Bøger i University of North Carolina Studies in Germanic Languages and Literature serien

Originally published in 1959, this first scholarly study of the origin and development of the concept of honor in German literature traces its role from ancient Germanic to modern works and shows how the transformation from external to internal conceptions of honor were influenced by Christian and Stoic ideals.

Identifies the underlying patterns of persistent biblical allusion in the work of renowned playwright Bertolt Brecht. Rather than reducing Brecht's use of the Bible to the purely satirical, the author interprets the full dramatic function of Brecht's complex use of scripture.

Originally published in 1954, Hiebel's Novalis is a critical evaluation of the life and works of Novalis, the German Romantic poet. This book presents a fully rounded picture of the man, the philosopher and scientist, the writer, the mystic, and a commentary on one of the most influential and fruitful periods in German intellectual life.

Interest in the intersections of various kinds of discourse provides the basis for a closer look at diverse textual strategies of cultural legitimation. This collection presents an introductory essay and eleven studies (written in English and German) that address claims to authority associated with differing kinds of texts from such varied perspectives as political performance, popular culture, history of science, interrelations between verbal texts and other arts, and artistic professionalism. Read together, these studies illuminate historical contingencies and reveal important changes in the "technologies of authority" from the twelfth through the eighteenth centuries.The contributors are Claire Baldwin, Thomas Cramer, Arthur Groos, Walter Haug, C. Stephen Jaeger, Jane O. Newman, James F. Poag, David Price, Rudiger Schnell, Lynne Tatlock, Horst Wenzel, and Gerhild Scholz Williams.

Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stephan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film.

Focuses on the striking relationship between one of the most enigmatic poets of the twentieth century and the artists of the Art Nouveau. The author explores the depth of the relationship itself, examines Rilke's activities as an art critic, and analyses the influence of Art Nouveau on the themes, motifs, and structure of the poet's early works.

In this 1954 study of poetic realism and the Novelle form, Silz examines nine Novellen by Brentano, Arnim, Droste-Hulshoff, Stifter, Grillsparzer, Keller, Meyer, Storm and Hauptmann. Through his textual interpretation of these works Silz draws the threads of the transition from Romanticism to Naturalism and the development of the Novelle form.

This first complete modern edition of Peter Schott's Lucubraciunculae opened a treasure-trove of information to students of German literature, historians of Humanism, folklorists, and theologians on its publication in 1963. Also included in this volume are the De mensirus syllabarum epithoma and a letter in German to Schott's sister Anna.

Jill Kowalik reevaluates J.J. Breitinger's Critische Dichtkunst (1740) with regard to a heretofore neglected aspect of aesthetics in the early eighteenth century, namely how poesis and historiography could increasingly come to resemble each other in their assumptions, purposes, and methods of representation.