa, and a PhD in Romance Languages from the University of California at Los Angeles. He is the author of FLORENTINE STREETS AND OTHER POEMS, published by Bordighera and recently published his first novel, Fratelli: A Novel, with AuthorHouse of Bloomington, Indiana.

Mormino presents an overview of the history of Italians in Florida, creditingthe Italian-Americans with the state's growth and development.

"Federico F." is a semi-fictional novel that chronicles the last nine months of Italian film director Federico Fellini's life, from January to October 1993. Angelucci reveals how creatively Fellini treated personal events, as if they were screenplay ideas to be developed.

Talarico's poetry bridges the gap between the scientific approach to life andthat advocated by the humanities.

Poetry. "Emanuel di Pasquale writes with reverence and wonder, like some Adam first laying eyes on beast and tree, bestowing names upon them...I find di Pasquale an astonishing and delightful poet, a visionary miraculously set down in New Jersey, and a true original" -- X.J. Kennedy.

Poetry. European American Studies. "LOOKING FOR COVER is Maria Fama at her best. Her poetry is a lyrical invitation to a world that is richly and sensuously detailed, where everything is honored-most notably the timelessness of the ancestors and our own lives as we revisit ourselves"-Janet Mason. A graduate of Temple University, Maria Fama is the author of four other books and has been published in numerous literary journals and anthologies. Maria Fama is the recipient of numerous awards, including the Aniello Lauri Award for Creative Writing (2002 and 2005), the 1994 Dream Images Poetry Award, and the Amy Tritsch Needle Award for Poetry, in 2006.

Poetry. Anyone who knows anything about poetry written in English between the two World Wars knows the name Carnevali, but almost no on knows the words of the wonderful work he wrote, as he only published one book in his lifetime, A Hurried Man (1925). To this day Carnevali remains an almost mythological figure. He and his work resist categorization as he had a conflictual relationship with so many things: Modernism, America, and Italy among them. He believed that he "belonged to the nineteenth century more than to any other, perhaps entirely, insanely to the nineteenth century." The poems published here--the poems originally published in A Hurried Man--are a triumph: they take us from New York to Chicago and his illness and then to his return to Italy and those painful years in a hospital room. "Job Junior," one of his essays, has been included here as a preface to his work; it provides an understanding of his poetics.

Cultural Writing. SHIFTING BORDERS, NEGOTIATING PLACES is a compilation of papers presented at the international conference on cultural studies held at the University of Rome "La Sapienza" in 2000 and indicate some of the many directions scholars working in cultural studies have taken. Presented in both English and Italian (without translation), these papers present investigations sparked by European political and economic unification, globalization, and the place of cultural studies in apprehending and theorizing transnational change. Cultural studies may have taken hold in Italy later than it did in Great Britian and North America, but Italian academia now includes both many enthusiastic practitioners and a committed audience, as the diverse proceedings of this intellectually satisfying conference indicate.

Poetry. Goerge Guida's first collection of poems, LOW ITALIAN, shows that he ..".is a comic genius who is writing some of the funniest, most successfully satiric poems about Italian American behavior and culture, and by extension, ethnicity in general. His work has the self-assurance of a master: his voice can be assertive, ironic, self-reflexive, harlequinesque, self-depricating, and noble, all the time remaining spontaneous, unified, and faithful to its own unique vision"--John Paul Russo, Co-Editor of the ITALIAN AMERICANA.

Cultural Writing. The three essays in this volume originate from a symposium held at Florida Atlantic University, dedicated to the integration of the Advanced Placement exam within the teaching of Italian language and culture. Special emphasis was placed upon Italian-American culture, as shown in the essays included in INTRODUCING ITALIAN AMERICANA: "From the Old Country to the Old Neighborhood: Creating Italian American Literature," by Fred Gardaphe, State University of New York at Stony Brook; "From Italy to the New World: Italian Writers in the United States," by Paolo A Giordano, University of Central Florida; and "Italian Americans and the Movies," by Anthony Julian Tamburri, Queens College/CUNY. Each essay is offered in both English and Italian.

Fiction. Fred Misurella's collection of stories, Lies to Live By, tells the complex, and sometimes secret truth about what it is to be alive in these complicated times. THe eight stories in this collection are deep in their understanding and widely varied in their subject matter. Misurella writes in the clearest, precise prose, and has as his special strength the joining of shining intelligence with deep emotion. LIES TO LIVE BY deserves a wide readership and serious attention,"-Kent Haruf. "All of Misurells's finely-drawn characters are "crossing a bridge, preparing to pass through the doors of a new time zone." Their journey from old-world neighborhoods into more modern times makes for delightful reading" -Rita Ciresi.

"These essays represent a broad array of the papers delivered at the fourth annual conference of the Italian Cultural Studies Association ... held in Boca Raton ... November 7-9, 2002"--P.

Poetry. Art. In PACKS SMALL PLAYS BIG, Phyllis Capello gives us exquisite, finely-crafted lyrical poems, polished and many-faceted as the finest jewels. These poems contain a woman's voice crying out from tenement windows and city streets. They both grieve for all that is lost to the passage of time and celebrate all that remains.--Maria Mazziotti Gillan PACKS SMALL PLAYS BIG packs a punch to the gut. Whether it's a feminist reclamation of myth and fable, an activist's prophetic cries of injustice, or the elusive compression of an attuned lyric poet, Capello offers measured solace and rousing intensity. Where else but with this poet's magic can bewitched urban landscapes of 'alarm jangles' and 'jabbering pizzicato' transform into redemptive homemade shrines--notwithstanding the 'patched potholes' and 'pedestrian plod.' The poems 'spark and hum' and the emotion catches our throats.--Peter Covino An exquisite redefinition of Time. The poet's meditation brings ancient sensibility to the urban landscape, Delos to the 'steel horizon, ' Athena to Avenue X. Through stars, dreams, shoelaces, women on the brink keening in tune with sirens, gears, brakes, the lurch of subways overhead, Capello burnishes an eternal lemniscate brimmed with passion.--Annie Rachele Lanzillotto

Poetry. Fiction. Art. A book of lyric essays and prose poems seeking truth through fragments and spectrums.

Poetry. Translated to the Italian by Elisa Biagini, Luigi Bonaffini, Ned Condini, Luigi Fontanella, and Irene Marchegiani. Daneila Gioseffi's BLOOD AUTUMN/AUTUNNO DI SANGUE features selected poems and new work by the poet in both the original English and Italian translation. "Visionary and powerful. Tremendous vitality. A gifted and graceful writer"-Galway Kinnell. "A pleasure to read...Gioseffi's work is brilliant, compassionate, and timely"-D. Nurkse. SPD also carries WORD WOUNDS & WATER FLOWERS and GOING ON, as well as the Gioseffi-edited anthology WOMEN ON WAR: INTERNATIONAL WRITINGS.

Literary Nonfiction. Film Studies. Remarkable for the variety and sophistication of the approaches that it brings to its subject matter, SCREENING ETHNICITY makes a powerful argument for the validity, indeed the necessity, of Italian American cinema as an object of study. By including the concepts of race, gender, and social class along with the more obvious themes of identity and ethnicity, this collection sheds new light on the careers of Frank Capra, Francis Ford Coppola, Michael Cimino, Martin Scorsese, Quentin Tarantino, and the recently canonized David Chase, while calling attention to the achievements of such lesser known figures as Abel Ferrara, Stanley Tucci, Mariarosy Calleri, and Nancy Savoca. "It comes as no suprise that there is so much smart thinking and writing contained in this book"--Bill Tonelli, Rolling Stone.

Literary Nonfiction. LGBT Studies. Italian American Studies. Edited by Joseph Anthony LoGiudice and Michael Carosone. OUR NAKED LIVES: ESSAYS FROM GAY ITALIAN AMERICAN MEN includes essays by Michael Carosone, John D'Emilio, Charles Derry, George De Stefano, Joseph A. Federico, Joseph Anthony LoGiudice, Michael Luongo, David Masello, Tommi Avicolli Mecca, Joe Oppedisano, Felice Picano, Frank Anthony Polito, Michael Schiavi, Frank Spinelli, and Tony Tripoli.The impetus for this book derived from Michael's thesis on the marginalization of Italian American literature for his master's degree in English. While conducting his research, Michael stumbled upon two books of gay Italian American writings. The only two books! At first, Michael was excited with his discovery. Then disappointment and anger erased the excitement when he realized that Gay Italian American identities and voices were not represented in literature, especially Italian American literature and Queer literature. So, we talked about how both of our identities--Gay and Italian American--never appeared throughout our years of formal education. Those two characters were never written in the scenes; those two actors were never given roles on the stage. And we wondered how much longer this would continue, and how much more we were able to tolerate. The purpose of this book is to present these essays that inform on the experiences of these men and their lives as part of the diverse fabric of American society. The lives of these writers are complex because they are forced to conform into a society that demands that they do not express their sexual and ethnic identities, with pride, in positive ways. As sexual and ethnic minorities, these men experience double discrimination. Many people will ask why this book is important and unique, and why this grou

Poetry. LGBT Studies. An urban songline of New York. From the author of the memoir L is for Lion, comes a panegyric of the geology of Manhattan. These poems glitter. Manhattan schist is rendered as a template for the skyline and characters of New York. Grit and stardust collide in this debut collection of poetry and song. The book begins with the bright reflective quality of Mica and ends with the gentrified vision of the city where "New York is nine millions doors, and you have not one key." In between are stories of urban icons: iceman, fish peddler, heart butcher, meter maid, San Gennaro, the magic of grandmothers' hands, the vision of the oldest living tree in the city, immigrants who fell out windows and died in explosions, Italian phrases that link the essence of the sun to a rose to a heart, crushed tomatoes, sunsets, supermarkets, the glory of hot tar, the lessons of marines and lesbians. You will learn history and geology, Italian American heroes, and spiritual imperatives, through the syllables of this one poet's soul.

"In her unique, rhapsodic way, Maria Famà transmits history, both past and present, in her poetry. Bringing a modern touch to traditional storytelling, she gives voice to memory in the beat of our times. Through her words, we visit many corners of the world, not just the Sicily and South Philadelphia which are most likely to be familiar to her, but every other place her stories bring us. Famà seems to be at home everywhere, even the spirit world, as indicated in the title of this collection, Mystics in the Family. Her characters are endearing, and so is her way of invoking them. Each subject is eyed with her purity of vision, and treated with tenderness and respect. Through Famà''s poetry, history is appreciated, revered-and loved." -- Rosemary Petracca Cappello, Poet, Writer, and Editor of Philadelphia Poets

This collection of Tuscan recipes and poetry includes contributions from Ernie Wormwood, Katherine Williams, Christine Sostarich, Rose Solari, and Vivian Shipley.

This volume is a compilation of memoirs and poems of the author and his Sicilian immigrant family.