Bøger i Performance Philosophy serien

Encounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.

This is a book about what becomes of the truth when it succumbs to generational memory loss and to the fictions that intervene to cause and fill the gaps. It is a book about the impossibility of writing an autobiography when there is a prepossessing cultural and familial 'we' interfering with the 'I' and an 'I' that does not know itself as a self, except metastatically - as people and characters it has played but not actually been.A highly original combination of close readings and performative autobiography, this book takes performance philosophy to an alternative next step, by having its ideas read back to it by experience, and through assorted fictions. It is a philosophical thought experiment in uncertainty whose literary, theatrical, and cinematic trappings illustrate and finally become what this uncertainty is, the thought experiment having become the life that was, that came before, and that outlives the 'I am'.

Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy.

This book combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street. Our times are pre-eminently political times and have drawn radical responses from many theatre and performance practitioners.

This book offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting. Bringing together perspectives from world-renowned contemporary philosophers and theorists ¿ including Judith Butler, Alphonso Lingis, Catherine Malabou, Jon McKenzie, Martin Puchner, and Avital Ronell ¿ this book engages with the emerging field of performance philosophy, exploring the fruitful encounters being opened across disciplines by this constantly evolving approach. Intersecting dramatic techniques with theoretical reflections, scholars from diverse geographical and institutional locations come together to trace the transfers between French theory and contemporary Anglo-American philosophical and performance practices in order to challenge conventional approaches to knowledge. Through the crossings of different voices and views, the reader will be led to explore the in-between territories where performance meets traditionally philosophical tools and mediums, such as writing, discipline, plasticity, politics, or care.