Bøger i Pantheon Graphic Library serien

***WINNER OF THE 2018 EISNER AWARD FOR BEST U.S. EDITION OF INTERNATIONAL MATERIAL - ASIA***Yaichi is a work-at-home suburban dad in contemporary Tokyo; formerly married to Natsuki and father to their young daughter, Kana. Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented and heartbreaking look at the state of a largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it.(Please note: This book is a traditional work of manga, and reads back to front and right to left.)

A mesmerizing coming-of-age and coming-out graphic novel by the genius writer-artist of the Eisner Award–winning breakout hit My Brother’s HusbandSet in contemporary suburban Japan, Our Colors is the story of Sora Itoda: a sixteen-year-old aspiring painter who experiences his world in synesthetic hues of blues and reds, governed by the emotional turbulence of being a teenager. He wants to live honestly as a young gay man in high school, but that is still not acceptable in Japanese society. His best friend and childhood confidant is Nao, a young woman whom everyone thinks is (or should be) his girlfriend; and it would be the easiest thing to play along—she knows he is gay but knows, too, how hard it is to live one’s truth in their situation. Sora’s world changes forever when he meets Mr. Amamiya, a middle-aged gentleman who is the owner and proprietor of a local coffee shop, and who is completely, unapologetically out as a gay man. A mentorship and friendship ensues, as Sora comes out to him and agrees to paint a mural in the shop, and Mr. Amamiya counsels him (platonically) about how to deal with who he is. But it won’t be easy. Mr. Amamiya paid a high price for his freedom of identity, and when a figure from his past suddenly appears, it becomes a prime example of just how complicated life can be.

The paperback boxed set of the Pulitzer Prize-winning graphic novel in its original two-volume format, re-released to include a sixteen page booklet designed by the artist. Acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal), Maus is considered "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art-widely hailed as the greatest graphic novel ever written-Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord."-- The New York TimesArt Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets.Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan: The Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.