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Explores how the Book of Isaiah portrays Israel and its capital city using five metaphors that arise from the realm of household relationships: sons/children, daughter, mother, wife, and servant.

To whom is Moses speaking in Deuteronomy? This question is controversial in OT scholarship. Some passages in Deuteronomy indicate that Moses is addressing the first exodus generation that witnessed Horeb (Deut 5:3–4), while other passages point to the second exodus generation that survived the wilderness (Deut 1:35; 2:14–16). Redaction critics such as Thomas Römer and John Van Seters view the chronological problems in Deuteronomy as evidence of multiple tradition layers. Although other scholars have suggested that Deuteronomy’s conflation of chronology is a rhetorical move to unify Israel’s generations, no analysis has thus far explored in detail how the blending of “you” and the “fathers” functions as a rhetorical device. However, a rhetorical approach to the “fathers” is especially appropriate in light of three features of Deuteronomy.First, a rhetorical approach recognizes that the repetitiveness of the Deuteronomic style is a homiletical strategy designed to inculcate the audience with memory. The book is shot through with exhortations for Israel to remember the past. Second, a rhetorical approach recognizes that collective memory entails the transformation of the past through actualization for the present. Third, a rhetorical approach to Deuteronomy accords well with the book’s self-presentation as “the words that Moses spoke” (1:1). The book of Deuteronomy assumes a canonical posture by embedding the means of its own oral and written propagation, thereby ensuring that the voice of Moses speaking in the book of Deuteronomy resounds in Israel’s ears as a perpetually authoritative speech-act.The Rhetoric of Remembrance demonstrates that Deuteronomy depicts the corporate solidarity of Israel in the land promised to the “fathers” (part 1), under the sovereignty of the same “God of the fathers” across the nation’s history (part 2), as governed by a timeless covenant of the “fathers” between YHWH and his people (part 3). In the narrative world of Deuteronomy, the “fathers” begin as the patriarchs, while frequently scrolling forward in time to include every generation that has received YHWH’s promises but nonetheless continues to await their fulfillment.Hwang’s study is an insightful, innovative approach that addresses crucial aspects of the Deuteronomic style with a view to the theological effect of that style.Jerry Hwang (Ph.D., Wheaton College) serves as Assistant Professor of Old Testament at Singapore Bible College.

The biblical-theological approach Boda takes in this work is canonical-thematic, tracing the presentation of the theology of sin and its remedy in the canonical form and shape of the Old Testament. The hermeneutical foundations for this enterprise have been laid by others in past decades, especially by Brevard Childs in his groundbreaking work. But A Severe Mercy also reflects recent approaches to integrating biblical understanding with other methodologies in addition to Childs's. Thus, it enters the imaginative space of the ancient canon of the Old Testament in order to highlight the ?word views? and ?literary shapes? of the ?texts taken individually and as a whole collection.? For the literary shape of the individual texts, it places the ?word views? of the dominant expressions and images, as well as various passages, in the larger context of the biblical books in which they are found. For the literary shape of the texts as a collection, it identifies key subthemes and traces their development through the Old Testament canon. The breadth of Boda's study is both challenging and courageous, resulting in the first comprehensive examination of the topic in the 21st century.

Examines the concept of chosenness in the Hebrew Bible, centering on the role of the unfavored characters within Israel, specifically Judah and Saul.

Traces the theme of justice through the whole narrative of Exodus. Explores how YHWH's reclamation of Israel for worship-service reveals a distinct theological ethic of justice that is grounded in YHWH's creational agenda.

Konrad Schmid is a Swiss biblical scholar who belongs to a larger group of Continental researchers proposing new directions in the study of the Pentateuch. In this volume, a translation of his Erzväter und Exodus, Schmid argues that the ancestor tradition in Genesis and the Moses story in Exodus were two competing traditions of Israel's origins and were not combined until the time of the Priestly Code?that is, the early Persian period. Schmid interacts with the long tradition of European scholarship on the Hebrew Bible but departs from some of the main tenets of the Documentary Hypothesis: he argues that the pre-Priestly material in both text blocks is literarily and theologically so divergent that their present linkage is more appropriately interpreted as the result of a secondary redaction than as thematic variation stemming from J's oral prehistory. He dates Genesis?2 Kings to the Persian period and considers it a redactional work that, in its present shape, is a historical introduction to the message of future hope presented in the prophetic corpus of Isaiah-Malachi.Scholars and students alike will be pleased that this translation makes Schmid's important work readily available in English, both for the contributions made by Schmid and the summary of continental interpretation that he presents. In this edition, some passages have been expanded or modified in order to clarify issues or to engage with more-recent scholarship. The notes and bibliography have also been updated.Dr. Schmid is Professor of Old Testament and Early Judaism at the University of Zürich.

For decades, the prophetic book of Joel has been the focus of scrutiny that belies its brevity. It captures readers with its vivid descriptions of locusts and military invasion and the distress that they cause. It then reveals the concern of YHWH for the covenant community as it systematically reverses the crises that it announces. The book of Joel also offers a window into the rhetorical function of ?the day of YHWH? as it uses the phrase to announce both judgment and restoration. Reflecting the creativity of the Old Testament prophetic spirit, the book then guides its readers from utter anguish to the hope of restoration, rooted in the presence of YHWH.From the Depths of Despair to the Promise of Presence delves into Joel's rhetoric and explores the ways in which it seeks to persuade its audience to adopt its perspective in order to respond to a time of crisis. Barker evaluates the state of the discussion surrounding Joel's composition and relationship to the Book of the Twelve. He develops a model of rhetorical criticism that builds on the foundations of previous approaches and proposes modifications that address the specific challenges posed by the book of Joel. He then puts this model into practice and demonstrates that the book of Joel moves from scenes of devastation to promises of restoration in articulating the necessity of calling and relying on YHWH in all circumstances. He explores the persuasive potential of Joel by focusing on its rhetorical structures and strategy. He examines the way the book of Joel engages its audience and guides the people to realize that they must turn to YHWH so that YHWH will turn and bring restoration.From the Depths of Despair to the Promise of Presence invites the reader to enter into the world of Joel. It calls the reader to experience the ways in which the book of Joel intertwines threats of destruction and the hope of renewal in order to reveal the character of YHWH.

Using narrative devices such as allusions and free associations, multivalent expressions, and irony, the author of Esther wrote a story that is about a Jewish woman, Esther, during the time of the Persian exile of Yehudites, and the Persian king, Ahasuerus, who was in power at the time. At various junctures, the author also used secret writing, or we could say that he conveys mixed messages: one is a surface message, but another, often conflicting message lies beneath the surface. For instance, the outer portrayal of the king as one of the main protagonists is an ironic strategy used by the author to highlight the king's impotent, indecisive, ?antihero? status. He may wield authority?as symbolized by his twice-delegated signet ring?but he remains powerless. Among all the concealments in the story, the concealment of God stands out as the most prominent and influential example.A growing number of scholars regard the book of Esther as a ?comic diversion,? the function and intention of which are to entertain the reader. However, Grossman is more convinced by Mikhail Bakhtin's approach, and he labels his application of this approach to the reading of Esther as ?theological carnivalesque.? Bakhtin viewed the carnival (or the carnivalesque genre) as a challenge by the masses to the governing establishment and to accepted social conventions. He described the carnival as an eruption of ever-present but suppressed popular sentiments. The connection between the story of Esther and Bakhtin's characterization of the carnivalesque in narrative is evident especially in the book of Esther's use of the motifs of ?reversal? and ?transformation.? For example, the young girl Esther is transformed from an exiled Jewess into a queen in one of the turnabouts that characterize the narrative. Many more examples are provided in this analysis of one of the Bible's most fascinating books.

The book of Genesis portrays the character Jacob as a brazen trickster who deceives members of his own family: his father Isaac, brother Esau, and uncle Laban. At the same time, Genesis depicts Jacob as YHWH''s chosen, from whom the entire people Israel derive and for whom they are named. These two notices produce a latent tension in the text: Jacob is concurrently an unabashed trickster and YHWH''s preference. How is one to address this tension? Scholars have long focused on the implications for the character and characterization of Jacob. The very question, however, at its core raises an issue that is theological in nature. The Jacob cycle (Gen 25-36) is just as much, if not more, a text about God as it is about Jacob, a point startlingly absent in a great deal of Genesis scholarship. Anderson argues for the presence of what he has dubbed a theology of deception in the Jacob cycle: YHWH operates as a divine trickster who both uses and engages in deception for the perpetuation of the ancestral promise (Gen 12:1-3).Through a literary hermeneutic, emphasizing the symbiotic relationship between how the text means and what the text means, and a keen eye to the larger task of Old Testament theology as literally "a word about God," Anderson examines the various manifestations of YHWH as trickster in the Jacob cycle. The phenomenon of divine deception at every turn is intimately tethered in diverse ways to YHWH''s unique concern for the protection and advancement of the ancestral promise, which has cosmic implications. Attention is given to the ways that the multiple deceptions-some previously unnoticed-evoke, advance, and at times fulfill the ancestral promise.Anderson''s careful and thoughtful interweaving of trickster texts and traditions in the interest of theology is a unique contribution of this important volume. Oftentimes, scholars who are interested in the trickster are unconcerned with the theological ramifications of the presence of material of this sort in the biblical text, while theologians have often neglected the vibrant and pervasive presence of the trickster in the biblical text. Equally vital is the necessity of viewing the Old Testament''s image of God as also comprising dynamic, subversive, and unsettling elements. Attempts to whitewash or sanitize the biblical God fail to recognize and appreciate the complex and intricate ways that YHWH interacts with his chosen people. This witness to YHWH''s engagement in deception stands alongside and paradoxically informs the biblical text''s portrait of YHWH as trustworthy and a God who does not lie. Anderson''s Jacob and the Divine Trickster stands as a stimulating and provocative investigation into the most interesting and challenging character in the Bible, God, and marks the first true comprehensive treatment of YHWH as divine trickster. Anderson has set the stage to continue the conversation and investigation into a theology of deception in the Hebrew Bible.

Bernard F. Batto spent the bulk of his career examining the ancient Near Eastern context of the Hebrew Bible, with particular interest in the influence of the surrounding cultures on the biblical creation stories. This collection gathers six of his most important previously published essays and adds two new contributions. Among the essays, Batto identifies various creation motifs prevalent in the ancient Near East and investigates the reflexes of these motifs in Genesis 1?11 and other biblical accounts of the primeval period. He demonstrates how the biblical writers adapted and responded to the creation ideas of Mesopotamia, Egypt, Ugarit, and elsewhere.The articles in the volume were written as independent essays. Nevertheless, they are united by theme. Throughout, Batto makes clear his understanding of the Hebrew Bible as a patently unique text, yet one that cannot possibly be understood independent of greater cultural sphere in which it developed. In the Beginning will serve as an indispensable resource for those interested in both the biblical ideas of creation and the mythology of the ancient Near East that influenced them.