Bøger i Princeton University Art Museum Monograph Series serien

A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections

Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work--the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella's dynamic engagement with literature paralleled the artist's experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.

Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography

A collection of essay, which reexamine the Wu Family Shrines pictorial carvings from Han dynasty China, helping readers understand the long cultural history behind them. It addresses the ideals, practices, and problems of the Wu Family Shrines and Han China; and Han funerary art and architecture in Shandong and other regions.

Argues that American audiences have been exposed only to a narrow range of what is available - with the majority of exposure having been given to avant-garde, experimental, or politically charged art. This book discusses contemporary Chinese art in a range of styles and subject matter and substantially expands on our understanding of this work.

An unprecedented exploration of the relationship between art, architecture, social history, and public policy in New York, Chicago, and Los Angeles in the 1960s and '70s

Examines ancient ivories from the coast of Bering Strait, western Alaska, and the islands in between - illuminating their sophisticated formal aesthetic, cultural complexity, and individual histories.

Talks about the revelatory and controversial Pop art movement that emerged in America in the 1960s. This illustrated book focuses on 40 paintings, works on paper, and sculptures by influential artists in the collection of the Princeton University Art Museum. It shows how the artists pointed revisions of the movement's relationship to art history.

The modern Cyprian town of Polis Chrysochous - 'City of Gold' - lies above the city of Arsinoe and the earlier city - kingdom of Marion. Combining archaeological investigation and historical analysis, this book relates the discoveries establishing that these cities had close ties with Greece and with regions from Egypt to Anatolia.

The Princeton University Art Museum's collection of Spanish drawings includes masterworks by artists such as Jusepe de Ribera (1591-1652), Francisco Goya (1746-1828), Pablo Picasso (1881-1973), and Salvador Dali (1904-1989). In this book, each of the 95 drawings is reproduced in colour, often accompanied by comparative illustrations.

A visually striking meditation on buildings and photographs as embodiments of social memory

Between 1950 and 1975, some of the postwar era's most innovative artists flocked to a very unexpected place: New Jersey. There they produced some of the most important work of their careers. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Gordon Matta-Clark, and George Segal.

Surveys a fresh chapter in the history of environmental art, one in which space, geopolitics, human relations, urbanism, and utopian dreamwork play as important a role as, if not more than, raw earth.

In 1891, Paul Gauguin (1848-1903) traveled to Tahiti in an effort to live simply and to draw inspiration from what he saw as the island's exotic native culture. This book addresses both the artist's representation of Tahiti in the woodcut medium and the impact these works had on his artistic practice.