Bøger i The Cutting Edge: Lesbian Life and Literature Series serien

Features a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell in love in the summer of 1934. These letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women.

Writer, artist, Manhattan gallery owner, and co-editor of the Little Review, Jane Heap was one of the most dynamic figures of the international avant garde. Focusing primarily on the letters written by Heap to Florence Reynolds, this title includes her correspondence that spans the years from 1908-1949.

Whenever she was in Paris, Natalie Clifford Barney hosted a weekly international salon, receiving such figures as James Joyce, Ezra Pound, Isadora Duncan and Truman Capote. This volume of reminiscences chronicles her friendships and associations and evokes the golden age of her salon.

Features a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell in love in the summer of 1934. These letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women.

Friends as lovers; lovers as friends; ex-lovers as friends; ex-lovers as family; friends as family; communities of friends; lesbian community. These are just a few of the phrases heard often in the daily discourse of lesbian life. What significance do they have for lesbians? Do lesbians view friends as family and what does this analogy mean? What sorts of friendships exist between lesbians? What sorts of friendships do lesbians form with non-lesbian women, or with men? These and other questions regarding the kinds of friendships lesbians imagine and experience have rarely been addressed. Lesbian Friendships focuses on actual accounts of friendships involving lesbians and examines a number of issues, including the transition from friends to lovers and/or lovers to friends, erotic attraction in friendship, diverse identities among lesbians, and friendships across sexuality and/or gender lines.

Examines the ways in which the "experiences" of the text, and the "experiences" of characters, diverge and converge with the writer's own biography. Meese considers such issues as authorial intention, the intersection of life and work and the semiotic/erotic space of the woman writer's body.

Examines the ways in which the "experiences" of the text, and the "experiences" of characters, diverge and converge with the writer's own biography. Meese considers such issues as authorial intention, the intersection of life and work and the semiotic/erotic space of the woman writer's body.

Featuring fictional and historical characters, this novel explores the roles women have played, from grandmother, sister and wife, to businesswoman, prostitute, warrior, artist and martyr. In this edition, Harris reintroduces her work, providing background to the milieu in which it was produced.

Americans have long held fast to a rigid definition of womanhood, revolving around husband, home, and children. Women who rebelled against this definition and carved out independent lives for themselves have often been rendered invisible in US history. This title brings to light the lives of two generations of autonomous women.

Tells the story of Diana, a beautiful woman who sought love in the strange by-paths of Lesbos.

Contains essays that focus on how Woolf's public experience and knowledge of same-sex love influences her shorter fiction and novels. This book includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. It provides lesbian interpretations of novels, including Orlando, The Waves, and The Years.

Offers a parody accompanied by the author's illustrations. This book pokes fun at the wealthy expatriates who were author's literary contemporaries and remains controversial today, it seems to have delighted its cast of characters, which was also the first audience.

Friends as lovers; lovers as friends; ex-lovers as friends; ex-lovers as family; friends as family; communities of friends; lesbian community. These are just a few of the phrases heard often in the daily discourse of lesbian life. What significance do they have for lesbians? Do lesbians view friends as family and what does this analogy mean? What sorts of friendships exist between lesbians? What sorts of friendships do lesbians form with non-lesbian women, or with men? These and other questions regarding the kinds of friendships lesbians imagine and experience have rarely been addressed. Lesbian Friendships focuses on actual accounts of friendships involving lesbians and examines a number of issues, including the transition from friends to lovers and/or lovers to friends, erotic attraction in friendship, diverse identities among lesbians, and friendships across sexuality and/or gender lines.

Set in the lesbian and gay circles of Paris in the 1920s, this title tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference.

Anton Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles.

In New York City, women from almost every local women's liberation group took over an abandoned building in lower Manhattan on New Year's Eve, 1970. This title focuses on the time period that berthed modern feminism and paved the way for lesbian communities.

Deals with Virginia Woolf's lesbianism. This title focuses on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels.

What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? This book examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley to address these questions.

Examining the work and writings of such figures as Leslie Marmon Silko, Paula Gunn Allen, Audre Lorde, Alice Walker, Starhawk, Marion Zimmer Bradley, Sonial Johnson and Mary Daly, the author illustrates how these writers and activists outline a journey toward wholeness.

A study of the life and work of the lesbian writer, Jane Rule. Incorporating Rule's early work, including unpublished manuscripts, letters, magazine and newspaper columns, as well as fan-mail, the book also draws on interviews and conversations with the author.

This textual study attempts to subject the works of the Anglo-Irish writer, Elizabeth Bowen, to a poststructuralist re-reading from a lesbian feminist perspective. Hoogland's current research is preoccupied with configurations of lesbian sexuality in novels of "female development" in the 50s.